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MERRY SPOOKY CHRISTMAS (25 Weird & Supernatural Tales in One Edition). Томас ХардиЧитать онлайн книгу.

MERRY SPOOKY CHRISTMAS (25 Weird & Supernatural Tales in One Edition) - Томас Харди


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a Catholic, and the children, as is common in such cases, had been trained to follow her. Everything seemed undistinguished about the priest, even down to his name, which was Brown; yet the colonel had always found something companionable about him, and frequently asked him to such family gatherings.

      In the large entrance hall of the house there was ample room even for Sir Leopold and the removal of his wraps. Porch and vestibule, indeed, were unduly large in proportion to the house, and formed, as it were, a big room with the front door at one end, and the bottom of the staircase at the other. In front of the large hall fire, over which hung the colonel’s sword, the process was completed and the company, including the saturnine Crook, presented to Sir Leopold Fischer. That venerable financier, however, still seemed struggling with portions of his well-lined attire, and at length produced from a very interior tail-coat pocket, a black oval case which he radiantly explained to be his Christmas present for his god-daughter. With an unaffected vain-glory that had something disarming about it he held out the case before them all; it flew open at a touch and half-blinded them. It was just as if a crystal fountain had spurted in their eyes. In a nest of orange velvet lay like three eggs, three white and vivid diamonds that seemed to set the very air on fire all round them. Fischer stood beaming benevolently and drinking deep of the astonishment and ecstasy of the girl, the grim admiration and gruff thanks of the colonel, the wonder of the whole group.

      “I’ll put ‘em back now, my dear,” said Fischer, returning the case to the tails of his coat. “I had to be careful of ‘em coming down. They’re the three great African diamonds called ‘The Flying Stars,’ because they’ve been stolen so often. All the big criminals are on the track; but even the rough men about in the streets and hotels could hardly have kept their hands off them. I might have lost them on the road here. It was quite possible.”

      “Quite natural, I should say,” growled the man in the red tie. “I shouldn’t blame ‘em if they had taken ‘em. When they ask for bread, and you don’t even give them a stone, I think they might take the stone for themselves.”

      “I won’t have you talking like that,” cried the girl, who was in a curious glow. “You’ve only talked like that since you became a horrid what’s-his-name. You know what I mean. What do you call a man who wants to embrace the chimney-sweep?”

      “A saint,” said Father Brown.

      “I think,” said Sir Leopold, with a supercilious smile, “that Ruby means a Socialist.”

      “A radical does not mean a man who lives on radishes,” remarked Crook, with some impatience; “and a Conservative does not mean a man who preserves jam. Neither, I assure you, does a Socialist mean a man who desires a social evening with the chimney-sweep. A Socialist means a man who wants all the chimneys swept and all the chimney-sweeps paid for it.”

      “But who won’t allow you,” put in the priest in a low voice, “to own your own soot.”

      Crook looked at him with an eye of interest and even respect. “Does one want to own soot?” he asked.

      “One might,” answered Brown, with speculation in his eye. “I’ve heard that gardeners use it. And I once made six children happy at Christmas when the conjuror didn’t come, entirely with soot—applied externally.”

      “Oh, splendid,” cried Ruby. “Oh, I wish you’d do it to this company.”

      The boisterous Canadian, Mr. Blount, was lifting his loud voice in applause, and the astonished financier his (in some considerable deprecation), when a knock sounded at the double front doors. The priest opened them, and they showed again the front garden of evergreens, monkey-tree and all, now gathering gloom against a gorgeous violet sunset. The scene thus framed was so coloured and quaint, like a back scene in a play, that they forgot a moment the insignificant figure standing in the door. He was dusty-looking and in a frayed coat, evidently a common messenger. “Any of you gentlemen Mr. Blount?” he asked, and held forward a letter doubtfully. Mr. Blount started, and stopped in his shout of assent. Ripping up the envelope with evident astonishment he read it; his face clouded a little, and then cleared, and he turned to his brother-in-law and host.

      “I’m sick at being such a nuisance, colonel,” he said, with the cheery colonial conventions; “but would it upset you if an old acquaintance called on me here tonight on business? In point of fact it’s Florian, that famous French acrobat and comic actor; I knew him years ago out West (he was a French-Canadian by birth), and he seems to have business for me, though I hardly guess what.”

      “Of course, of course,” replied the colonel carelessly—“My dear chap, any friend of yours. No doubt he will prove an acquisition.”

      “He’ll black his face, if that’s what you mean,” cried Blount, laughing. “I don’t doubt he’d black everyone else’s eyes. I don’t care; I’m not refined. I like the jolly old pantomime where a man sits on his top hat.”

      “Not on mine, please,” said Sir Leopold Fischer, with dignity.

      “Well, well,” observed Crook, airily, “don’t let’s quarrel. There are lower jokes than sitting on a top hat.”

      Dislike of the red-tied youth, born of his predatory opinions and evident intimacy with the pretty godchild, led Fischer to say, in his most sarcastic, magisterial manner: “No doubt you have found something much lower than sitting on a top hat. What is it, pray?”

      “Letting a top hat sit on you, for instance,” said the Socialist.

      “Now, now, now,” cried the Canadian farmer with his barbarian benevolence, “don’t let’s spoil a jolly evening. What I say is, let’s do something for the company tonight. Not blacking faces or sitting on hats, if you don’t like those—but something of the sort. Why couldn’t we have a proper old English pantomime—clown, columbine, and so on. I saw one when I left England at twelve years old, and it’s blazed in my brain like a bonfire ever since. I came back to the old country only last year, and I find the thing’s extinct. Nothing but a lot of snivelling fairy plays. I want a hot poker and a policeman made into sausages, and they give me princesses moralising by moonlight, Blue Birds, or something. Blue Beard’s more in my line, and him I like best when he turned into the pantaloon.”

      “I’m all for making a policeman into sausages,” said John Crook. “It’s a better definition of Socialism than some recently given. But surely the get-up would be too big a business.”

      “Not a scrap,” cried Blount, quite carried away. “A harlequinade’s the quickest thing we can do, for two reasons. First, one can gag to any degree; and, second, all the objects are household things—tables and towel-horses and washing baskets, and things like that.”

      “That’s true,” admitted Crook, nodding eagerly and walking about. “But I’m afraid I can’t have my policeman’s uniform? Haven’t killed a policeman lately.”

      Blount frowned thoughtfully a space, and then smote his thigh. “Yes, we can!” he cried. “I’ve got Florian’s address here, and he knows every costumier in London. I’ll phone him to bring a police dress when he comes.” And he went bounding away to the telephone.

      “Oh, it’s glorious, godfather,” cried Ruby, almost dancing. “I’ll be columbine and you shall be pantaloon.”

      The millionaire held himself stiff with a sort of heathen solemnity. “I think, my dear,” he said, “you must get someone else for pantaloon.”

      “I will be pantaloon, if you like,” said Colonel Adams, taking his cigar out of his mouth, and speaking for the first and last time.

      “You ought to have a statue,” cried the Canadian, as he came back, radiant, from the telephone. “There, we are all fitted. Mr. Crook shall be clown; he’s a journalist and knows all the oldest jokes. I can be harlequin, that only wants long legs and jumping about. My friend Florian ‘phones he’s bringing the police costume; he’s changing on the way. We can act it in this very hall, the audience sitting on those broad stairs opposite, one row above another. These front doors can be the back scene, either open


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