Life's Handicap: Being Stories of Mine Own People. Rudyard 1865-1936 KiplingЧитать онлайн книгу.
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Rudyard Kipling
Life's Handicap: Being Stories of Mine Own People
Published by Good Press, 2019
EAN 4057664633279
Table of Contents
REINGELDER AND THE GERMAN FLAG
THE LIMITATIONS OF PAMBE SERANG
THE DREAM OF DUNCAN PARRENNESS
THE INCARNATION OF KRISHNA MULVANEY
PREFACE
In Northern India stood a monastery called The Chubara of Dhunni Bhagat. No one remembered who or what Dhunni Bhagat had been. He had lived his life, made a little money and spent it all, as every good Hindu should do, on a work of piety—the Chubara. That was full of brick cells, gaily painted with the figures of Gods and kings and elephants, where worn-out priests could sit and meditate on the latter end of things; the paths were brick paved, and the naked feet of thousands had worn them into gutters. Clumps of mangoes sprouted from between the bricks; great pipal trees overhung the well-windlass that whined all day; and hosts of parrots tore through the trees. Crows and squirrels were tame in that place, for they knew that never a priest would touch them.
The wandering mendicants, charm-sellers, and holy vagabonds for a hundred miles round used to make the Chubara their place of call and rest. Mahomedan, Sikh, and Hindu mixed equally under the trees. They were old men, and when man has come to the turnstiles of Night all the creeds in the world seem to him wonderfully alike and colourless.
Gobind the one-eyed told me this. He was a holy man who lived on an island in the middle of a river and fed the fishes with little bread pellets twice a day. In flood-time, when swollen corpses stranded themselves at the foot of the island, Gobind would cause them to be piously burned, for the sake of the honour of mankind, and having regard to his own account with God hereafter. But when two-thirds of the island was torn away in a spate, Gobind came across the river to Dhunni Bhagat’s Chubara, he and his brass drinking vessel with the well-cord round the neck, his short arm-rest crutch studded with brass nails, his roll of bedding, his big pipe, his umbrella, and his tall sugar-loaf hat with the nodding peacock feathers in it. He wrapped himself up in his patched quilt made of every colour and material in the world, sat down in a sunny corner of the very quiet Chubara, and, resting his arm on his short-handled crutch, waited for death. The people brought him food and little clumps of marigold flowers, and he gave his blessing in return. He was nearly blind, and his face was seamed and lined and wrinkled beyond belief, for he had lived in his time which was before the English came within five hundred miles of Dhunni Bhagat’s Chubara.
When we grew to know each other well, Gobind would tell me tales in a voice most like the rumbling of heavy guns