Dark Venetian. Anne MatherЧитать онлайн книгу.
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Mills & Boon is proud to present a fabulous
collection of fantastic novels by
bestselling, much loved author
ANNE MATHER
Anne has a stellar record of achievement within the
publishing industry, having written over one hundred
and sixty books, with worldwide sales of more than
forty-eight MILLION copies in multiple languages.
This amazing collection of classic stories offers a chance
for readers to recapture the pleasure Anne’s powerful,
passionate writing has given.
We are sure you will love them all!
I’ve always wanted to write—which is not to say I’ve always wanted to be a professional writer. On the contrary, for years I only wrote for my own pleasure and it wasn’t until my husband suggested sending one of my stories to a publisher that we put several publishers’ names into a hat and pulled one out. The rest, as they say, is history. And now, one hundred and sixty-two books later, I’m literally—excuse the pun— staggered by what’s happened.
I had written all through my infant and junior years and on into my teens, the stories changing from children’s adventures to torrid gypsy passions. My mother used to gather these manuscripts up from time to time, when my bedroom became too untidy, and dispose of them! In those days, I used not to finish any of the stories and Caroline, my first published novel, was the first I’d ever completed. I was newly married then and my daughter was just a baby, and it was quite a job juggling my household chores and scribbling away in exercise books every chance I got. Not very professional, as you can imagine, but that’s the way it was.
These days, I have a bit more time to devote to my work, but that first love of writing has never changed. I can’t imagine not having a current book on the typewriter—yes, it’s my husband who transcribes everything on to the computer. He’s my partner in both life and work and I depend on his good sense more than I care to admit.
We have two grown-up children, a son and a daughter, and two almost grown-up grandchildren, Abi and Ben. My e-mail address is [email protected] and I’d be happy to hear from any of my wonderful readers.
Dark Venetian
Anne Mather
MILLS & BOON
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Table of Contents
THE man climbed silently out of the water, his tight black rubber suit gleaming wetly, like sealskin, in the pale light of a waning moon. He stood motionless for a moment, listening but the only sound was the gentle lap-lap of the water against the sides of the cemented wharf. He looked down at the murky depths of the canal, and half-smiled to himself, before melting back into the shadows, seeking the darkness of the warehouse behind him. The warehouse was filled with crates of fruit, waiting to be loaded in the morning, and there was the sweet smell of fruit and wooden packing cases, which banished the kind of damp atmosphere present in the building.
The man strode behind a pile of crates, removing his goggles and breathing apparatus, and stripping off the skin-fitting suit expertly. In a matter of seconds he had bundled his gear into an empty guitar case, all except the oxygen tanks which were concealed under some bagging. Then he slid his arms into the jacket of the lounge suit he was wearing, deliberately fastening his tie with studied movements, mentally slowing himself down. Then, he emerged, the guitar case in his hand, a cigarette between his lips.
He opened the door of the warehouse silently, glanced once up and down the deserted wharf before stepping out and closing the door behind him. He walked easily away along the quay, his footsteps masked by rubber-soled shoes.
Count Vidal Cesare climbed negligently out of the gondola, paid the gondolier, and walked indolently across the landing stage to the pillared gateway of the courtyard of the Palazzo Cesare.
A faint pink glow on the horizon heralded the dawn of a new day, gilding the many spires and campaniles of the city, turning the waterways