In the summer of 1893, after nine years of hard but happy literary life in Boston and New York, I decided to surrender my residence in the East and reëstablish my home in the West, a decision which seemed to be—as it was—a most important event in my career.

This change of headquarters was due not to a diminishing love for New England, but to a deepening desire to be near my aging parents, whom I had persuaded, after much argument, to join in the purchase of a family homestead, in West Salem, Wisconsin, the little village from which we had all adventured some thirty years before.

My father, a typical pioneer, who had grown gray in opening new farms, one after another on the wind-swept prairies of Iowa and Dakota, was not entirely content with my plan but my mother, enfeebled by the hardships of a farmer's life, and grateful for my care, was glad of the arrangement I had brought about. In truth, she realized that her days of pioneering were over and the thought of ending her days among her friends and relatives was a comfort to her. That I had rescued her from a premature grave on the barren Dakota plain was certain, and the hope of being able to provide for her comfort was the strongest element in my plan.

After ten years of separation we were agreed upon a project which would enable us as a family to spend our summers together; for my brother, Franklin, an actor in New York City, had promised to take his vacation in the home which we had purchased.

As this homestead (which was only eight hours by rail from Chicago) is to be one of the chief characters in this story, I shall begin by describing it minutely. It was not the building in which my life began—I should like to say it was, but it was not. My birthplace was a cabin—part logs and part lumber—on the opposite side of the town. Originally a squatter's cabin, it was now empty and forlorn, a dreary monument of the pioneer days, which I did not take the trouble to enter. The house which I had selected for the final Garland homestead, was entirely without any direct associations with my family. It was only an old frame cottage, such as a rural carpenter might build when left to his own devices, rude, angular, ugly of line and drab in coloring, but it stood in the midst of a four-acre field, just on the edge of the farmland. Sheltered by noble elms and stately maples, its windows fronted on a low range of wooded hills, whose skyline (deeply woven into my childish memories) had for me the charm of things remembered, and for my mother a placid beauty which (after her long stay on the treeless levels of Dakota) was almost miraculous in effect. Entirely without architectural dignity, our new home was spacious and suggested the comfort of the region round about.

My father, a man of sixty-five, though still actively concerned with a wide wheat farm in South Dakota, had agreed to aid me in maintaining this common dwelling place in Wisconsin provided he could return to Dakota during seeding and again at harvest. He was an eagle-eyed, tireless man of sixty-five years of age, New England by origin, tall, alert, quick-spoken and resolute, the kind of natural pioneer who prides himself on never taking the back trail. In truth he had yielded most reluctantly to my plan, influenced almost wholly by the failing health of my mother, to whom the work of a farm household had become an intolerable burden. As I had gained possession of the premises early in November we were able to eat our Thanksgiving Dinner in our new home, happy in the companionship of old friends and neighbors. My mother and my Aunt Susan were entirely content. The Garlands seemed anchored at last.

—II—

To the Readers of "A Son of the Middle Border"

In taking up and carrying forward the theme of "A Son of the Middle Border" I am fully aware of my task's increasing difficulties, realizing that I must count on the clear understanding and continuing good will of my readers.

First of all, you must grant that the glamor of childhood, the glories of the Civil War, the period of prairie conquest which were the chief claims to interest in the first volume of my chronicle can not be restated in these pages. The action of this book moves forward into the light of manhood, into the region of middle age. Furthermore, its theme is more personal. Its scenes are less epic. It is a study of individuals and their relationships rather than of settlements and migrations. In short, "A Daughter of the Middle Border" is the complement of "A Son of the Middle Border," a continuation, not a repetition, in which I attempt to answer the many questions which readers of the first volume have persistently put to me.

"Did your mother get her new daughter?" "How long did she live to enjoy the peace of her Homestead?" "What became of David and Burton?" "Did your father live to see his grandchildren?" These and many other queries, literary as well as personal, are—I trust—satisfactorily answered in this book. Like the sequel to a novel, it attempts to account for its leading characters and to satisfy the persistent interest which my correspondents have so cordially expressed.

It remains to say that the tale is as true as my memory will permit—it is constructed only by leaving things out. If it reads, as some say, like fiction, that result is due not to invention but to the actual lives of the characters involved. Finally this closes my story of the Garlands and McClintocks and the part they took in a marvelous era in American settlement.

Illustrations

Table of Contents

Isabel McClintock Garland, A Daughter of the Middle Border Zulime Taft: "The New Daughter"	Frontispiece
Miss Zulime Taft, acting as volunteer housekeeper for the colony	104
At last the time came when I was permitted to take my wife—lovely as a Madonna—out into the sunshine	286
The old soldier and pioneer loved to take the children on his knees and bask in the light of the fire	304
Entirely subject to my daughter, who regarded me as a wonder-working giant, I paid tribute to her in song and story	322
That night as my daughters, "dressed up" as princesses, danced like fairies in the light of our restored and broadened hearth, I forgot all the toil, all the disheartenment which the burning of the house had brought upon me	368
The art career which Zulime Taft abandoned (against my wish) after our marriage, is now being taken up by her daughter Constance	399
To Mary Isabel, who, as a girl of eighteen, still loves to impersonate Скачать книгу 1 2 3 Books sex-story