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Aesthetical Essays of Friedrich Schiller. Friedrich SchillerЧитать онлайн книгу.

Aesthetical Essays of Friedrich Schiller - Friedrich Schiller


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       Friedrich Schiller

      Aesthetical Essays of Friedrich Schiller

      Published by Good Press, 2019

       [email protected]

      EAN 4057664175366

       INTRODUCTION.

       Part of the nineteenth century seems to take in hand the task of

       VOCABULARY OF TERMINOLOGY.

       LETTERS ON THE AESTHETICAL EDUCATION OF MAN.

       LETTER I.

       LETTER II.

       LETTER III.

       LETTER IV.

       LETTER V.

       LETTER VI.

       LETTER VII.

       LETTER VIII.

       LETTER IX.

       LETTER X.

       LETTER XI.

       LETTER XII.

       LETTER XIII.

       LETTER XIV.

       LETTER XV.

       LETTER XVI.

       LETTER XVII.

       LETTER XVIII.

       LETTER XIX.

       LETTER XX.

       LETTER XXI.

       LETTER XXII.

       LETTER XXIII.

       LETTER XXIV.

       LETTER XXV.

       LETTER XXVI.

       LETTER XXVII.

       THE MORAL UTILITY OF AESTHETIC MANNERS.

       ON THE SUBLIME.

       THE PATHETIC.

       ON GRACE AND DIGNITY.

       ON DIGNITY.

       ON THE NECESSARY LIMITATIONS IN THE USE OF BEAUTY OF FORM.

       REFLECTIONS ON THE USE OF THE VULGAR AND LOW ELEMENTS IN WORKS OF ART.

       DETACHED REFLECTIONS ON DIFFERENT QUESTIONS OF AESTHETICS.

       ON SIMPLE AND SENTIMENTAL POETRY.

       SENTIMENTAL POETRY.

       SATIRICAL POETRY.

       ELEGIAC POETRY.

       IDYL.

       THE STAGE AS A MORAL INSTITUTION.

       ON THE TRAGIC ART.

       OF THE CAUSE OF THE PLEASURE WE DERIVE FROM TRAGIC OBJECTS.

       Table of Contents

      The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages.

      First, then, aesthetics has for its object the vast realm of the beautiful, and it may be most adequately defined as the philosophy of art or of the fine arts. To some the definition may seem arbitrary, as excluding the beautiful in nature; but it will cease to appear so if it is remarked that the beauty which is the work of art is higher than natural beauty, because it is the offspring of the mind. Moreover, if, in conformity with


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