BY the time that Sylvia reached Paris she no longer blamed anybody but herself for what had happened. Everything had come about through her own greed in trying simultaneously to snatch from life artistic success and domestic bliss: she had never made a serious attempt to choose between them, and now she had lost both; for she could not expect to run away like this and succeed elsewhere to the same degree or even in the same way as in London. No doubt all her friends would deplore the step she had taken and think it madness to ruin her career; but after so much advertisement of her marriage, after the way she had revealed her most intimate thoughts to Olive, after the confidence she had shown in Arthur's devotion, there was nothing else but to run away. Yet now that the engagement had been definitely broken she felt no bitterness toward Arthur: the surprising factor was that he should have waited so long. Moreover, behind all her outraged pride, behind her regret for losing so much, deep in her mind burned a flickering intuition that she had really lost very little, and that out of this new adventure would spring a new self worthier to demand success, and more finely tempered to withstand life's onset. Even when she was sitting beneath the mulberry-tree in the first turmoil of the shock, she had felt a faint gladness that she was not going to live in Mulberry Cottage with Arthur. Already on this May morning of Paris with the chestnuts in their flowery prime she could fling behind her all the sneers and all the pity for her jilting; and though she had scarcely any money she was almost glad of her poverty, glad to be plunged once again into the vortex of existence with all the strength and all the buoyancy that time had given her. She thought of the months after she left Philip. This was a different Sylvia now, and not even yet come to what Sylvia might be. It was splendid to hear already the noise of waters round her, from which she should emerge stronger and more buoyant than she had ever imagined herself before.

Immediately upon her arrival—for with the little money she had there was not a day to be lost—Sylvia went in this mood to visit her old agent; like all parasites, he seemed to know in advance that there was little blood to suck. She told him briefly what she had been doing, let him suppose that there was a man in the case, and asked what work he could find for her.

The agent shook his head; without money it was difficult, nay, impossible to attempt in Paris anything like she had been doing in London. No doubt she had made a great success, but a success in London was no guaranty of a success in Paris, indeed rather the contrary. It was a pity she had not listened to him when she had the money to spend on a proper réclame.

"Bref, il n'y a rien à faire, chère madame."

There was surely the chance of an engagement for cabaret work? The agent looked at Sylvia; and she could have struck him for the way he was so evidently pondering her age and measuring it against her looks. In the end he decided that she was still attractive enough and he examined his books. She still sang, of course, and no doubt still enjoyed dancing? Well, they wanted French girls in Petersburg at the Trocadero cabaret. It would work out at four hundred and fifty francs a month, to which, of course, the commission on champagne would add considerably. She would have to remain on duty till 3 A.M., and the management reserved the right to dispense with her services if she was not a success.

"Comme artiste ou comme grue?" Sylvia demanded.

The agent laughed and shrugged his shoulders; he was afraid that there was nothing else remotely suitable. Sylvia signed the contract, and so little money was left in her purse that from Paris to Petersburg she traveled third class, an unpleasant experience.

The change from the Pierian Hall to the place where she was now singing could scarcely have been greater. For an audience individual, quiet, attentive, was substituted a noisy gathering of people that was not an audience at all. It had been difficult enough in old days to sing to parties drinking round a number of tables; but here to the noise of drinking was added the noise of eating, the clatter of plates, and the shouting of waiters. In a way Sylvia was glad, because she did not want anybody to listen to the song she was singing; she preferred to come on the small stage as impersonally as an instrument in the music of the restaurant orchestra, and retire to give way to another singer without the least attention being paid either to her exit or her successor's entrance.

Sylvia wished that the rest of the evening could have passed away as impersonally; she found it terribly hard to endure again, after so long, the sensation of being for sale, of being pulled into a seat beside drunken officers, of being ogled by elderly German Jews, of being treated as an equal by waiters, of feeling upon her the eyes of the manager as he reckoned her net value in champagne. There were moments when she despaired of her ability to hold out and when she was on the verge of cabling to England for money to come home. But pride kept her back and sustained her; luckily she had to do nothing at present except talk in order to induce her patrons to buy champagne by the dozen. She knew that it could not last, that sooner or later she should acquire the general reputation of being no good for anything except to sit and chatter at a table and make a man spend money on wine for nothing, and that then she should have to go because nobody would invite her to his table. She was grateful that it was Russia and not America or France or England, where a quicker return for money spent would have been expected.

When Sylvia first arrived at Petersburg, she had stayed in solitary misery at a small German hotel that lacked even the merit of being clean. After she had been performing a week, one of her fellow-artistes recommended her to a pension kept by an Englishwoman, the widow of a chancelier at the French Embassy; it was a long way from the cabaret, beyond the racecourse, but there was the tram, and one would always find somebody to pay for the droshky home.

Sylvia visited the pension, which was a tumble-down house in a very large garden of the rankest vegetation, a queer embrangled place; but the first impression of the guests appealed to her, and she moved into it the same afternoon. Mère Gontran, the owner, was one of those expatriated women that lose their own nationality and acquire instead a new nationality compounded of their own, their husband's, and the country they inhabit. She was about fifty-five years old, nearly six feet in height, excessively lean, with a neck like a turkey's, a weather-beaten veinous complexion, very square shoulders, and thin, colorless hair done up in a kind of starfish at the back. Her eyes were very bright, of an intense blue, and she had a habit of wearing odd stockings, which, like her hair, were always coming down, chiefly because she used her garters to keep her sleeves above her elbows. One of the twin passions of her life was animals; but she also had three sons, loutish

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