I am strongly of the opinion that, after the age of twenty-one, a man ought not to be out of bed and awake at four in the morning. The hour breeds thought. At twenty-one, life being all future, it may be examined with impunity. But, at thirty, having become an uncomfortable mixture of future and past, it is a thing to be looked at only when the sun is high and the world full of warmth and optimism.

This thought came to me as I returned to my rooms after the Fletchers' ball. The dawn was breaking as I let myself in. The air was heavy with the peculiar desolation of a London winter morning. The houses looked dead and untenanted. A cart rumbled past, and across the grey street a dingy black cat, moving furtively along the pavement, gave an additional touch of forlornness to the scene.

I shivered. I was tired and hungry, and the reaction after the emotions of the night had left me dispirited.

I was engaged to be married. An hour back I had proposed to Cynthia Drassilis. And I can honestly say that it had come as a great surprise to me.

Why had I done it? Did I love her? It was so difficult to analyse love: and perhaps the mere fact that I was attempting the task was an answer to the question. Certainly I had never tried to do so five years ago when I had loved Audrey Blake. I had let myself be carried on from day to day in a sort of trance, content to be utterly happy, without dissecting my happiness. But I was five years younger then, and Audrey was—Audrey.

I must explain Audrey, for she in her turn explains Cynthia.

I have no illusions regarding my character when I first met Audrey Blake. Nature had given me the soul of a pig, and circumstances had conspired to carry on Nature's work. I loved comfort, and I could afford to have it. From the moment I came of age and relieved my trustees of the care of my money, I wrapped myself in comfort as in a garment. I wallowed in egoism. In fact, if, between my twenty-first and my twenty-fifth birthdays, I had one unselfish thought, or did one genuinely unselfish action, my memory is a blank on the point.

It was at the height of this period that I became engaged to Audrey. Now that I can understand her better and see myself, impartially, as I was in those days, I can realize how indescribably offensive I must have been. My love was real, but that did not prevent its patronizing complacency being an insult. I was King Cophetua. If I did not actually say in so many words, 'This beggar-maid shall be my queen', I said it plainly and often in my manner. She was the daughter of a dissolute, evil-tempered artist whom I had met at a Bohemian club. He made a living by painting an occasional picture, illustrating an occasional magazine-story, but mainly by doing advertisement work. A proprietor of a patent Infants' Food, not satisfied with the bare statement that Baby Cried For It, would feel it necessary to push the fact home to the public through the medium of Art, and Mr. Blake would be commissioned to draw the picture. A good many specimens of his work in this vein were to be found in the back pages of the magazines.

A man may make a living by these means, but it is one that inclines him to jump at a wealthy son-in-law. Mr. Blake jumped at me. It was one of his last acts on this earth. A week after he had—as I now suspect—bullied Audrey into accepting me, he died of pneumonia.

His death had several results. It postponed the wedding: it stirred me to a very crescendo of patronage, for with the removal of the bread-winner the only flaw in my Cophetua pose had vanished: and it gave Audrey a great deal more scope than she had hitherto been granted for the exercise of free will in the choice of a husband.

This last aspect of the matter was speedily brought to my notice, which till then it had escaped, by a letter from her, handed to me one night at the club, where I was sipping coffee and musing on the excellence of life in this best of all possible worlds.

It was brief and to the point. She had been married that morning.

To say that that moment was a turning point in my life would be to use a ridiculously inadequate phrase. It dynamited my life. In a sense it killed me. The man I had been died that night, regretted, I imagine, by few. Whatever I am today, I am certainly not the complacent spectator of life that I had been before that night.

I crushed the letter in my hand, and sat staring at it, my pigsty in ruins about my ears, face to face with the fact that, even in a best of all possible worlds, money will not buy everything.

I remember, as I sat there, a man, a club acquaintance, a bore from whom I had fled many a time, came and settled down beside me and began to talk. He was a small man, but he possessed a voice to which one had to listen. He talked and talked and talked. How I loathed him, as I sat trying to think through his stream of words. I see now that he saved me. He forced me out of myself. But at the time he oppressed me. I was raw and bleeding. I was struggling to grasp the incredible. I had taken Audrey's unalterable affection for granted. She was the natural complement to my scheme of comfort. I wanted her; I had chosen and was satisfied with

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