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INTRODUCTION AND ANALYSIS
Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end – this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are 'tumbling out at his feet,' or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us. For he is hanging between matter and mind; he is under the dominion at the same time both of sense and of abstractions; his impressions are taken almost at random from the outside of nature; he sees the light, but not the objects which are revealed by the light; and he brings into juxtaposition things which to us appear wide as the poles asunder, because he finds nothing between them. He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons, – from the heavens to man, from astronomy to physiology; he confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. He contrasts the perfect movements of the heavenly bodies with the imperfect representation of them (Rep.), and he does not always require strict accuracy even in applications of number and figure (Rep.). His mind lingers around the forms of mythology, which he uses as symbols or translates into figures of speech. He has no implements of observation, such as the telescope or microscope; the great science of chemistry is a blank to him. It is only by an effort that the modern thinker can breathe the atmosphere of the ancient philosopher, or understand how, under such unequal conditions, he seems in many instances, by a sort of inspiration, to have anticipated the truth.
The influence with the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue the Neo-Platonists found hidden meanings and connections with the Jewish and Christian Scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. Believing that he was inspired by the Holy Ghost, or had received his wisdom from Moses, they seemed to find in his writings the Christian Trinity, the Word, the Church, the creation of the world in a Jewish sense, as they really found the personality of God or of mind, and the immortality of the soul. All religions and philosophies met and mingled in the schools of Alexandria, and the Neo-Platonists had a method of interpretation which could elicit any meaning out of any words. They were really incapable of distinguishing between the opinions of one philosopher and another – between Aristotle and Plato, or between the serious thoughts of Plato and his passing fancies. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions, was not understood by them at all. Yet the genius of Plato and Greek philosophy reacted upon the East, and a Greek element of thought and language overlaid and partly reduced to order the chaos of Orientalism. And kindred spirits, like St. Augustine, even though they were acquainted with his writings only through the medium of a Latin translation, were profoundly affected by them, seeming to find 'God and his word everywhere insinuated' in them (August. Confess.)
There is no danger of the modern commentators on the Timaeus falling into the absurdities of the Neo-Platonists. In the present day we are well aware that an ancient philosopher is to be interpreted from himself and by the contemporary history of thought. We know that mysticism is not criticism. The fancies of the Neo-Platonists are only interesting to us because they exhibit a phase of the human mind which prevailed widely in the first centuries of the Christian era, and is not wholly extinct in our own day. But they have nothing to do with the interpretation of Plato, and in spirit they are opposed to him. They are the feeble expression of an age which has lost the power not only of creating great works, but of understanding them. They are the spurious birth of a marriage between philosophy and tradition, between Hellas and the East – (Greek) (Rep.). Whereas the so-called mysticism of Plato is purely Greek, arising out of his imperfect knowledge and high aspirations, and is the growth of an age in which philosophy is not wholly separated from poetry and mythology.
A greater danger with modern interpreters of Plato is the tendency to regard the Timaeus as the centre of his system. We do not know how Plato would have arranged his own dialogues, or whether the thought of arranging any of them, besides the two 'Trilogies' which he has expressly connected; was ever present to his mind. But, if he had arranged them, there are many indications that this is not the place which he would have assigned to the Timaeus. We observe, first of all, that the dialogue is put into the mouth of a Pythagorean philosopher, and not of Socrates. And this is required by dramatic propriety; for the investigation of nature was expressly renounced by Socrates in the Phaedo. Nor does Plato himself attribute any importance to his guesses at science. He is not at all absorbed by them, as he is by the IDEA of good. He is modest and hesitating, and confesses that his words partake of the uncertainty of the subject (Tim.). The dialogue is primarily concerned with the animal creation, including under this term the heavenly bodies, and with man only as one among the animals. But we can hardly suppose that Plato would have preferred the study of nature to man, or that he would have deemed the formation of the world and the human frame to have the same interest which he ascribes to the mystery of being and not-being, or to the great political problems which he discusses in the Republic and the Laws. There are no speculations on physics in the other dialogues of Plato, and he himself regards the consideration of them as a rational pastime only. He is beginning to feel the need of further divisions of knowledge; and is becoming aware that besides dialectic, mathematics, and the arts, there is another field which has been hitherto unexplored by him. But he has not as yet defined this intermediate territory which lies somewhere between medicine and mathematics, and he would have felt that there was as great an impiety in ranking theories of physics first in the order of knowledge, as in placing the body before the soul.
It is true, however, that the Timaeus is by no means confined to speculations on physics. The deeper foundations of the Platonic philosophy, such as the nature of God, the distinction of the sensible and intellectual, the great original conceptions of time and space, also appear in it. They are found principally in the first half of the dialogue. The construction of the heavens is for the most part ideal; the cyclic year serves as the connection between the world of absolute being and of generation, just as the number of population in the Republic is the expression or symbol of the transition from the ideal to the actual state. In some passages we are uncertain whether we are reading a description of astronomical facts or contemplating processes of the human mind, or of that divine mind (Phil.) which in Plato is hardly separable from it. The characteristics of man are transferred to the world-animal, as for example when intelligence and knowledge are said to be perfected by the circle of the Same, and true opinion by the circle of the Other; and conversely the motions of the world-animal reappear in man; its amorphous state continues in the child, and in both disorder and chaos are gradually succeeded by stability and order. It is not however to passages like these that Plato is referring when he speaks of the uncertainty of his subject, but rather to the composition of bodies, to the relations of colours, the nature of diseases, and the like, about which he truly feels the lamentable ignorance prevailing in his own age.
We are led by Plato himself to regard the Timaeus, not as the centre or inmost shrine of the edifice, but as a detached building in a different style, framed, not after the Socratic, but after some Pythagorean model. As in the Cratylus and Parmenides, we are uncertain whether Plato is expressing his own opinions, or appropriating and perhaps improving the philosophical speculations of others. In all three dialogues he is exerting his dramatic and imitative power;