THE SHORT STORIES OF E. F. BENSON. Эдвард БенсонЧитать онлайн книгу.
up at the top of the house,” he said, “but I think you’ll be comfortable. We’re absolutely full up. Would you like to go and see it now? By Jove, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.”
I got up and followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs. Stone, whose grave with the sinister inscription, “In evil memory,” I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar.
I looked around it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me.
It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, “Julia Stone by Julia Stone.”
There came a tap at the door, and John Clinton entered.
“Got everything you want?” he asked.
“Rather more than I want,” said I, pointing to the picture.
He laughed.
“Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow she can’t have flattered herself much.”
“But don’t you see?” said I. “It’s scarcely a human face at all. It’s the face of some witch, of some devil.”
He looked at it more closely.
“Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.”
“I really wish you would,” I said. He rang the bell, and with the help of a servant we detached the picture and carried it out onto the landing, and put it with its face to the wall.
“By Jove, the old lady is a weight,” said John, mopping his forehead. “I wonder if she had something on her mind.”
The extraordinary weight of the picture had struck me too. I was about to reply, when I caught sight of my own hand. There was blood on it, in considerable quantities, covering the whole palm.
“I’ve cut myself somehow,” said I.
John gave a little startled exclamation.
“Why, I have too,” he said.
Simultaneously the footman took out his handkerchief and wiped his hand with it. I saw that there was blood also on his handkerchief.
John and I went back into the tower room and washed the blood off; but neither on his hand nor on mine was there the slightest trace of a scratch or cut. It seemed to me that, having ascertained this, we both, by a sort of tacit consent, did not allude to it again. Something in my case had dimly occurred to me that I did not wish to think about. It was but a conjecture, but I fancied that I knew the same thing had occurred to him.
The heat and oppression of the air, for the storm we had expected was still undischarged, increased very much after dinner, and for some time most of the party, among whom were John Clinton and myself, sat outside on the path bounding the lawn, where we had had tea. The night was absolutely dark, and no twinkle of star or moon ray could penetrate the pall of cloud that overset the sky. By degrees our assembly thinned, the women went up to bed, men dispersed to the smoking or billiard room, and by eleven o’clock my host and I were the only two left. All the evening I thought that he had something on his mind, and as soon as we were alone he spoke.
“The man who helped us with the picture had blood on his hand, too, did you notice?” he said.
“I asked him just now if he had cut himself, and he said he supposed he had, but that he could find no mark of it. Now where did that blood come from?”
By dint of telling myself that I was not going to think about it, I had succeeded in not doing so, and I did not want, especially just at bedtime, to be reminded of it.
“I don’t know,” said I, “and I don’t really care so long as the picture of Mrs. Stone is not by my bed.”
He got up.
“But it’s odd,” he said. “Ha! Now you’ll see another odd thing.”
A dog of his, an Irish terrier by breed, had come out of the house as we talked. The door behind us into the hall was open, and a bright oblong of light shone across the lawn to the iron gate which led on to the rough grass outside, where the walnut tree stood. I saw that the dog had all his hackles up, bristling with rage and fright; his lips were curled back from his teeth, as if he was ready to spring at something, and he was growling to himself. He took not the slightest notice of his master or me, but stiffly and tensely walked across the grass to the iron gate. There he stood for a moment, looking through the bars and still growling. Then of a sudden his courage seemed to desert him: he gave one long howl, and scuttled back to the house with a curious crouching sort of movement.
“He does that half-a-dozen times a day.” said John. “He sees something which he both hates and fears.”
I walked to the gate and looked over it. Something was moving on the grass outside, and soon a sound which I could not instantly identify came to my ears. Then I remembered what it was: it was the purring of a cat. I lit a match, and saw the purrer, a big blue Persian, walking ’round and ’round in a little circle just outside the gate, stepping high and ecstatically, with tail carried aloft like a banner. Its eyes were bright and shining, and every now and then it put its head down and sniffed at the grass.
I laughed.
“The end of that mystery, I am afraid.” I said. “Here’s a large cat having Walpurgis night all alone.”
“Yes, that’s Darius,” said John. “He spends half the day and all night there. But that’s not the end of the dog mystery, for Toby and he are the best of friends, but the beginning of the cat mystery. What’s the cat doing there? And why is Darius pleased, while Toby is terror-stricken?”
At that moment I remembered the rather horrible detail of my dreams when I saw through the gate, just where the cat was now, the white tombstone with the sinister inscription. But