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A Great Conspiracy against Our Race. Peter G. VellonЧитать онлайн книгу.

A Great Conspiracy against Our Race - Peter G. Vellon


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      A GREAT CONSPIRACY AGAINST OUR RACE

      CULTURE, LABOR, HISTORY SERIES

      General Editors: Daniel Bender and Kimberley L. Phillips

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      A Great Conspiracy against Our Race: ItalianImmigrant Newspapers and the Constructionof Whiteness in the Early Twentieth Century Peter G. Vellon

      A Great Conspiracy against Our Race

      Italian Immigrant Newspapers and the Construction of Whiteness in the Early Twentieth Century

       Peter G. Vellon

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      NEW YORK UNIVERSITY PRESS

      New York and London

      www.nyupress.org

      © 2014 by New York University

      All rights reserved

      References to Internet websites (URLs) were accurate at the time of writing.

      Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

      LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

      Vellon, Peter G.

      A great conspiracy against our race : Italian immigrant newspapers and the construction of whiteness in the early twentieth century / Peter G. Vellon.

      pages cm — (Culture, labor, history Series)

      Includes bibliographical references and index.

      ISBN 978-0-8147-8848-6 (cloth : alkaline paper)

      1. Italian American newspapers—History—20th century. 2. Italian Americans—Race identity—History—20th century. 3. Whites—United States—Race identity—History—20th century. 4. Immigrants—United States—History—20th century. 5. Italian Americans—Cultural assimilation—History—20th century. 6. Italian Americans—Social conditions—20th century. 7. United States—Race relations—History—20th century. I. Title.

      PN4885.I8V45 2014

      071’.308951—dc23

      2014016413

      New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability.

      We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.

      Manufactured in the United States of America

      10 9 8 7 6 5 4 3 2 1

      Also available as an ebook

      CONTENTS

       Acknowledgments

       Introduction

       1. The Italian Language Press and the Creation of an Italian Racial Identity

       2. The Italian Language Press and Africa

       3. Native Americans, Asians, and Italian Americans: Constructions of a Multilayered Racial Consciousness

       4. The Education of Italian Americans in Matters of Color

       5. Defending Italian American Civility, Asserting Whiteness 105

       Epilogue

       Notes

       Index

       About the Author

      ACKNOWLEDGMENTS

      In 1997, I had the good fortune of meeting Philip V. Cannistraro at the Graduate Center at The City University of New York. One of the leading scholars in Italian American history, Phil took an immediate interest in my work on ethnicity and race. Although Phil passed away much too soon in 2005, it is not an understatement to say this book could have never been published without him. He consistently provided keen advice, insightful comments, and much-needed encouragement. His generosity as a scholar and mentor continue to inspire me to provide the same guidance for my students. I am eternally grateful to have called him my friend.

      I am also indebted to Carol Berkin, who has bravely served as my unofficial adviser and sage after Phil’s passing. Simply put, Carol has always been there when I needed her. Whether she was reading chapters of the manuscript, offering her expertise in the realm of academia, or lending an ear to my neurotic ramblings, Carol’s kindness is truly extraordinary. There are many others who have made this book a reality. I owe a great debt to David Roediger, whose own work has inspired the way I interpret and read history. In 2006, he reassured me that a book centered on the Italian language press and race would be not only worthwhile but a welcome addition to the literature. At a very delicate time in my life, his confidence in the project proved vital to my going forward. Heartfelt thanks go to Mary Anne Trasciatti and the late Nunzio Pernicone, who both read through the manuscript during its early stages, offering invaluable advice. A host of other scholars have read specific chapters, provided insightful comments, and offered pointed critiques or suggestions about sources or methodology. The book is much better due to their generosity. Special thanks go to Fred Gardaphe, Michael Topp, Donna Gabaccia, Anthony Tamburri, Thomas Guglielmo, the late Rudolph Vecoli, Peter Carravetta, Stanislao Pugliese, and Bill Connell.

      Many more people and institutions made this book possible. I am deeply indebted to New York University Press, especially Kim Phillips, Dan Bender, and former editor Deborah Gershenowitz for believing in this project. I would also like to thank current editor Clara Platter and editorial assistant Constance Grady for their hard work, assistance, and patience. I am very grateful for the funding and support I have received throughout this process. Awards such as the E. P. Thompson Fellowship and Mario Capelloni Fellowship from the Graduate Center/CUNY, along with grants from the National Italian American Foundation, helped me complete the initial stages of my research. Grants from the Professional Staff Congress/CUNY in the form of a PSC-CUNY Research Award, as well as being selected to participate in the CUNY Faculty Fellowship Publication Program, proved immeasurable in shaping the book into its current form. Thanks to my fellow FFPP members for their comments, especially Virginia Sanchez-Korrol, Kathy Lopez, and Cindy Lobel. I also would like to thank the staff at the Immigration Research History Center at the University of Minnesota, especially Sara Wakefield, for their assistance during my visit. Additionally, thanks to the staff at the New York Public Library and the Schomburg Center for Research in Black Culture for their patience while I spent months immersed in microfilmed Italian language newspapers. Many


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