During the days of the removal Riquet roamed sadly through the devastated rooms. He regarded Zoe and Pauline with suspicion, as their arrival had been closely followed by the complete upheaval of his formerly peaceful home. The tears of old Angélique, who wept all day long in her kitchen, increased his depression. His most cherished habits were set at naught; the strange, ill-clad, fierce and insulting men troubled his repose; they even went so far as to enter the kitchen and kick away his plate of food and bowl of fresh water. Chairs were taken from him as soon as he lay upon them, and carpets were abruptly dragged from beneath his persecuted body, so that in his own home he no longer knew where to lay his head.

To his honour be it said that at first he had sought to resist. When the water-tank was removed he had barked furiously at the enemy, but no one heeded the alarm. No one gave him any encouragement; nay, he was, indeed, actually opposed. “Be quiet,” rapped out Mademoiselle Zoe, and Pauline had added, “Riquet, you are perfectly absurd!”

Thenceforth he decided not to waste his time in giving warnings that fell on deaf ears or to labour unaided for the common good, and he grieved silently over the ruined house, and wandered from room to room vainly seeking a little peace. When the pantechnicon men entered the room in which he had taken refuge he would prudently hide beneath some table or sideboard which had not yet been taken away. But this precaution was more harmful than helpful to him, for presently the piece of furniture tottered above him, rose, and fell again, creaking ominously and threatening to crush him. With bristling coat and haggard features he took to his heels only to seek another place of refuge as precarious as the last.

But these material inconveniences, nay, these perils, were trifling matters in comparison with the pain that filled his heart. It was his moral, so to speak, that was most affected.

To him the articles of furniture were not inanimate objects but living and kindly beings, favourable genii whose departure was a presage of dire misfortune. Dishes and frying-pans, saucepans and sugar-basins, all the divinities of the kitchen; arm-chairs, carpets, cushions, all the fetishes of the fireside, his Lares and his household gods, had disappeared. He did not believe that so great a disaster could ever be made good, and his little soul grieved over it to the very limit of its capacity. Happily, like the human soul, it was easily distracted and quick to forget its woes. During the lengthy absences of the thirsty removers, when old Angélique’s broom stirred up the ancient dust upon the floor, Riquet scented the smell of mice, or watched a scurrying spider, and his fickle fancy was diverted awhile; but he soon relapsed into melancholy.

On the day of departure, seeing that matters were growing worse from hour to hour, he was utterly miserable. It seemed to him a peculiarly ominous thing that they should thrust the linen into dismal-looking chests. Pauline was packing her own boxes with joyful eagerness. He turned from her as though she were doing an evil thing, and huddled against the wall. “The worst has come,” he thought. “This is the end of all things!”

Whether he believed that things ceased to exist when he saw them no longer, or whether he was only anxious to avoid a painful spectacle, he was careful not to look in Pauline’s direction. As she went to and fro she chanced to notice Riquet’s attitude, and its melancholy struck her as comical. Laughing, she called him: “Here, Riquet, here!” But he would neither stir from his corner nor turn his head. He hadn’t at that moment the heart to caress his young mistress, and a secret instinct, a kind of foreboding, warned him not to go too near to the gaping trunk. Pauline called him several times, and as he did not respond she went over to him and picked him up in her arms.

“How miserable we are!” she said. “How much to be pitied!”

Her

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