The Complete Works. George OrwellЧитать онлайн книгу.
cruel bad my rheumatism’s been this last week! All down the backs of my legs, it is, like a regular shooting red-hot poker, and I don’t seem to be able to get at them to rub them properly. Would it be asking too much of you, Miss, to give me a bit of a rub-down before you go? I got a bottle of Elliman’s under the sink.”
Unseen by Mrs. Pither, Dorothy gave herself a severe pinch. She had been expecting this, and—she had done it so many times before—she really did not enjoy rubbing Mrs. Pither down. She exhorted herself angrily. Come on, Dorothy! No sniffishness, please! John xiii. 14. “Of course I will, Mrs. Pither!” she said instantly.
They went up the narrow, rickety staircase, in which you had to bend almost double at one place to avoid the overhanging ceiling. The bedroom was lighted by a tiny square of window that was jammed in its socket by the creeper outside, and had not been opened in twenty years. There was an enormous double bed that almost filled the room, with sheets perennially damp and a flock mattress as full of hills and valleys as a contour map of Switzerland. With many groans the old woman crept on to the bed and laid herself face down. The room reeked of urine and paregoric. Dorothy took the bottle of Elliman’s embrocation and carefully anointed Mrs. Pither’s large, grey-veined, flaccid legs.
Outside, in the swimming heat, she mounted her bicycle and began to ride swiftly homewards. The sun burned in her face, but the air now seemed sweet and fresh. She was happy, happy! She was always extravagantly happy when her morning’s “visiting” was over; and, curiously enough, she was not aware of the reason for this. In Borlase the dairy-farmer’s meadow the red cows were grazing, knee-deep in shining seas of grass. The scent of cows, like a distillation of vanilla and fresh hay, floated into Dorothy’s nostrils. Though she had still half a morning’s work in front of her she could not resist the temptation to loiter for a moment, steadying her bicycle with one hand against the gate of Borlase’s meadow, while a cow, with moist shell-pink nose, scratched its chin upon the gatepost and dreamily regarded her.
Dorothy caught sight of a wild rose, flowerless of course, growing beyond the hedge, and climbed over the gate with the intention of discovering whether it were not sweetbriar. She knelt down among the tall weeds beneath the hedge. It was very hot down there, close to the ground. The humming of many unseen insects sounded in her ears, and the hot summery fume from the tangled swathes of vegetation flowed up and enveloped her. Near by, tall stalks of fennel were growing, with trailing fronds of foliage like the tails of sea-green horses. Dorothy pulled a frond of the fennel against her face and breathed in the strong sweet scent. Its richness overwhelmed her, almost dizzied her for a moment. She drank it in, filling her lungs with it. Lovely, lovely scent—scent of summer days, scent of childhood joys, scent of spice-drenched islands in the warm foam of oriental seas!
Her heart swelled with sudden joy. It was that mystical joy in the beauty of the earth and the very nature of things that she recognised, perhaps mistakenly, as the love of God. As she knelt there in the heat, the sweet odour and the drowsy hum of insects, it seemed to her that she could momentarily hear the mighty anthem of praise that the earth and all created things send up everlastingly to their maker. All vegetation, leaves, flowers, grass, shining, vibrating, crying out in their joy. Larks also chanting, choirs of larks invisible, dripping music from the sky. All the riches of summer, the warmth of the earth, the song of birds, the fume of cows, the droning of countless bees, mingling and ascending like the smoke of ever-burning altars. Therefore with Angels and Archangels! She began to pray, and for a moment she prayed ardently, blissfully, forgetting herself in the joy of her worship. Then, less than a minute later, she discovered that she was kissing the frond of the fennel that was still against her face.
She checked herself instantly, and drew back. What was she doing? Was it God that she was worshipping, or was it only the earth? The joy ebbed out of her heart, to be succeeded by the cold, uncomfortable feeling that she had been betrayed into a half-pagan ecstasy. She admonished herself. None of that, Dorothy! No Nature-worship, please! Her father had warned her against Nature-worship. She had heard him preach more than one sermon against it; it was, he said, mere pantheism, and, what seemed to offend him even more, a disgusting modern fad. Dorothy took a thorn of the wild rose, and pricked her arm three times, to remind herself of the Three Persons of the Trinity, before climbing over the gate and remounting her bicycle.
A black, very dusty shovel hat was approaching round the corner of the hedge. It was Father McGuire, the Roman Catholic priest, also bicycling his rounds. He was a very large, rotund man, so large that he dwarfed the bicycle beneath him and seemed to be balanced on top of it like a golf-ball on a tee. His face was rosy, humorous and a little sly.
Dorothy looked suddenly unhappy. She turned pink, and her hand moved instinctively to the neighbourhood of the gold cross beneath her dress. Father McGuire was riding towards her with an untroubled, faintly amused air. She made an endeavour to smile, and murmured unhappily, “Good morning.” But he rode on without a sign; his eyes swept easily over her face and then beyond her into vacancy, with, an admirable pretence of not having noticed her existence. It was the Cut Direct. Dorothy—by nature, alas! unequal to delivering the Cut Direct—got on to her bicycle and rode away, struggling with the uncharitable thoughts which a meeting with Father McGuire never failed to arouse in her.
Five or six years earlier, when Father McGuire was holding a funeral in St. Athelstan’s churchyard (there was no Roman Catholic cemetery at Knype Hill) there had been some dispute with the Rector about the propriety of Father McGuire robing in the church, or not robing in the church, and the two priests had wrangled disgracefully over the open grave. Since then they had not been on speaking terms. It was better so, the Rector said.
As to the other ministers of religion in Knype Hill—Mr. Ward the Congregationalist minister, Mr. Foley the Wesleyan pastor, and the braying bald-headed elder who conducted the orgies at Ebenezer Chapel—the Rector called them a pack of vulgar Dissenters and had forbidden Dorothy on pain of his displeasure to have anything to do with them.
V
It was twelve o’clock. In the large, dilapidated conservatory, whose roof-panes, from the action of time and dirt, were dim, green and iridescent like old Roman glass, they were having a hurried and noisy rehearsal of Charles I.
Dorothy was not actually taking part in the rehearsal, but was busy making costumes. She made the costumes, or most of them, for all the plays the school-children acted. The production and stage management were in the hands of Victor Stone—Victor, Dorothy called him—the Church schoolmaster. He was a small-boned, excitable, black-haired youth of twenty-seven, dressed in dark sub-clerical clothes, and at this moment he was gesturing fiercely with a roll of manuscript at six dense-looking children. On a long bench against the wall four more children were alternately practising “noises off” by clashing fire-irons together, and squabbling over a grimy little bag of Spearmint Bouncers, forty a penny.
It was horribly hot in the conservatory, and there was a powerful smell of glue and the sour sweat of children. Dorothy was kneeling on the floor, with her mouth full of pins and a pair of shears in her hand, rapidly slicing sheets of brown paper into long narrow strips. The gluepot was bubbling on an oil-stove beside her; behind her, on the rickety, ink-stained work-table, were a tangle of half-finished costumes, more sheets of brown paper, her sewing-machine, bundles of tow, shards of dry glue, wooden swords and open pots of paint. With half her mind Dorothy was meditating upon the two pairs of seventeenth-century jackboots that had got to be made for Charles I and Oliver Cromwell, and with the other half listening to the angry shouts of Victor, who was working himself up into a rage, as he invariably did at rehearsals. He was a natural actor, and withal thoroughly bored by the drudgery of rehearsing half-witted children. He strode up and down, haranguing the children in a vehement slangy style, and every now and then breaking off to lunge at one or other of them with a wooden sword that he had grabbed from the table.
“Put a bit of life into it, can’t you?” he cried, prodding an ox-faced boy of eleven in the belly. “Don’t drone! Say it as if it meant something! You look like a corpse that’s been buried and dug up again. What’s the good of gurgling it down in your inside like that? Stand up and shout at him. Take off that second murderer expression!”
“Come here, Percy!” cried Dorothy through her pins.