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The Complete Works. George OrwellЧитать онлайн книгу.

The Complete Works - George Orwell


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off the turf for some dirty business of running the same horse under two different names) saw him take off his topi to pass a native funeral and said to him reprovingly: ‘Remember laddie, always remember, we are sahiblog and they are dirrt!’ It sickened him, now, to have to listen to such trash. So he cut Westfield short by saying blasphemously:

      ‘Oh, shut up! I’m sick of the subject. Veraswami’s a damned good fellow—a damned sight better than some white men I can think of. Anyway, I’m going to propose his name for the Club when the general meeting comes. Perhaps he’ll liven this bloody place up a bit.’

      Whereat the row would have become serious if it had not ended as most rows ended at the Club—with the appearance of the butler, who had heard the raised voices.

      ‘Did master call, sir?’

      ‘No. Go to hell,’ said Ellis morosely.

      The butler retired, but that was the end of the dispute for the time being. At this moment there were footsteps and voices outside; the Lackersteens were arriving at the Club.

      When they entered the lounge, Flory could not even nerve himself to look directly at Elizabeth; but he noticed that all three of them were much more smartly dressed than usual. Mr Lackersteen was even wearing a dinner-jacket—white, because of the season—and was completely sober. The boiled shirt and piqué waistcoat seemed to hold him upright and stiffen his moral fibre like a breastplate. Mrs Lackersteen looked handsome and serpentine in a red dress. In some indefinable way all three gave the impression that they were waiting to receive some distinguished guest.

      When drinks had been called for, and Mrs Lackersteen had usurped the place under the punkah, Flory took a chair on the outside of the group. He dared not accost Elizabeth yet. Mrs Lackersteen had begun talking in an extraordinary, silly manner about the dear Prince of Wales, and putting on an accent like a temporarily promoted chorus-girl playing the part of a duchess in a musical comedy. The others wondered privately what the devil was the matter with her. Flory had stationed himself almost behind Elizabeth. She was wearing a yellow frock, cut very short as the fashion then was, with champagne-coloured stockings and slippers to match, and she carried a big ostrich-feather fan. She looked so modish, so adult, that he feared her more than he had ever done. It was unbelievable that he had ever kissed her. She was talking easily to all the others at once, and now and again he dared to put a word into the general conversation; but she never answered him directly, and whether or not she meant to ignore him, he could not tell.

      ‘Well,’ said Mrs Lackersteen presently, ‘and who’s for a rubbah?’

      She said quite distinctly a ‘rubbah’. Her accent was growing more aristocratic with every word she uttered. It was unaccountable. It appeared that Ellis, Westfield and Mr Lackersteen were for a ‘rubbah’. Flory refused as soon as he saw that Elizabeth was not playing. Now or never was his chance to get her alone. When they all moved for the card-room, he saw with a mixture of fear and relief that Elizabeth came last. He stopped in the doorway, barring her path. He had turned deadly pale. She shrank from him a little.

      ‘Excuse me,’ they both said simultaneously.

      ‘One moment,’ he said, and do what he would his voice trembled. ‘May I speak to you? You don’t mind—there’s something I must say.’

      ‘Will you please let me pass, Mr Flory?’

      ‘Please! Please! We’re alone now. You won’t refuse just to let me speak?’

      ‘What is it, then?’

      ‘It’s only this. Whatever I’ve done to offend you—please tell me what it is. Tell me and let me put it right. I’d sooner cut my hand off than offend you. Just tell me, don’t let me go on not even knowing what it is.’

      ‘I really don’t know what you’re talking about. “Tell you how you’ve offended me?” Why should you have offended me?’

      ‘But I must have! After the way you behaved!’

      ‘ “After the way I behaved?” I don’t know what you mean. I don’t know why you’re talking in this extraordinary way at all.’

      ‘But you won’t even speak to me! This morning you cut me absolutely dead.’

      ‘Surely I can do as I like without being questioned?’

      ‘But please, please! Don’t you see, you must see, what it’s like for me to be snubbed all of a sudden. After all, only last night you——’

      She turned pink. ‘I think it’s absolutely—absolutely caddish of you to mention such things!’

      ‘I know, I know. I know all that. But what else can I do? You walked past me this morning as though I’d been a stone. I know that I’ve offended you in some way. Can you blame me if I want to know what it is that I’ve done?’

      He was, as usual, making it worse with every word he said. He perceived that whatever he had done, to be made to speak of it seemed to her worse than the thing itself. She was not going to explain. She was going to leave him in the dark—snub him and then pretend that nothing had happened; the natural feminine move. Nevertheless he urged her again:

      ‘Please tell me. I can’t let everything end between us like this.’

      ‘ “End between us?” There was nothing to end,’ she said coldly.

      The vulgarity of this remark wounded him, and he said quickly:

      ‘That wasn’t like you, Elizabeth! It’s not generous to cut a man dead after you’ve been kind to him, and then refuse even to tell him the reason. You might be straightforward with me. Please tell me what it is that I’ve done.’

      She gave him an oblique, bitter look, bitter not because of what he had done, but because he had made her speak of it. But perhaps she was anxious to end the scene, and she said:

      ‘Well then, if you absolutely force me to speak of it——’

      ‘Yes?’

      ‘I’m told that at the very same time as you were pretending to—well, when you were . . . with me—oh, it’s too beastly! I can’t speak of it.’

      ‘Go on.’

      ‘I’m told that you’re keeping a Burmese woman. And now, will you please let me pass?’

      With that she sailed—there was no other possible word for it—she sailed past him with a swish of her short skirts, and vanished into the card-room. And he remained looking after her, too appalled to speak, and looking unutterably ridiculous.

      It was dreadful. He could not face her after that. He turned to hurry out of the Club, and then dared not even pass the door of the card-room, lest she should see him. He went into the lounge, wondering how to escape, and finally climbed over the veranda rail and dropped onto the small square of lawn that ran down to the Irrawaddy. The sweat was running from his forehead. He could have shouted with anger and distress. The accursed luck of it! To be caught out over a thing like that. ‘Keeping a Burmese woman’—and it was not even true! But much use it would ever be to deny it. Ah, what damned, evil chance could have brought it to her ears?

      But as a matter of fact, it was no chance. It had a perfectly sound cause, which was also the cause of Mrs Lackersteen’s curious behaviour at the Club this evening. On the previous night, just before the earthquake, Mrs Lackersteen had been reading the Civil List. The Civil List (which tells you the exact income of every official in Burma) was a source of inexhaustible interest to her. She was in the middle of adding up the pay and allowances of a Conservator of Forests whom she had once met in Mandalay, when it occurred to her to look up the name of Lieutenant Verrall, who, she had heard from Mr Macgregor, was arriving at Kyauktada tomorrow with a hundred Military Policemen. When she found the name, she saw in front of it two words that startled her almost out of her wits.

      The words were ‘The Honourable’!

      The Honourable! Lieutenants the Honourable are rare anywhere, rare as diamonds in the Indian Army, rare


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