Эротические рассказы

«Зритель, будь активен!» Как музеи рассказывали об искусстве в 1920–1930-е годы. Андрей ЕфицЧитать онлайн книгу.

«Зритель, будь активен!» Как музеи рассказывали об искусстве в 1920–1930-е годы - Андрей Ефиц


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E. Art Education as Social Experience…

      120

      Bos J. ‘De geschiedenis is vastgelegd in boeken, niet in musea’. Van planvorming tot realisatie. Het Nederlands Museum voor Geschiedenis in het Rijksmuseum, 1922–1939 // Bulletin van het Rijksmuseum. 1997. Jaarg. 45. № 4. P. 290–292, 307; Meijers D. J. De democratisering van schoonheid: Plannen voor museumvernieuwingen in Nederland 1918–1921 // Nederlands Kunsthistorisch Jaarboek. 1977. Vol. 28. P. 93–94.

      121

      Hooper-Greenhill E. Museum and Gallery Education. London and Washington: Leicester University Press, 1994. P. 33–35.

      122

      Shall Museums Be Placed Under Control of Local Educational Authorities? // Museum Work. 1920. Vol. 2. № 7. P. 221–223.

      123

      Joachimides A. Op. cit. S. 22.

      124

      Taylor B. Art for the Nation: Exhibitions and the London Public, 1747–2001. Manchester: Manchester University Press, 1999. P. 47–92, 95–96, 122–129; Beaven B. Leisure, Citizenship and Working-Class Men in Britain, 1850–1940. Manchester: Manchester University Press, 2005. P. 29–33.

      125

      См., например: Hooper-Greenhill E. Op. cit. P. 18.

      126

      Hill K. Culture and Class in English Public Museums, 1850–1914. Aldershot: Ashgate, 2005; Bennett T. The Birth of the Museum: History, Theory, Politics. London; New York: Routledge, 1995.

      127

      Rice D. Op. cit. P. 12.

      128

      Joachimides A. Op. cit. S. 21.

      129

      Hooper-Greenhill E. Op. cit. P. 14.

      130

      Rhor S. Every Walk of Life and Every Degree of Education: Museum Instruction at The Art Institute of Chicago, 1879–1955 // Art Institute of Chicago Museum Studies. 2003. Vol. 29. № 1. P. 23.

      131

      Galard J. Op. cit. P. 38.

      132

      Hooper-Greenhill E. Op. cit. P. 15; Wittlin A. S. Op. cit. P. 158; Noordegraaf J. Strategies Of Display: Museum Presentation in Nineteenth- and Twentieth-Century. Rotterdam: nai010, Museum Boijmans Van Beuningen, 2004. P. 134–138, 143–145

      133

      Galard J. Introduction // Le regard instruit, action éducative et action culturelle dans les musées: actes du colloque organisé au musée du Louvre par le Service culturel, 1999. Le 16 avril. Paris: La documentation française, Musée du Louvre, 2000. P. 11.

      134

      Schottmüller F. Berliner Museumsführungen Seit 100 Jahren // Berliner Museen. 1935. Jahrg. 56. Heft 2. S. 39.

      135

      Trochet A. Op. cit. P. 31–32.

      136

      Trochet A. Op. cit. P. 154–157.

      137

      Von Holst N. Das Führungswesen in den Berliner Museen // Berliner Museen. 1937. Jahrg. 58. Heft 2. S. 43.

      138

      Priem K., Mayer C. Learning How to See and Feel: Alfred Lichtwark and His Concept of Artistic and Aesthetic Education // Paedagogica Historica. 2017. Vol. 53. Issue 3. P. 206–207.

      139

      Von Holst N. Das Führungswesen… S. 43.

      140

      Schottmüller F. Op. cit. S. 39.

      141

      Joachimides A. Op. cit. S. 111.

      142

      Priem K., Mayer C. Op. cit. P. 204.

      143

      Schottmüller F. Op. cit. S. 39.

      144

      Saalmann T. Op. cit. S. 33–35.

      145

      Arbeitsrat für Kunst // Der Cicerone. 1919. Jahrg. XI. Heft 1/2. S. 26; S. Vorschlag zu einem volkstümlichen Kunstprogramm // Der Cicerone. 1919. Jahrg. XI. Heft 3. S. 50–51.

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