Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V. VariousЧитать онлайн книгу.
them to him. The taxes were exorbitantly increased, and every possible pretext was resorted to to deprive the people of their property, and transfer it to the government. Land which was left uncultivated for three years was considered as abandoned by the owners, and thenceforth fell to him. Whenever a vessel was stranded upon the coast, he seized upon every thing that could be saved from the wreck, as his perquisite. His favorite mode of punishing those who displeased him, was to mutilate their persons by cutting off an ear, a nose, an arm, or a foot, or by taking out an eye. Those who visited his palace, say that it was common to see many persons in the ante-chambers and halls who were disfigured thus, having incurred the cruel monster's displeasure from time to time in the course of their service. These were his "marked men," as he called them – "persons bearing signs of their having been instructed to serve their master with fidelity." His secretary, who was his principal banker and minister, was deprived of both an ear and an eye, at the same time, for some offense, real or imaginary, which he had committed, and yet still continued to serve his savage master. Djezzar lived in a massive palace, occupying a well-protected part of the city of Acre, with gardens in the rear between the palace and the city wall. Within this palace was his harem, the residence of his women. No person but himself was ever admitted to the harem. He was accustomed to retire thither every evening through three massive doors, one within the other, which doors he always closed and barred with his own hands. No one knew how many or what women the harem contained. Additions were often made to the number, from female slaves that were presented to Djezzar from time to time; but no one knew how many were thus introduced, or what was their fate after they disappeared from public view. Every possible precaution was taken to seclude the inmates of this harem in the most absolute manner from the outer world. Their food was conveyed to them by means of a sort of wheel or cylinder, turning in the wall, and so contrived that those without could not see who received it. If any one was sick, a physician was brought to a room where there was a hole in the wall through which the patient, concealed on the other side, put her arm, and thus the pulse was examined, and a prescription made. We might fill many pages with curious details in respect to the life and character, and peculiar habits, of this extraordinary man, but we must leave Acre and the bay, and prepare to ascend the mountain.
THE MOUNTAIN
The height of Mt. Carmel has been generally estimated at about fifteen hundred feet. This is a very unusual elevation for land that rises thus abruptly from the margin of the sea. Of course, from every cliff, and rock, and projecting head-land on the higher portions of it there is obtained a widely extended and most commanding view both over the water and over the land. The sea lies toward the west; the prospect is consequently in that direction unobstructed to the horizon, and the whole western quarter of the sky is fully exposed to view. It is by understanding the position of Mt. Carmel in this respect, that we appreciate the full force and beauty of the passage that describes the coming of the rain, after the destruction of the priests of Baal by the Prophet Elijah; for it is always, as we observe, in the western sky, through the operation of some mysterious and hidden laws which human philosophy has not yet been able to unfold, that the clouds which produce sudden summer showers arise. It is almost invariably there, that those rounded and dome-like condensations are formed, which from small and almost unperceived beginnings expand and swell until they envelop the whole heavens in darkness and gloom, and then sweep over the earth in tempests of thunder, lightning, and rain. The narrative of the sacred writer, describing the event is as follows.
AHAB AND THE RAIN
"And Elijah said unto Ahab, Get thee up, eat and drink; for there is a sound of abundance of rain. So Ahab went up to eat and to drink. And Elijah went up to the top of Carmel; and he cast himself down upon the earth, and put his face between his knees, and said to his servant, Go up now, look toward the sea. And he went up, and looked and said, There is nothing. And he said, Go again seven times. And it came to pass at the seventh time that he said, Behold there ariseth a little cloud out of the sea like a man's hand. And he said, Go up, say unto Ahab, Prepare thy chariot, and get thee down that the rain stop thee not. And it came to pass, in the mean while, that the heaven was black with clouds and wind, and there was a great rain." – 1 Kings, xviii. 41-45.
The traveler, as he looks up to the summit of the mountain from the beach of the Bay of Acre, over the sands of which he is slowly making his way toward the foot of the ascent, pictures in his imagination the form of the servant of Elijah standing upon some projecting pinnacle, and looking off over the sea. He loses for the moment his recollection of the age in which he lives, and under the influence of a temporary illusion, forgetting the five-and-twenty centuries which have elapsed since the days of Elijah, almost looks to see the chariot and horsemen of Ahab riding away up the valley, in obedience to the prophet's command.
ASCENT OF THE MOUNTAIN
The road to the mountain, as will appear from the map, passes through Haïfa. Travelers and pilgrims, however, seldom make any stay in the town. There is no inn there to detain them. The convent is the inn – on the top of the mountain. After passing Haïfa, the road, as may be seen upon the map, follows the line of the shore for about half a mile, and then turns a little inland, while a branch of the main road, diverging to the right, continues along the shore of the sea. This branch leads to the extremity of the cape, where are situated the ruins of an ancient place named Porphyrion, and also a small fortress, on the point. Porphyrion was a place of some consequence in former times, but it went gradually to decay, and at last when Haïfa was built it was entirely abandoned.
A short distance further on, the traveler comes to another branch, where a mule-path turns off to the left from the main road, and leads up the mountain. The ascent is steep, but the path is so guarded by a parapet on the outer side wherever required, that it awakens no sense of danger. The declivities of the mountain, above and below the path, are clothed with trees and herbage, with gray walls, forming picturesque cliffs, and precipices, appearing here and there among them. There is a profusion, too, of wild flowers of every form and hue, which attract and charm the traveler, wherever he turns. He looks off at every salient point that he passes in his ascent, over the bay. He sees the white walls of the city of Acre rising from the margin of the water at the extremity of it, far in the distance – and never ceases to admire the smooth and beautiful beach which lies spread out before him, its broad expanse broken, perhaps, here and there on the side toward the sea, with the wrecks of ships which lie there half buried, and enlivened on the land with trains of mules or of camels passing toward Acre or Haïfa, or by some picturesque group of tents pitched upon the plain – the encampment of some wandering tribe of Arabs, or of a party of European travelers. Further inland, he surveys broad fields of luxuriant vegetation, variegated with every shade of green and brown, and groves of trees that extend along the margin of the rivers, and crown the summits of the distant hills. In a calm and clear summer's morning, the observer looks down upon this brilliant scene of verdure and beauty, as upon a map, and lingers long on his way, to study minutely every feature of it.
THE RIVER BELUS AND THE DISCOVERY OF GLASS
About midway between Haïfa and Acre, the traveler, pausing at some resting-place in the progress of his ascent, may trace the course of the river Belus, as it meanders through the plain beneath him, northwardly, toward an outlet just in the rear of Acre, where it empties into the sea. The course and direction of the stream are delineated upon the map near the commencement of this article. This river is celebrated as the place where, according to ancient story, the discovery of the art of making glass was first made by means of an accidental vitrification which chanced to take place under certain peculiar circumstances, on its shores.[4] Glass is composed essentially of silicious substances – such as sand – combined with certain alkalies by fusion. For sand, though very refractory if exposed alone to the influence of heat, when mixed with these alkaline substances fuses easily, and vitrifies, that is it forms a glass, which is more or less perfect according to the precise nature of the substances employed, and the arrangements of the process. The story of the origin of the discovery is, that a vessel came into the mouth of the Belus from the Bay of Acre, laden with certain fossil alkalies which were found somewhere along the coast, and were used in those times for certain purposes, and that the sailors landed on the beach and built a fire there, with a view of taking supper on the shore. When the fire was made
It is somewhat doubtful whether the very first discovery of the art of making glass, took place here or not, as learned men have noticed a considerable number of allusions in various writings of a very high antiquity, which they have thought might possibly refer to this substance. An example of this kind is found in the book of Job, where a word, translated crystal, is used. The writer, speaking of wisdom, says, "It can not be equaled with the gold of Ophir, with the precious onyx, or the sapphire. The gold and the