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they aren't just the sort that an American man would choose," Patty offered comfort. "You know that Englishmen have queer tastes, particularly in books. Everybody reads Marie Corelli over there."
The next Saturday, a party of girls was taken to the city for shopping and the matinée. Among other errands, the art class visited a photograph dealer's, to purchase some early Italian masters. Patty's interest in Giotto and his kind was not very keen, and she sauntered off on a tour of inspection. She happened upon a pile of actors and actresses, and her eye brightened as she singled out a large photograph of an unfamiliar leading man, with curling mustache and dimpled chin and large appealing eyes. He was dressed in hunting costume and conspicuously displayed a crop. The picture was the last word in Twentieth Century Romance. And, most perfect touch of all, it bore a London mark!
Patty unobtrusively deflected the rest of the committee from a consideration of Fra Angelico, and the three heads bent delightedly over the find.
"It's perfect!" Conny sighed. "But it costs a dollar and fifty cents."
"We'll have to go without soda water forever!" said Priscilla.
"It is expensive," Patty agreed, "but—" as she restudied the liquid, appealing eyes—"I really think it's worth it."
They each contributed fifty cents, and the picture was theirs.
Patty wrote across the front, in the bold back hand that Mae had come to hate, a tender message in French, and signed the full name, "Cuthbert St. John." She had it wrapped in a plain envelope and requested the somewhat wondering clerk to mail it the following Wednesday morning, as it was an anniversary present and must not arrive before the day.
The picture came on the five-o'clock delivery, and was handed to Mae as the girls trooped out from afternoon study. She received it in sulky silence and retired to her room. Half a dozen of her dearest friends followed at her heels; Mae had worked hard to gain a following, and now it couldn't be shaken off.
"Open it, Mae quick!"
"What do you s'pose it is?"
"It can't be flowers or candy. He must be starting something new."
"I don't care what it is!" Mae viciously tossed the parcel into the wastebasket.
Irene McCullough fished it out and cut the string.
"Oh, Mae, it's his photograph!" she squealed. "And he's per-fect-ly beau-ti-ful!"
"Did you ever see such eyes!"
"Does he curl his mustache, or it is natural?"
"Why didn't you tell us he had a dimple in his chin?"
"Does he always wear those clothes?"
Mae was divided between curiosity and anger. She snatched the photograph away, cast one glance at the languishing brown eyes, and tumbled it, face downward, into a bureau drawer.
"Don't ever mention his name to me again!" she commanded, as, with compressed lips, she commenced brushing her hair for dinner.
On the next Friday afternoon—shopping day in the village—Patty and Conny and Priscilla dropped in at the florist's to pay a bill.
"Two bunches of sunflowers, one dollar," the man had just announced in ringing tones from the rear of the store, when a step sounded behind them, and they faced about to find Mae Mertelle Van Arsdale, bent on a similar errand.
"Oh!" said Mae, fiercely, "I might have known it was you three."
She stared for a moment in silence, then she dropped into a rustic seat and buried her head on the counter. She had shed so many tears of late that they flowed automatically.
"I suppose," she sobbed, "you'll tell the whole school, and everybody will laugh and—and—"
The three regarded her with unbending mien. They were not to be moved by a few tears.
"You said that Rosalie was a silly little goose to make such a fuss over nothing," Priscilla reminded her.
"And at least he was a live man," said Patty, "even if he did have a crooked nose."
"Do you still think she was a silly goose?" Conny inquired.
"N—no!"
"Don't you think you've been a great deal more silly?"
"Y—yes."
"And will you apologize to Rosalie?"
"No!"
"It will make quite a funny story," Patty ruminated, "the way we'll tell it."
"I think you're perfectly horrid!"
"Will you apologize to Rosalie?" Priscilla asked again.
"Yes—if you'll promise not to tell."
"We'll promise on one condition—you're to break your engagement to Cuthbert St. John, and never refer to it again."
Cuthbert sailed for England on the Oceanic the following Thursday; St. Ursula's plunged into a fever of basket-ball, and the atmosphere became bracingly free of Romance.
III
The Virgil Strike
I'M tired of Woman's Rights on Friday afternoons," said Patty disgustedly. "I prefer soda water!"
"This makes the third time they've taken away our holiday for the sake of a beastly lecture," Priscilla grumbled, as she peered over Patty's shoulder to read the notice on the bulletin board, in Miss Lord's perpendicular library hand.
It informed the school that instead of the usual shopping expedition to the village, they would have the pleasure that afternoon of listening to a talk by Professor McVey of Columbia University. The subject would be the strike of the women laundry workers. Tea would be served in the drawing-room afterwards, with Mae Van Arsdale, Harriet Gladden, and Patty Wyatt as hostesses.
"It's not my turn!" objected Patty, as she noted the latter item. "I was hostess two weeks ago."
"That's because you wrote an essay on the 'Eight Hour Day.' Lordie thinks you will ask the professor-man intelligent questions; and show him that St. Ursula's is not a common boarding-school where only superficial accomplishments are taught, but one in which the actual problems of—"
"And I did want to go shopping!" Patty mourned. "I need some new shoe-strings. I've been tying a knot in my old ones every day for a week."
"Here she comes," whispered Priscilla. "Look happy or she'll make you translate the whole—Good morning, Miss Lord! We were just noticing about the lecture. It sounds extremely interesting."
The two smiled a perfunctory greeting, and followed their teacher to the morning's Latin.
Miss Lord was the one who struck the modern note at St. Ursula's. She believed in militant suffragism and unions and boycotts and strikes; and she labored hard to bring her little charges to her own advanced position. But it was against a heavy inertia that she worked. Her little charges didn't care a rap about receiving their rights, in the dim future of twenty-one; but they were very much concerned about losing a present half-holiday. On Friday afternoons, they were ordinarily allowed to draw checks on the school bank for their allowances, and march in a procession—a teacher forming the head and tail—to the village stores, where they laid in their weekly supply of hair ribbons and soda water and kodak films. Even had one acquired so many demerits that her weekly stipend was entirely eaten up by fines, still she marched to the village and watched the lucky ones disburse. It made a break in the monotony of six days of bounds.
But every cloud has its silver lining.
Miss Lord preceded the Virgil recitation that morning by a discussion of the lecture to come. The laundry strike, she told them, marked an epoch in industrial history. It proved that women, as well as men, were capable of standing by each other. The solidarity of labor was a point she wished her girls to grasp. Her girls listened with grave attention; and by eagerly putting a question, whenever she showed signs of running down, they managed to stave off the Latin recitation for three quarters of an hour.
The professor, a mild man with a Van Dyke beard, came and lectured exhaustively upon the relations of employer