The Bostonians, Vol. II. Генри ДжеймсЧитать онлайн книгу.
ear. The question had evidently got on Mrs. Luna's nerves; she had reached that point of feminine embroilment when a woman is perverse for the sake of perversity, and even with a clear vision of bad consequences.
"You have lost your head," he relieved himself by saying, as he looked down at her.
"I wish you would go and get me some tea."
"You say that only to embarrass me." He had hardly spoken when a great sound of applause, the clapping of many hands, and the cry from fifty throats of "Brava, brava!" floated in and died away. All Ransom's pulses throbbed, he flung his scruples to the winds, and after remarking to Mrs. Luna—still with all due ceremony—that he feared he must resign himself to forfeiting her good opinion, turned his back upon her and strode away to the open door of the music-room. "Well, I have never been so insulted!" he heard her exclaim, with exceeding sharpness, as he left her; and, glancing back at her, as he took up his position, he saw her still seated on her sofa—alone in the lamp-lit desert—with her eyes making, across the empty space, little vindictive points. Well, she could come where he was, if she wanted him so much; he would support her on an ottoman, and make it easy for her to see. But Mrs. Luna was uncompromising; he became aware, after a minute, that she had withdrawn, majestically, from the place, and he did not see her again that evening.
XXVIII
He could command the music-room very well from where he stood, behind a thick outer fringe of intently listening men. Verena Tarrant was erect on her little platform, dressed in white, with flowers in her bosom. The red cloth beneath her feet looked rich in the light of lamps placed on high pedestals on either side of the stage; it gave her figure a setting of colour which made it more pure and salient. She moved freely in her exposed isolation, yet with great sobriety of gesture; there was no table in front of her, and she had no notes in her hand, but stood there like an actress before the footlights, or a singer spinning vocal sounds to a silver thread. There was such a risk that a slim provincial girl, pretending to fascinate a couple of hundred blasé New Yorkers by simply giving them her ideas, would fail of her effect, that at the end of a few moments Basil Ransom became aware that he was watching her in very much the same excited way as if she had been performing, high above his head, on the trapeze. Yet, as one listened, it was impossible not to perceive that she was in perfect possession of her faculties, her subject, her audience; and he remembered the other time at Miss Birdseye's well enough to be able to measure the ground she had travelled since then. This exhibition was much more complete, her manner much more assured; she seemed to speak and survey the whole place from a much greater height. Her voice, too, had developed; he had forgotten how beautiful it could be when she raised it to its full capacity. Such a tone as that, so pure and rich, and yet so young, so natural, constituted in itself a talent; he didn't wonder that they had made a fuss about her at the Female Convention, if she filled their hideous hall with such a music. He had read, of old, of the improvisatrice of Italy, and this was a chastened, modern, American version of the type, a New England Corinna, with a mission instead of a lyre. The most graceful part of her was her earnestness, the way her delightful eyes, wandering over the "fashionable audience" (before which she was so perfectly unabashed), as if she wished to resolve it into a single sentient personality, seemed to say that the only thing in life she cared for was to put the truth into a form that would render conviction irresistible. She was as simple as she was charming, and there was not a glance or motion that did not seem part of the pure, still-burning passion that animated her. She had indeed—it was manifest—reduced the company to unanimity; their attention was anything but languid; they smiled back at her when she smiled; they were noiseless, motionless when she was solemn; and it was evident that the entertainment which Mrs. Burrage had had the happy thought of offering to her friends would be memorable in the annals of the Wednesday Club. It was agreeable to Basil Ransom to think that Verena noticed him in his corner; her eyes played over her listeners so freely that you couldn't say they rested in one place more than another; nevertheless, a single rapid ray, which, however, didn't in the least strike him as a deviation from her ridiculous, fantastic, delightful argument, let him now that he had been missed and now was particularly spoken to. This glance was a sufficient assurance that his invitation had come to him by the girl's request. He took for granted the matter of her speech was ridiculous; how could it help being, and what did it signify if it was? She was none the less charming for that, and the moonshine she had been plied with was none the less moonshine for her being charming. After he had stood there a quarter of an hour he became conscious that he should not be able to repeat a word she had said; he had not definitely heeded it, and yet he had not lost a vibration of her voice. He had discovered Olive Chancellor by this time; she was in the front row of chairs, at the end, on the left; her back was turned to him, but he could see half her sharp profile, bent down a little and absolutely motionless. Even across the wide interval her attitude expressed to him a kind of rapturous stillness, the concentration of triumph. There were several irrepressible effusions of applause, instantly self-checked, but Olive never looked up, at the loudest, and such a calmness as that could only be the result of passionate volition. Success was in the air, and she was tasting it; she tasted it, as she did everything, in a way of her own. Success for Verena was success for her, and Ransom was sure that the only thing wanting to her triumph was that he should have been placed in the line of her vision, so that she might enjoy his embarrassment and confusion, might say to him, in one of her dumb, cold flashes—"Now do you think our movement is not a force—now do you think that women are meant to be slaves?" Honestly, he was not conscious of any confusion; it subverted none of his heresies to perceive that Verena Tarrant had even more power to fix his attention than he had hitherto supposed. It was fixed in a way it had not been yet, however, by his at last understanding her speech, feeling it reach his inner sense through the impediment of mere dazzled vision. Certain phrases took on a meaning for him—an appeal she was making to those who still resisted the beneficent influence of the truth. They appeared to be mocking, cynical men, mainly; many of whom were such triflers and idlers, so heartless and brainless that it didn't matter much what they thought on any subject; if the old tyranny needed to be propped up by them it showed it was in a pretty bad way. But there were others whose prejudice was stronger and more cultivated, pretended to rest upon study and argument. To those she wished particularly to address herself; she wanted to waylay them, to say, "Look here, you're all wrong; you'll be so much happier when I have convinced you. Just give me five minutes," she should like to say; "just sit down here and let me ask a simple question. Do you think any state of society can come to good that is based upon an organised wrong?" That was the simple question that Verena desired to propound, and Basil smiled across the room at her with an amused tenderness as he gathered that she conceived it to be a poser. He didn't think it would frighten him much if she were to ask him that, and he would sit down with her for as many minutes as she liked.
He, of course, was one of the systematic scoffers, one of those to whom she said—"Do you know how you strike me? You strike me as men who are starving to death while they have a cupboard at home, all full of bread and meat and wine; or as blind, demented beings who let themselves be cast into a debtor's prison, while in their pocket they have the key of vaults and treasure-chests heaped up with gold and silver. The meat and wine, the gold and silver," Verena went on, "are simply the suppressed and wasted force, the precious sovereign remedy, of which society insanely deprives itself—the genius, the intelligence, the inspiration of women. It is dying, inch by inch, in the midst of old superstitions which it invokes in vain, and yet it has the elixir of life in its hands. Let it drink but a draught, and it will bloom once more; it will be refreshed, radiant; it will find its youth again. The heart, the heart is cold, and nothing but the touch of woman can warm it, make it act. We are the Heart of humanity, and let us have the courage to insist on it! The public life of the world will move in the same barren, mechanical, vicious circle—the circle of egotism, cruelty, ferocity, jealousy, greed, of blind striving to do things only for some, at the cost of others, instead of trying to do everything for all. All, all? Who dares to say 'all' when we are not there? We are an equal, a splendid, an inestimable part. Try us and you'll see—you will wonder how, without us, society has ever dragged itself even this distance—so wretchedly small compared with what it might have been—on its painful earthly pilgrimage. That is what I should like above all to pour into the ears of those who still hold out, who stiffen their necks and repeat hard, empty formulas, which are as dry as