Autobiographic Sketches. Томас Де КвинсиЧитать онлайн книгу.

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"The sorcerer's flower," and "The sorcerer's altar."—These are names still clinging to the anemone of the Brocken, and to an altar- shaped fragment of granite near one of the summits; and there is no doubt that they both connect themselves, through links of ancient tradition, with the gloomy realities of paganism, when the whole Hartz and the Brocken formed for a very long time the last asylum to a ferocious but perishing idolatry.

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On the Roman coins.

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"Peculiar."—Viz., as endowed foundations to which those resort who are rich and pay, and those also who, being poor, cannot pay, or cannot pay so much. This most honorable distinction amongst the services of England from ancient times to the interests of education—a service absolutely unapproached by any one nation of Christendom—is amongst the foremost cases of that remarkable class which make England, whilst often the most aristocratic, yet also, for many noble purposes, the most democratic of lands.

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Five years ago, during the carnival of universal anarchy equally amongst doers and thinkers, a closely-printed pamphlet was published with this title, "A New Revelation, or the Communion of the Incarnate Dead with the Unconscious Living. Important Fact, without trifling Fiction, by HIM." I have not the pleasure of knowing HIM; but certainly I must concede to HIM, that he writes like a man of extreme sobriety upon his extravagant theme. He is angry with Swedenborg, as might be expected, for his chimeras; some of which, however, of late years have signally altered their aspect; but. as to HIM, there is no chance that he should be occupied with chimeras, because (p. 6) "he has met with some who have acknowledged the fact of their having come from the dead"—habes confitentem reum. Few, however, are endowed with so much candor; and in particular, for the honor of literature, it grieves me to find, by p. 10, that the largest number of these shams, and perhaps the most uncandid, are to be looked for amongst "publishers and printers," of whom, it seems, "the great majority" are mere forgeries: a very few speak frankly about the matter, and say they don't care who knows it, which, to my thinking, is impudence, but by far the larger section doggedly deny it, and call a policeman, if you persist in charging them with being shams. Some differences there are between my brother and HIM, but in the great outline of their views they coincide.

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Charles II., notoriously wrote a book on the possibility of a voyage to the moon, which, in a bishop, would be called a translation to the moon, and perhaps it was his name in combination with his book that suggested the "Adventures of Peter Wilkins." It is unfair, however, to mention him in connection with that single one of his works which announces an extravagant purpose. He was really a scientific man, and already in the time of Cromwell (about 1656) had projected that Royal Society of London which was afterwards realized and presided over by Isaac Barrow and Isaac Newton. He was also a learned man, but still with a veil of romance about him, as may be seen in his most elaborate work— "The Essay towards a Philosophic or Universal Language."

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"Middy."—I call him so simply to avoid confusion, and by way of anticipation; else he was too young at this time to serve in the navy. Afterwards he did so for many years, and saw every variety of service in every class of ships belonging to our navy. At one time, when yet a boy, he was captured by pirates, and compelled to sail with them; and the end of his adventurous career was, that for many a year he has been lying at the bottom of the Atlantic.

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"Green_heys_," with slight variation in the spelling, is the name given to that district of which Greenhay formed the original nucleus. Probably it was the solitary situation of the house which (failing any other grounds of denomination) raised it to this privilege.

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"Factory."—Such was the designation technically at that time. At present, I believe that a building of that class would be called a "mill."

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This word, however, exists in Jack-a-dandy—a very old English word. But what does that mean?

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Precisely, however, the same gesture, plebian as it was, by which the English commandant at Heligoland replied to the Danes when civilly inviting him to surrender. Southey it was, on the authority of Lieutenant Southey, his brother, who communicated to me this anecdote.

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"Bridge of sighs."—Two men of memorable genius, Hood last, and Lord Byron by many years previously, have so appropriated this phrase, and reissued it as English currency, that many readers suppose it to be theirs. But the genealogies of fine expressions should be more carefully preserved. The expression belongs originally to Venice. This jus postliminii becomes of real importance in many cases, but especially in the case of Shakspeare. Could one have believed it possible beforehand? And yet it is a fact that he is made to seem a robber of the lowest order, by mere dint of suffering robbery. Purely through their own jewelly splendor have many hundreds of his phrases forced themselves into usage so general, under the vulgar infirmity of seeking to strengthen weak prose by shreds of poetic quotation, that at length the majority of careless readers come to look upon these phrases as belonging to the language, and traceable to no distinct proprietor any more than proverbs: and thus, on afterwards observing them in Shakspeare, they regard him in the light of one accepting alms (like so many meaner persons) from the common treasury of the universal mind, on which treasury, meantime, he had himself conferred these phrases as original donations of his own. Many expressions in the "Paradise Lost," in "Il Penseroso," and in "L'Allegro," are in the same predicament. And thus the almost incredible case is realized which I have described, viz., that simply by having suffered a robbery through two centuries, (for the first attempt at plundering Milton was made upon his juvenile poems,) have Shakspeare and Milton come to be taxed as robbers. N. B.—In speaking of Hood as having appropriated the phrase Bridge of Sighs, I would not be understood to represent him as by possibility aiming at any concealment. He was as far above such a meanness by his nobility of heart, as he was raised above all need for it by the overflowing opulence of his genius.

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Geometry (it has been said) would not evade disputation, if a man could find his interest in disputing it: such is the spirit of cavil. But I, upon a very opposite ground, assert that there is not one page of prose that could be selected from the best writer in the English language (far less in the German) which, upon a sufficient interest arising, would not furnish matter, simply through its defects in precision, for a suit in Chancery. Chancery suits do not arise, it is true, because the doubtful expressions do not touch any interest of property; but what does arise is this—that something more valuable than a pecuniary interest is continually suffering, viz., the interests of truth.

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"Of a Stuart sovereign," and by no means of a Stuart only. Queen Anne, the last Stuart who sat on the British throne, was the last of our princes who touched for the king's evil, (as scrofula was generally called until lately;) but the Bourbon houses, on the thrones of France, Spain, and Naples, as well as the house of Savoy, claimed and exercised the same supernatural privilege down to a much later period than the year 1714—the last of Queen Anne: according to their own and the popular faith, they could have cleansed Naaman the Syrian, and Gehazi too.

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One reason, I believe, why it was held a point of wisdom in ancient days that the metropolis of a warlike state should have a secret name hidden from the world, lay in the pagan practice of evocation, applied to the tutelary deities of such a state. These deities might be lured by certain rites and briberies into a transfer of their favors to the besieging army. But, in order to make such an evocation effectual, it was necessary to know the original and secret name

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