Mary Marston. George MacDonaldЧитать онлайн книгу.
us. Neither is it any use to turn aside; it only makes the road longer and harder.
Down on the same spot fell the third leaf. Letty looked up. There was a man in the tree over her head. She started to her feet. At the same moment, he dropped on the ground beside her, lifting his hat as coolly as if he had met her on the road. Her heart seemed to stand still with fright. She stood silent, with white lips parted.
"I hope I haven't frightened you," said Tom. "Do forgive me," he added, becoming more aware of the perturbation he had caused her. "You were so kind to me the other night, I could not help wanting to see you again. I had no idea the sight of me would terrify you so."
"You gave me such a start!" gasped Letty, with her hand pressed on her heart.
"I was afraid of it," answered Tom; "but what could I do? I was certain, if you saw me coming, you would run away."
"Why should you think that?" asked Letty, a faint color rising in her cheek.
"Because," answered Tom, "I was sure they would be telling you all manner of things against me. But there is no harm in me—really, Miss Lovel—nothing, that is, worth mentioning."
"I am sure there isn't," said Letty; and then there was a pause.
"What book are you reading, may I ask?" said Tom.
Letty had now remembered her aunt's injunctions and threats; but, partly from a kind of paralysis caused by his coolness, partly from its being impossible to her nature to be curt with any one with whom she was not angry, partly from mere lack of presence of mind, not knowing what to do, yet feeling she ought to run to the house, what should she do but drop down again on the very spot whence she had been scared! Instantly Tom threw himself on the grass at her feet, and there lay, looking up at her with eyes of humble admiration.
Confused and troubled, she began to turn over the leaves of her book. She supposed afterward she must have asked him why he stared at her so, for the next thing she remembered was hearing him say:
"I can't help it. You are so lovely!"
"Please don't talk such nonsense to me," she rejoined. "I am not lovely, and I know it. What is not true can not please anybody."
She spoke a little angrily now.
"I speak the truth," said Tom, quietly and earnestly. "Why should you think I do not?"
"Because nobody ever said so before."
"Then it is quite time somebody should say so," returned Tom, changing his tone. "It may be a painful fact, but even ladies ought to be told the truth, and learn to bear it. To say you are not lovely would be a downright lie."
"I wish you wouldn't talk to me about myself!" said Letty, feeling confused and improper, but not altogether displeased that it was possible for such a mistake to be made. "I don't want to hear about myself. It makes me so uncomfortable! I am sure it isn't right: is it, now, Mr. Helmer?"
As she ended, the tears rose in her eyes, partly from unanalyzed uneasiness at the position in which she found herself and the turn the talk had taken, partly from the discomfort of conscious disobedience. But still she did not move.
"I am very sorry if I have vexed you," said Tom, seeing her evident trouble. "I can't think how I've done it. I know I didn't mean to; and I promise you not to say a word of the kind again—if I can help it. But tell me, Letty," he went on again, changing in tone and look and manner, and calling her by her name with such simplicity that she never even noticed it, "do tell me what you are reading, and that will keep me from talking about you—not from—the other thing, you know."
"There!" said Letty, almost crossly, handing him her book, and pointing to the sonnet, as she rose to go.
Tom took the book, and sprang to his feet. He had never read the poem, for Milton had not been one of his masters. He stood devouring it. He was doing his best to lay hold of it quickly, for there Letty stood, with her hand held out to take the book again, ready upon its restoration to go at once. Silent and motionless, to all appearance unhasting, he read and reread. Letty was restless, and growing quite impatient; but still Tom read, a smile slow-spreading from his eyes over his face; he was taking possession of the poem, he would have said. But the shades and kinds and degrees of possession are innumerable; and not until we downright love a thing, can we know we understand it, or rightly call it our own; Tom only admired this one; it was all he was capable of in regard to such at present. Had the whim for acquainting himself with it seized him in his own study, he would have satisfied it with a far more superficial interview; but the presence of the girl, with those eyes fixed on him as he read—his mind's eye saw them—was for the moment an enlargement of his being, whose phase to himself was a consciousness of ignorance.
"It is a beautiful poem," he said at last, quite honestly; and, raising his eyes, he looked straight in hers. There is hardly a limit to the knowledge and sympathy a man may have in respect of the finest things, and yet be a fool. Sympathy is not harmony. A man may be a poet even, and speak with the tongue of an angel, and yet be a very bad fool.
"I am sure it must be a beautiful poem," said Letty; "but I have hardly got a hold of it yet." And she stretched her hand a little farther, as if to proceed with its appropriation.
But Tom was not yet prepared to part with the book. He proceeded instead, in fluent speech and not inappropriate language, to set forth, not the power of the poem—that he both took and left as a matter of course—but the beauty of those phrases, and the turns of those expressions, which particularly pleased him—nor failing to remark that, according to the strict laws of English verse, there was in it one bad rhyme.
That point Letty begged him to explain, thus leading Tom to an exposition of the laws of rhyme, in which, as far as English was concerned, he happened to be something of an expert, partly from an early habit of scribbling in ladies' albums. About these surface affairs, Godfrey, understanding them better and valuing them more than Tom, had yet taught Letty nothing, judging it premature to teach polishing before carving; and hence this little display of knowledge on the part of Tom impressed Letty more than was adequate—so much, indeed, that she began to regard him as a sage, and a compeer of her cousin Godfrey. Question followed question, and answer followed answer, Letty feeling all the time she must go, yet standing and standing, like one in a dream, who thinks he can not, and certainly does not break its spell—for in the act only is the ability and the deed born. Besides, was she to go away and leave her beautiful book in his hand? What would Godfrey think if she did? Again and again she stretched out her own to take it, but, although he saw the motion, he held on to the book as to his best anchor, hurriedly turned its leaves by fits and searching for something more to his mind than anything of Milton's. Suddenly his face brightened.
"Ah!" he said—and remained a moment silent, reading. "I don't wonder," he resumed, "at your admiration of Milton. He's very grand, of course, and very musical, too; but one can't be listening to an organ always. Not that I prefer merry music; that must be inferior, for the tone of all the beauty in the world is sad." Much Tom Helmer knew of beauty or sadness either! but ignorance is no reason with a fool for holding his tongue. "But there is the violin, now!—that can be as sad as any organ, without being so ponderous. Hear this, now! This is the violin after the organ—played as only a master can!"
With this preamble, he read a song of Shelley's, and read it well, for he had a good ear for rhythm and cadence, and prided himself on his reading of poetry.
Now the path to Letty's heart through her intellect was neither open nor well trodden; but the song in question was a winged one, and flew straight thither; there was something in the tone of it that suited the pitch of her spirit-chamber. And, if Letty's heart was not easily found, it was the readier to confess itself when found. Her eyes filled with tears, and through those tears Tom looked large and injured. "He must be a poet himself to read poetry like that!" she said to herself, and felt thoroughly assured that her aunt had wronged him greatly. "Some people scorn poetry like sin," she said again. "I used myself to think it was only for children, until Cousin Godfrey taught me differently."
As thus her thoughts went on interweaving themselves with the music, all at once the song came to an end. Tom closed the book, handed it to her, said, "Good morning, Miss Lovel," and ran down the rent in the ha-ha;