The Atlantic Monthly, Volume 08, No. 46, August, 1861. VariousЧитать онлайн книгу.
to be crowded by the Hellebore and overtopped by the Meadow Rue; but they rear their branches aloft and assume the dignity and stature of trees. Man, who looks down upon them in our own latitude, and tramples them under his feet, looks in that region far above his head, and beholds their magnificent fronds spread out like a great tent between him and the heavens.
Tree-Ferns, though confined principally to the equatorial zone, are unable to endure the heat of the plains. They occupy an elevation that affords them the continual temperature of spring, three thousand feet above the sea,—the region of the lowest stratum of clouds,—where they receive the benefit of their moisture before it descends to the earth in showers. Humboldt ranks them with the noblest forms of tropical vegetation,—less lofty than the Palms, but surpassing them in beauty of foliage. The arborescent Ferns and Grasses are true specimens of those plants, of simple organic structure, which are found in the fossil remains of the early geological periods, and are the only plants now extant which may be considered the representatives of that epoch, when the saurians and the mastodons held dominion over the earth, and before the Angel of Light had descended from heaven to make preparation for a higher race of beings.
* * * * *
MISS LUCINDA
But that Solomon is out of fashion I should quote him, here and now, to the effect that there is a time for all things; but Solomon is obsolete, and never, no, never, will I dare to quote a dead language, "for raisons I have," as the exiles of Erin say. Yet, in spite of Solomon and Horace, I may express my own less concise opinion, that even in hard times, and dull times, and war times, there is yet a little time to laugh, a brief hour to smile and love and pity, just as through this dreary easterly storm, bringing clouds and rain, sobbing against casement and door with the inarticulate wail of tempests, there comes now and then the soft shine of a sun behind it all, a fleeting glitter, an evanescent aspect of what has been.
But if I apologize for a story that is nowise tragic, nor fitted to "the fashion of these times," possibly somebody will say at its end that I should also have apologized for its subject, since it is as easy for an author to treat his readers to high themes as vulgar ones, and velvet can be thrown into a portrait as cheaply as calico; but of this apology I wash my hands. I believe nothing in place or circumstance makes romance. I have the same quick sympathy for Biddy's sorrows with Patrick that I have for the Empress of France and her august, but rather grim lord and master. I think words are often no harder to bear than "a blue bating," and I have a reverence for poor old maids as great as for the nine Muses. Commonplace people are only commonplace from character, and no position affects that. So forgive me once more, patient reader, if I offer to you no tragedy in high life, no sentimental history of fashion and wealth, but only a little story about a woman who could not be a heroine.
Miss Lucinda Jane Ann Manners was a lady of unknown age, who lived in a place I call Dalton, in a State of these Disuniting States, which I do not mention for good cause. I have already had so many unconscious personalities visited on my devoted head that but for lucidity I should never mention persons or places, inconvenient as it would be. However, Miss Lucinda did live, and lived by the aid of "means," which, in the vernacular, is money. Not a great deal, it is true,—five thousand dollars at lawful interest, and a little wooden house, do not imply many luxuries even to a single-woman; and it is also true that a little fine sewing taken in helped Miss Manners to provide herself with a few small indulgences otherwise beyond her reach. She had one or two idiosyncrasies, as they are politely called, that were her delight. Plenty of dish-towels were necessary to her peace of mind; without five pair of scissors she could not be happy; and Tricopherous was essential to her well-being: indeed, she often said she would rather give up coffee than Tricopherous, for her hair was black and wiry and curly, and caps she abhorred, so that of a winter's day her head presented the most irrelevant and volatile aspect, each particular hair taking a twist on its own responsibility, and improvising a wild halo about her unsaintly face, unless subdued into propriety by the aforesaid fluid.
I said Miss Lucinda's face was unsaintly,—I mean unlike ancient saints as depicted by contemporary artists: modern and private saints are after another fashion. I met one yesterday, whose green eyes, great nose, thick lips, and sallow wrinkles, under a bonnet of fifteen years' standing, further clothed upon by a scant merino cloak and cat-skin tippet, would have cut a sorry figure in the gallery of the Vatican or the Louvre, and put the tranquil Madonna of San Sisto into a state of stunning antithesis; but if Saint Agnes or Saint Catharine was half as good as my saint, I am glad of it!
No, there was nothing sublime and dolorous about Miss Manners; her face was round, cheery, and slightly puckered, with two little black eyes sparking and shining under dark brows, a nose she unblushingly called pug, and a big mouth with eminently white and regular teeth, which she said were such a comfort, for they never ached, and never would to the end of time. Add to this physiognomy a small and rather spare figure, dressed in the cleanest of calicoes, always made in one style, and rigidly scorning hoops,—without a symptom of a collar, in whose place (or it may be over which) she wore a white cambric handkerchief, knotted about her throat, and the two ends brought into subjection by means of a little angular-headed gold pin, her sole ornament, and a relic of her old father's days of widowhood, when buttons were precarious tenures. So much for her aspect. Her character was even more quaint.
She was the daughter of a clergyman, one of the old school, the last whose breeches and knee-buckles adorned the profession, who never "outlived his usefulness," nor lost his godly simplicity. Parson Manners held rule over an obscure and quiet village in the wilds of Vermont, where hard-handed farmers wrestled with rocks and forests for their daily bread, and looked forward to heaven as a land of green pastures and still waters, where agriculture should be a pastime, and winter impossible. Heavy freshets from the mountains that swelled their rushing brooks into annual torrents, and snow-drifts that covered five-rail fences a foot above the posts and blocked up the turnpike-road for weeks, caused this congregation fully to appreciate Parson Manners's favorite hymns,—
"There is a land of pure delight,"
and
"On Jordan's stormy banks I stand."
Indeed, one irreverent, but "pretty smart feller," who lived on the top of a hill known as Drift Hill, where certain adventurous farmers dwelt for the sake of its smooth sheep-pastures, was heard to say, after a mighty sermon by Parson Manners about the seven-times heated furnaces of judgment reserved for the wicked, that "Parson hadn't better try to skeer Drift-Hillers with a hot place; 't wouldn't more 'n jest warm 'em through down there, arter a real snappin' winter."
In this out-of-the-way nook was Lucinda Jane Ann born and bred. Her mother was like her in many things,—just such a cheery, round-faced little body, but with no more mind than found ample scope for itself in superintending the affairs of house and farm, and vigorously "seeing to" her husband and child. So, while Mrs. Manners baked, and washed, and ironed, and sewed, and knit, and set the sweetest example of quiet goodness and industry to all her flock, without knowing she could set an example, or be followed as one, the Parson amused himself, between sermons of powerful doctrine and parochial duties of a more human interest, with educating Lucinda, whose intellect was more like his own than her mother's. A strange training it was for a young girl,—mathematics, metaphysics, Latin, theology of the driest sort; and after an utter failure at Greek and Hebrew, though she had toiled patiently through seven books of the "Aeneid," Parson Manners mildly sniffed at the inferiority of the female mind, and betook himself to teaching her French, which she learned rapidly, and spoke with a pure American accent, perhaps as pleasing to a Parisian ear as the hiss of Piedmont or the gutturals of Switzerland. Moreover, the minister had been brought up, himself, in the most scrupulous refinement of manner; his mother was a widow, the last of an "old family," and her dainty, delicate observances were inbred, as it were, in her only son. This sort of elegance is perhaps the most delicate test of training and descent, and all these things Lucinda was taught from the grateful recollection of a son who never forgot his mother, through all the solitary labors and studies of a long life. So it came to pass, that, after her mother died, Lucinda grew more and more like her father, and, as she became a woman, these rare refinements separated her more and more from those about her, and made her necessarily solitary. As for marriage, the possibility of such a thing never crossed her