Эротические рассказы

The Atlantic Monthly, Volume 10, No. 61, November, 1862. VariousЧитать онлайн книгу.

The Atlantic Monthly, Volume 10, No. 61, November, 1862 - Various


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in various ways; but they could not kill it utterly. Esthonia, Livonia, and Courland became free.

      Having failed to arrest the growth of freedom, the serf-holding caste made every effort to blast the good fruits of freedom. In Courland they were thwarted; in Esthonia and Livonia they succeeded during many years; but the eternal laws were too strong for them, and the fruitage of liberty has grown richer and better.

      After these good efforts, Alexander stopped, discouraged. A few patriotic nobles stood apart from their caste, and strengthened his hands, as Lafayette and Liancourt strengthened Louis XVI.; they even drew up a plan of voluntary emancipation, formed an association for the purpose, gained many signatures; but the great weight of that besotted serf-owning caste was thrown against them, and all came to nought. Alexander was at last walled in from the great object of his ambition. Pretended theologians built, between him and emancipation, walls of Scriptural interpretation,9 —pretended philosophers built walls of false political economy,—pretended statesmen built walls of sham common-sense.

      If the Tzar could but have mustered courage to cut the knot! Alas for Russia and for him, he wasted himself in efforts to untie it. His heart sickened at it; he welcomed death, which alone could remove him from it.

      Alexander's successor, Nicholas I., had been known before his accession as a mere martinet, a good colonel for parade-days, wonderful in detecting soiled uniforms, terrible in administering petty punishments. It seems like the story of stupid Brutus over again. Altered circumstances made a new man of him; and few things are more strange than the change wrought in his whole bearing and look by that week of agony and energy in climbing his brother's throne. The portraits of Nicholas the Grand Duke and Nicholas the Autocrat seem portraits of two different persons. The first face is averted, suspicious, harsh, with little meaning and less grandeur; the second is direct, commanding, not unkind, every feature telling of will to crush opposition, every line marking sense of Russian supremacy.

      The great article of Nicholas's creed was a complete, downright faith in Despotism, and in himself as Despotism's apostle.

      Hence he hated, above all things, a limited monarchy. He told De Custine that a pure monarchy or pure republic he could understand; but that anything between these he could not understand. Of his former rule of Poland, as constitutional monarch, he spoke with loathing.

      Of this hate which Nicholas felt for liberal forms of government there yet remain monuments in the great museum of the Kremlin.

      That museum holds an immense number of interesting things, and masses of jewels and plate which make all other European collections mean. The visitor wanders among clumps of diamonds, and sacks of pearls, and a nauseating wealth of rubies and sapphires and emeralds. There rise row after row of jewelled scymitars, and vases and salvers of gold, and old saddles studded with diamonds, and with stirrups of gold,—presents of frightened Asiatic satraps or fawning European allies.

      There, too, are the crowns of Muscovy, of Russia, of Kazan, of Astrachan, of Siberia, of the Crimea, and, pity to say it, of Poland. And next this is an index of despotic hate,—for the Polish sceptre is broken and flung aside.

      Near this stands the full-length portrait of the first Alexander; and at his feet are grouped captured flags of Hungary and Poland,—some with blood-marks still upon them.

      But below all,—far beneath the feet of the Emperor,—in dust and ignominy and on the floor, is flung the very Constitution of Poland—parchment for parchment, ink for ink, good promise for good promise—which Alexander gave with so many smiles, and which Nicholas took away with so much bloodshed.

      And not far from this monument of the deathless hate Nicholas bore that liberty he had stung to death stands a monument of his admiration for straightforward tyranny, even in the most dreaded enemy his house ever knew. Standing there is a statue in the purest of marble,—the only statue in those vast halls. It has the place of honor. It looks proudly over all that glory, and keeps ward over all that treasure; and that statue, in full majesty of imperial robes and bees and diadem and face, is of the first Napoleon. Admiration of his tyrannic will has at last made him peaceful sovereign of the Kremlin.

      This spirit of absolutism took its most offensive form in Nicholas's attitude toward Europe. He was the very incarnation of reaction against revolution, and he became the demigod of that horde of petty despots who infest Central Europe.

      Whenever, then, any tyrant's lie was to be baptized, he stood its godfather; whenever any God's truth was to be crucified, he led on those who passed by reviling and wagging their heads. Whenever these oppressors revived some old feudal wrong, Nicholas backed them in the name of Religion; whenever their nations struggled to preserve some great right, Nicholas crushed them in the name of Law and Order. With these pauper princes his children intermarried, and he fed them with his crumbs, and clothed them with scraps of his purple. The visitor can see to-day, in every one of their dwarf palaces, some of his malachite vases, or porcelain bowls, or porphyry columns.

      But the people of Western Europe distrusted him as much as their rulers worshipped; and some of these same presents to their rulers have become trifle-monuments of no mean value in showing that popular idea of Russian policy. Foremost among these stand those two bronze masses of statuary in front of the Royal Palace at Berlin,—representing fiery horses restrained by strong men. Pompous inscriptions proclaim these presents from Nicholas; but the people, knowing the man and his measures, have fastened forever upon one of these curbed steeds the name of "Progress Checked," and on the other, "Retrogression Encouraged."

      And the people were right. Whether sending presents to gladden his Prussian pupil, or sending armies to crush Hungary, or sending sneering messages to plague Louis Philippe, he remained proud in his apostolate of Absolutism.

      This pride Nicholas never relaxed. A few days before his self-will brought him to his death-bed, we saw him ride through the St. Petersburg streets with no pomp and no attendants, yet in as great pride as ever Despotism gave a man. At his approach, nobles uncovered and looked docile, soldiers faced about and became statues, long-bearded peasants bowed to the ground with the air of men on whose vision a miracle flashes. For there was one who could make or mar all fortunes,—the absolute owner of street and houses and passers-by,—one who owned the patent and dispensed the right to tread that soil, to breathe that air, to be glorified in that sunlight and amid those snow-crystals. And he looked it all. Though at that moment his army was entrapped by military stratagem, and he himself was entrapped by diplomatic stratagem, that face and form were proud as ever and confident as ever.

      There was, in this attitude toward Europe,—in this standing forth as the representative man of Absolutism, and breasting the nineteenth century,—something of greatness; but in his attitude toward Russia this greatness was wretchedly diminished.

      For, as Alexander I. was a good man enticed out of goodness by the baits of Napoleon, Nicholas was a great man scared out of greatness by the ever-recurring phantom of the French Revolution.

      In those first days of his reign, when he enforced loyalty with grape-shot and halter, Nicholas dared much and stood firm; but his character soon showed another side.

      Fearless as he was before bright bayonets, he was an utter coward before bright ideas. He laughed at the flash of cannon, but he trembled at the flash of a new living thought. Whenever, then, he attempted a great thing for his nation, he was sure to be scared back from its completion by fear of revolution. And so, to-day, he who looks through Russia for Nicholas's works finds a number of great things he has done, but each is single, insulated,—not preceded logically, not followed effectively.

      Take, as an example of this, his railway-building.

      His own pride and Russian interest demanded railways. He scanned the world with that keen eye of his,—saw that American energy was the best supplement to Russian capital; his will darted quickly, struck afar, and Americans came to build his road from St. Petersburg to Moscow.

      Nothing can be more complete. It is an "air-line" road, and so perfect that the traveller finds few places where the rails do not meet on either side of him in the horizon. The track is double,—the rails very heavy and admirably ballasted,—station-houses and engine-houses are splendid in build, perfect


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<p>9</p>

Gurowski says that they used brilliantly "Cursed beCanaan," etc.

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