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The Wife of his Youth and Other Stories of the Color Line, and Selected Essays. Charles Waddell ChesnuttЧитать онлайн книгу.

The Wife of his Youth and Other Stories of the Color Line, and Selected Essays - Charles Waddell Chesnutt


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had listened, with parted lips and streaming eyes. She was the first to speak: "He should have acknowledged her."

      "Yes," they all echoed, "he should have acknowledged her."

      "My friends and companions," responded Mr. Ryder, "I thank you, one and all. It is the answer I expected, for I knew your hearts."

      He turned and walked toward the closed door of an adjoining room, while every eye followed him in wondering curiosity. He came back in a moment, leading by the hand his visitor of the afternoon, who stood startled and trembling at the sudden plunge into this scene of brilliant gayety. She was neatly dressed in gray, and wore the white cap of an elderly woman.

      "Ladies and gentlemen," he said, "this is the woman, and I am the man, whose story I have told you. Permit me to introduce to you the wife of my youth."

      Her Virginia Mammy

I

      The pianist had struck up a lively two-step, and soon the floor was covered with couples, each turning on its own axis, and all revolving around a common centre, in obedience perhaps to the same law of motion that governs the planetary systems. The dancing-hall was a long room, with a waxed floor that glistened with the reflection of the lights from the chandeliers. The walls were hung in paper of blue and white, above a varnished hard wood wainscoting; the monotony of surface being broken by numerous windows draped with curtains of dotted muslin, and by occasional engravings and colored pictures representing the dances of various nations, judiciously selected. The rows of chairs along the two sides of the room were left unoccupied by the time the music was well under way, for the pianist, a tall colored woman with long fingers and a muscular wrist, played with a verve and a swing that set the feet of the listeners involuntarily in motion.

      The dance was sure to occupy the class for a quarter of an hour at least, and the little dancing-mistress took the opportunity to slip away to her own sitting-room, which was on the same floor of the block, for a few minutes of rest. Her day had been a hard one. There had been a matinee at two o'clock, a children's class at four, and at eight o'clock the class now on the floor had assembled.

      When she reached the sitting-room she gave a start of pleasure. A young man rose at her entrance, and advanced with both hands extended—a tall, broad-shouldered, fair-haired young man, with a frank and kindly countenance, now lit up with the animation of pleasure. He seemed about twenty-six or twenty-seven years old. His face was of the type one instinctively associates with intellect and character, and it gave the impression, besides, of that intangible something which we call race. He was neatly and carefully dressed, though his clothing was not without indications that he found it necessary or expedient to practice economy.

      "Good-evening, Clara," he said, taking her hands in his; "I 've been waiting for you five minutes. I supposed you would be in, but if you had been a moment later I was going to the hall to look you up. You seem tired to-night," he added, drawing her nearer to him and scanning her features at short range. "This work is too hard; you are not fitted for it. When are you going to give it up?"

      "The season is almost over," she answered, "and then I shall stop for the summer."

      He drew her closer still and kissed her lovingly. "Tell me, Clara," he said, looking down into her face,—he was at least a foot taller than she,—"when I am to have my answer."

      "Will you take the answer you can get to-night?" she asked with a wan smile.

      "I will take but one answer, Clara. But do not make me wait too long for that. Why, just think of it! I have known you for six months."

      "That is an extremely long time," said Clara, as they sat down side by side.

      "It has been an age," he rejoined. "For a fortnight of it, too, which seems longer than all the rest, I have been waiting for my answer. I am turning gray under the suspense. Seriously, Clara dear, what shall it be? or rather, when shall it be? for to the other question there is but one answer possible."

      He looked into her eyes, which slowly filled with tears. She repulsed him gently as he bent over to kiss them away.

      "You know I love you, John, and why I do not say what you wish. You must give me a little more time to make up my mind before I can consent to burden you with a nameless wife, one who does not know who her mother was"–

      "She was a good woman, and beautiful, if you are at all like her."

      "Or her father"–

      "He was a gentleman and a scholar, if you inherited from him your mind or your manners."

      "It is good of you to say that, and I try to believe it. But it is a serious matter; it is a dreadful thing to have no name."

      "You are known by a worthy one, which was freely given you, and is legally yours."

      "I know—and I am grateful for it. After all, though, it is not my real name; and since I have learned that it was not, it seems like a garment—something external, accessory, and not a part of myself. It does not mean what one's own name would signify."

      "Take mine, Clara, and make it yours; I lay it at your feet. Some honored men have borne it."

      "Ah yes, and that is what makes my position the harder. Your great-grandfather was governor of Connecticut."

      "I have heard my mother say so."

      "And one of your ancestors came over in the Mayflower."

      "In some capacity—I have never been quite clear whether as ship's cook or before the mast."

      "Now you are insincere, John; but you cannot deceive me. You never spoke in that way about your ancestors until you learned that I had none. I know you are proud of them, and that the memory of the governor and the judge and the Harvard professor and the Mayflower pilgrim makes you strive to excel, in order to prove yourself worthy of them."

      "It did until I met you, Clara. Now the one inspiration of my life is the hope to make you mine."

      "And your profession?"

      "It will furnish me the means to take you out of this; you are not fit for toil."

      "And your book—your treatise that is to make you famous?"

      "I have worked twice as hard on it and accomplished twice as much since

      I have hoped that you might share my success."

      "Oh! if I but knew the truth!" she sighed, "or could find it out! I realize that I am absurd, that I ought to be happy. I love my parents—my foster-parents—dearly. I owe them everything. Mother—poor, dear mother!—could not have loved me better or cared for me more faithfully had I been her own child. Yet—I am ashamed to say it—I always felt that I was not like them, that there was a subtle difference between us. They were contented in prosperity, resigned in misfortune; I was ever restless, and filled with vague ambitions. They were good, but dull. They loved me, but they never said so. I feel that there is warmer, richer blood coursing in my veins than the placid stream that crept through theirs."

      "There will never be any such people to me as they were," said her lover, "for they took you and brought you up for me."

      "Sometimes," she went on dreamily, "I feel sure that I am of good family, and the blood of my ancestors seems to call to me in clear and certain tones. Then again when my mood changes, I am all at sea—I feel that even if I had but simply to turn my hand to learn who I am and whence I came, I should shrink from taking the step, for fear that what I might learn would leave me forever unhappy."

      "Dearest," he said, taking her in his arms, while from the hall and down the corridor came the softened strains of music, "put aside these unwholesome fancies. Your past is shrouded in mystery. Take my name, as you have taken my love, and I 'll make your future so happy that you won't have time to think of the past. What are a lot of musty, mouldy old grandfathers, compared with life and love and happiness? It 's hardly good form to mention one's ancestors nowadays, and what 's the use of them at all if one can't boast of them?"

      "It 's all very well of you to talk that way," she rejoined. "But suppose you should marry me, and when you become famous and rich, and patients flock to your office, and fashionable people to your home, and every one


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