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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 356, February 14, 1829. VariousЧитать онлайн книгу.

The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 356, February 14, 1829 - Various


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The breeze was just powerful enough to carry the allied fleet forward at a gentle rate, and as the wind freshened a little at times, it had the effect of causing the ships to heel to one side in a graceful, undulating manner,—the various flags and pendants of the united nations puffing out occasionally from the mast-heads. The sea was smooth, the weather rather warm, and the air quite clear. As we neared the entrance of the bay, the land presented all around a rugged, steep appearance towards the sea. In the distance, the mountains were visible, of a light blue, with whitish clouds apparently resting on their summits. The town and castle of Navarino presented a bright, picturesque look, and some spots of cultivation were to be seen. In the interior there rose in the air what looked like the smoke of some conflagration, and such we all believed was the case, as the Turkish soldiery had been employed in ravaging the country, and carrying away the inhabitants. An encampment of tents lay near, close to the castle, and large bodies of soldiers were easily discernible crowding on the batteries as we approached. We were about five hundred yards distant from the castle. The breadth of the entrance was about a mile.

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      1

      This elegant and curious piece of workmanship, the history of which is involved in uncertainty, bears the marks of an age subsequent to that of the choir, and was probably erected in the reign of Henry VI. It is in the most finished style of the flori

1

This elegant and curious piece of workmanship, the history of which is involved in uncertainty, bears the marks of an age subsequent to that of the choir, and was probably erected in the reign of Henry VI. It is in the most finished style of the florid Gothic, containing niches, canopies, pediments, and pinnacles, and decorated with the statues of all the sovereigns of England, from the Norman Conquest to Henry V. The statue of James I. stands in the niche which tradition assigns as that formerly occupied by the one of Henry VI.

2

These stalls or seats which were formed of oak, and of the most elaborate workmanship, occupied the side, and western end of the choir: they were surmounted by canopies, supported by slender pillars, rising from the arms, each being furnished with a movable misericordia.

3

Vide Drake's Eboracum, p. 527.

4

We thank our intelligent antiquarian correspondent for this article, which, he will perceive appears somewhat, abridged, as we are unable to spare room for further details.


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