Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 097, January, 1876. VariousЧитать онлайн книгу.
block handed down by these worthies—not by any means
Like that great Dawn which baffled Angelo
Left shapeless, grander for its mystery,
but blurred and scratched all over with childish and unmeaning scrawls—has been wholly transformed. Chemistry no longer assumes to read our future, but it does a great deal to brighten our present. Laboring to supply the wants and enhance the pleasures and security of daily life, it makes excursions with a sure foot in the opposite direction of abstruse problems in natural philosophy. It analyzes all substances, determines their relations, and tries to guide the artisan in utilizing its acquisitions for the general good. To enumerate these, or to give the merest sketch of chemical progress within the century, would fill many pages. It has enriched and invigorated all the arts by supplying new material and new processes. Illuminating gas, photography, the anæsthetics, the artificial fertilizers, quinine, etc. are a few of its more familiarly known contributions. It has aided medical jurisprudence, and so far checked crime. Besides enlarging the pharmacopoeia, it has promoted sanitary reform in many ways, notably by ascertaining the media of contagion in disease and providing for their detection and removal. Its triumphs are so closely interwoven with the appliances of common life that we are prone to lose sight of them. From the aniline dye that beautifies a picture or a dress, to the explosive that lifts a reef or mines the Alps for a highway, the gradations are infinite and multiform.
Heavy as is the draft of the material sciences upon the thought and energy of the century, it has not monopolized them. No trifling resources have been left for mere abstract investigation. If meta-physics stands, despite the labors of Stewart, Hamilton, Hegel, Comte, very much where it did when Socrates ran amuck among the casuistical Quixotes of his day, and left the philosophic tilters of Greece, the knights-errant in search of the supreme good, in the same plight with the chivalry of Spain after Cervantes, the science of mind, and particularly mental pathology, has made some steps forward on crutches furnished by the medical profession. The treatment of insanity is on a more rational and efficient footing. The statistician collects, and invites the moral philosopher to collate, the records of crime. The naturalist studies the life of the lower animals, and gives the coup de grace to the uncompromising distinction drawn by human conceit between instinct and intelligence.
In the walks of comparative philology much has been accomplished. Sanskrit has been exhumed. Aryan and Semitic roots are traced back to an almost synchronous antiquity. The decipherment of the Egyptian inscriptions seems to bring us into communication with a still more remote form of language. More recent periods derive new light from the Etruscan tombs and the Assyrian bricks. Linguists deem themselves in sight of something better than the "bow-wow" theory, and are no longer content to let the calf, the lamb and the child bleat in one and the same vocabulary of labials, and with no other rudiments than "ma" and "pa" "speed the soft intercourse from pole to pole." As yet, that part of mankind which knows not its right hand from its left is the only one possessed of a worldwide lingo. The flux that is to weld all tongues into one, and produce a common language like a common unit of weight, measure and coinage, remains to be discovered. A Chinese pig, transplanted to an Anglo-Saxon stye, has no difficulty in instituting immediate converse with his new friend, but the gentleman who travels in Europe needs to carry an assortment of dialects for use on opposite sides of the same rivulet or the same hill. However, as the French franc has been adopted by four other nations, and the French litre and mètre by a greater number, one and the same mail and postage made to serve Europe and America, and passports been abolished, we may venture to picture to ourselves the time when the German shall consent to clear his throat, the Frenchman his nose, the Spaniard his tonsils and the Englishman the tip of his tongue—when all shall become as little children and be mutually comprehensible. Commerce at present is doing more than the philosophers to that end. While the countrymen of Wilhelm von Humboldt and Max Müller persist in burying their laboriously heaped treasures under a load of black-letter type and words and sentences the most fearfully and wonderfully made, the skipper scatters English words with English calico and American clocks among all the isles. A picturesque fringe of pigeon English decorates the coasts of Africa, Asia and Oceanica. It might be deeper, and doubtless will be, for our mother-tongue will very certainly be supreme in the world of trade for at least a couple of centuries to come. If we were only half as sure of its being adopted by France as by Fiji!
If almighty steam and sail must remain unequal to this task, wondrous indeed are their other potencies. They have contracted the globe like a dried apple, only in a far greater degree. In 1776 three years was the usual allotment of the grand tour. Beginning at London, it extended to Naples and occasionally Madrid. It often left out Vienna, and more frequently Berlin. In the same period you may now put a girdle round the earth ninefold thick. You may, given the means and the faculties, set up business establishments at San Francisco, Yokohama, Shanghai, Canton, Calcutta, Bombay, Alexandria, Rome, Paris, London and New York, and visit each once a quarter. The goods to supply them may travel, however bulky, on the same ship and nearly the same train in point of speed with yourself. Nowhere farther than a few weeks from home in person, nowhere are you more remote verbally than a few hours. The Red Sea opens to your footsteps, as it did to those of Moses; and the lightning that bears your words cleaves the pathway of Alexander and the New World for which he wept.
It is really hard to mention these innovations on the old ways, so vast and so sudden, without degenerating into rhetoric or bombast. The spread-eagle style comes naturally to an epoch that soars on quick new wing above all the others. We have it in all shapes– equally startling and true in figures of arithmetic or figures of speech. Any school-boy can tell you, if you give him the dimensions of the Great Pyramid and state thirty-three thousand pounds one foot high in a minute as the conventional horse-power, how many hours it would take a pony-team picked out of the hundreds of thousands of steam-engines on the two continents to raise it. He will reduce to the same prosaic but eloquent form a number of like problems illustrative of the command obtained over some of the forces of Nature, and their employment in multiplying and economizing manual strength and dexterity and stimulating ingenuity. When we come to contemplate the whole edifice of modern production, it seems to simplify itself into one new motor applied to the old mechanical powers, which may perhaps in turn be condensed into one—the inclined plane. This helps to the impression that the structure is not only sure to be enlarged, as we see it enlarging day by day, but to grow into novel and more striking aspects. Additional motors will probably be discovered, or some we already possess in embryo may be developed into greater availability. These, operating on an ever-growing stock of material, will convince our era that it is but introductory to a more magnificent and not far distant future.
Magnificent the century is justified in styling its work. What matter could do for mind and steam for the hand it has done. But is there any gain in the eye and intellect which perceive, and the hand which fixes, beauty and truth? Is there any addition to the simple lines, as few and rudimental as the mechanical powers, which embody proportion and harmony, or in the fibres of emotion, as scant but as infinite in their range of tone as the strings of the primeval harp, which ask and respond to no motor but the touch of genius? Have we surpassed the old song, the old story, the old picture, the old temple?
Such questions must be answered in the negative. The age, recognizing perforce the inherent capabilities of the race as a constant quantity, contents itself so far with endeavoring to adapt and reproduce, or at most imitate, such manifestations of the artistic sense as it finds excellent in the past. The day for originality may come ere long, and nothing can be lost in striving for it, but a capacity for the beautiful at first hand cannot come without an appreciation of it at second hand. With the number of cultivated minds so vastly increased as compared with any previous period, the greater variety of objects and conditions presented to them, the multiplicity of races to which they belong, and consequently of distinct race-characteristics imbedded in them and brought into play, and the impulse communicated by greater general activity, the expectation is allowably sanguine that the nineteenth century will plant an art as well as an industry of its own. Wealth, culture and peace seldom fail to win this final crown. They are busily gathering together the jewels of the past, endless in diversity of charm. Museum, gallery, library swell as never before. The earth is not mined for iron and coal alone. Statue, vase and gem are disentombed. Pictures are rescued from the grime of years and neglect. All are copied by sun or hand,