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which he describes and dwells on the perfections of the matchless stallion. None but one who knew every point of a horse, none but one of the Centaur breed, could have drawn Don Fulano,—just as none but a born skater could have written those inimitable skating-scenes in his story of "Love and Skates."
"He was an American horse,—so they distinguish in California one brought from the old States,—A SUPERB YOUNG STALLION, PERFECTLY BLACK, WITHOUT MARK. It was magnificent to see him, as he circled about me, fire in his eye, pride in his nostril, tail flying like a banner, power and grace from tip to tip. No one would ever mount him, or ride him, unless it was his royal pleasure. He was conscious of his representative position, and showed his paces handsomely."
This is the creature who takes the lead in that stirring and matchless "Gallop of Three" to the Luggernel Spring, to quote from which would be to spoil it. It must be read entire.
In the "Canoe and Saddle" is recorded Winthrop's long ride across the continent. Setting out in a canoe, from Port Townsend, in Vancouver's Island, he journeyed, without company of other white men, to the Salt Lake City and thence to "the States,"—a tedious and barbarous experience, heightened, in this account of it, by the traveller's cheery spirits, his ardent love of Nature, and capacity to describe the grand natural scenery, of the effect of which upon himself he says, at the end,—
"And in all that period, while I was so near to Nature, the great lessons of the wilderness deepened into my heart day by day, the hedges of conventionalism withered away from my horizon, and all the pedantries of scholastic thought perished out of my mind forever."
He bore hardships with the courage and imperturbable good-nature of a born gentleman. It is when men are starving, when the plating of romance is worn off by the chafe of severe and continued suffering,—it is then that "blood tells." Winthrop had evidently that keen relish for rough life which the gently nurtured and highly cultivated man has oftener than his rude neighbor, partly because, in his case, contrast lends a zest to the experience. Thus, when he camps with a gang of "road-makers," in the farthest Western wilderness,—a part of Captain McClellan's Pacific Railroad Expedition,—how thoroughly he enjoys the rough hospitality and rude wit of these pioneers!
"In such a Platonic republic as this a man found his place according to his powers. The cooks were no base scullions; they were brethren, whom conscious ability, sustained by universal suffrage, had endowed with the frying-pan."
"My hosts were a stalwart gang.... Their talk was as muscular as their arms. When these laughed, as only men fresh and hearty and in the open air can laugh, the world became mainly grotesque: it seemed at once a comic thing to live,—a subject for chuckling, that we were bipeds, with noses,—a thing to roar at, that we had all met there from the wide world, to hobnob by a frolicsome fire with tin pots of coffee, and partake of crisped bacon and toasted dough-boys in ridiculous abundance. Easy laughter infected the atmosphere. Echoes ceased to be pensive, and became jocose. A rattling humor pervaded the forest, and Green River rippled with noise of fantastic jollity. Civilization and its dilettante diners-out sneer when Clodpole at Dives's table doubles his soup, knifes his fish, tilts his plate into his lap, puts muscle into the crushing of his méringue, and tosses off the warm beaker in his finger-bowl. Camps by Tacoma sneer not at all, but candidly roar, at parallel accidents. Gawky makes a cushion of his flapjack. Butterfingers drops his red-hot rasher into his bosom, or lets slip his mug of coffee into his boot drying at the fire,—a boot henceforth saccharine. A mule, slipping his halter, steps forward unnoticed, puts his nose into the circle, and brays resonant. These are the jocular boons of life, and at these the woodsmen guffaw with lusty good-nature. Coarse and rude the jokes may be, but not nasty, like the innuendoes of pseudo-refined cockneys. If the woodsmen are guilty of uncleanly wit, it differs from the uncleanly wit of cities as the mud of a road differs from the sticky slime of slums.
"It is a stout sensation to meet masculine, muscular men at the brave point of a penetrating Boston hooihut,—men who are mates,—men to whom technical culture means nought,—men to whom myself am nought, unless I can saddle, lasso, cook, sing, and chop,—unless I am a man of nerve and pluck, and a brother in generosity and heartiness. It is restoration to play at cudgels of jocoseness with a circle of friendly roughs, not one of whom ever heard the word bore,—with pioneers, who must think and act, and wrench their living from the closed hand of Nature."
And here is a dinner "in the open."
"Upon the carte du jour at Restaurant Sowee was written Grouse. 'How shall we have them?' said I, cook and convive, to Loolowcan, marmiton and convive. 'One of these cocks of the mountain shall be fried, since gridiron is not,' responded I to myself, after meditation; 'two shall be spitted and roasted; and, as Azrael may not want us before breakfast to-morrow, the fourth shall go upon the carte de déjeuner'.
"'O Pork! what a creature thou art!' continued I, in monologue, cutting neat slices of that viand with my bowie-knife, and laying them fraternally, three in a bed, in the frying-pan. 'Blessed be Moses, who forbade thee to the Jews, whereby we, of freer dispensations, heirs of all the ages, inherit also pigs more numerous and bacon cheaper! O Pork! what could campaigners do without thy fatness, thy leanness, thy saltness, thy portableness?'
"Here Loolowcan presented me the three birds, plucked featherless as Plato's man. The two roasters we planted carefully on spits before a sultry spot of the fire. From a horizontal stick, supported on forked stakes, we suspended by a twig over each roaster an automatic baster, an inverted cone of pork, ordained to yield its spicy juices to the wooing flame, and drip bedewing on each bosom beneath. The roasters ripened deliberately, while keen and quick fire told upon the frier, the first course of our feast. Meanwhile I brewed a pot of tea, blessing Confucius for that restorative weed, as I had blessed Moses for his abstinence from porkers.
"Need I say that the grouse were admirable, that everything was delicious, and the Confucian weed first chop? Even a scouse of mouldy biscuit met the approval of Loolowcan. Feasts cooked under the greenwood tree, and eaten by their cooks after a triumphant day of progress, are sweeter than the conventional banquets of languid Christendom."
"Life in the Open Air"—containing sketches of travel among the mountains and lakes of Maine, as well as the story of "Love and Skates," which has been spoken of, "The March of the Seventh Regiment," "Washington as a Camp," an essay descriptive of Church's great picture, "The Heart of the Andes," and two fragments, one of them the charming commencement of a story which promised to be one of his best and most enjoyable efforts in this direction—is the concluding volume of Winthrop's collected writings. I speak of it in this place, because it is in some part a companion-book to the volumes we have been discussing. It is as full of buoyant life, of fresh and noble thought, of graceful wit and humor, as those; in parts it contains the most finished of his literary work. Few Americans who read it at the time will ever forget that stirring description of the march of the New-York Seventh; it is a piece of the history of our war which will live and be read as long as Americans read their history. It moved my blood, in the reading, tonight, as it did in those days—which seem already some centuries old, so do events crowd the retrospect—when we were all reading it in the pages of the "Atlantic." In the unfinished story of "Brightly's Orphan" there is a Jew boy from Chatham Street, an original of the first water, who, though scarce fairly introduced, will, I am sure, make a place for himself and for his author in the memories of all who relish humor of the best kind.
"Cecil Dreeme" and "Edwin Brothertoft" are quite other books than these we have spoken of. Here Winthrop tried a different vein,—two different veins, perhaps. Both are stories of suffering and crime, stories of the world and society. In one it is a woman, in the other a man, who is wronged. One deals with New York city-life of the very present day; the other is a story of the Revolutionary War, and of Tories and Patriots. The popular verdict has declared him successful, even here. "Cecil Dreeme" has run through no less than fifteen editions.
In this story we are shown New York "society" as doubtless Winthrop knew it to be. Yet the book has a curious air of the Old-World; it might be a story of Venice, almost. It tells us of Old-World vices and crimes, and the fittings and furnishings are of a piece. The localities, indeed, are sketched so faithfully, that a stranger to the city, coming suddenly, in his wanderings, upon Chrysalis College Buildings, could not fail to recognize them at once,—as indeed happened to a country friend