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The Farseer Series Books 2 and 3: Royal Assassin, Assassin’s Quest. Robin HobbЧитать онлайн книгу.

The Farseer Series Books 2 and 3: Royal Assassin, Assassin’s Quest - Robin Hobb


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Or hear the screams. But that’s understandable. Have you ever tried to find a rhyme for “dismembered child”? Someone once tried “remembered wild” but the verse still didn’t quite scan.’ There was no merriment in his banter. His bitter jests could shield neither him nor me. He fell silent once more, my prisoner doomed to share his painful knowledge with me.

      I witnessed in silence. No verse would tell of a parent pushing a poison pellet into a child’s mouth to keep him from the Raiders. No one could sing of children crying out with the cramps of the swift, harsh poison, or the women who were raped as they lay dying. No rhyme nor melody could bear the weight of telling of archers whose truest arrows slew captured kinfolk before they could be dragged away. I peered into the interior of a burning house. Through the flames, I watched a ten-year-old boy bare his throat for the slash of his mother’s knife. He held the body of his baby sister, strangled already, for the Red Ships had come, and no loving brother would give her to either the Raiders or the voracious flames. I saw the mother’s eyes as she lifted her children’s bodies and carried them into the flames with her. Such things are better not remembered. But I was not spared the knowledge. It was my duty to know these things, and to recall them.

      Not all died. Some fled into the surrounding fields and forests. I saw one young man take four children under the docks with him, to cling in the chill water to the barnacled pilings until the raiders left. Others tried to flee and were slain as they ran. I saw a woman in a nightgown slip from a house. Flames were already running up the side of the building. She carried one child in her arms and another clung to her skirts and followed her. Even in the darkness, the light from the fired huts awoke burnished highlights in her hair. She glanced about fearfully, but the long knife she carried in her free hand was up and at the ready. I caught a glimpse of a small mouth set grimly, eyes narrowed fiercely. Then, for an instant, I saw that proud profile limned against firelight. ‘Molly!’ I gasped. I reached a clawed hand to her. She lifted a door and shooed the children down into a root cellar behind the blazing home. She lowered the door silently over them all. Safe?

      No. They came around the corner, two of them. One carried an axe. They were walking slowly, swaggering and laughing aloud. The soot that smeared their faces made their teeth and the whites of their eyes stand out. One was a woman. She was very beautiful, laughing as she strode. Fearless. Her hair was braided back with silver wire. The flames winked red in it. The Raiders advanced to the door of the root cellar, and the one swung his axe in a great arcing blow. The axe bit deep into the wood. I heard the terrified cry of a child. ‘Molly!’ I shrieked. I scrabbled from my bed, but had no strength to stand. I crawled toward her.

      The door gave way, and the Raiders laughed. One died laughing as Molly came leaping through the shattered remnants of the door to put her long knife into his throat. But the beautiful woman with the shining silver in her hair had a sword. And as Molly struggled to pull her knife clear of the dying man, that sword was falling, falling, falling.

      At that instant, something gave way in the burning house with a sharp crack. The structure swayed and then fell in a shower of sparks and an upburst of roaring flames. A curtain of fire soared up between me and the root cellar. I could see nothing through that inferno. Had it fallen across the door of the root cellar and the Raiders attacking it? I could not see. I lunged forth, reaching out for Molly.

      But in an instant, all was gone. There was no burning house, no pillaged town, no violated harbour, no Red Ships. Only myself, crouching by the hearth. I had thrust my hand into the fire and my fingers clutched a coal. The Fool cried out and seized my wrist to pull my hand from the fire. I shook him off, then looked at my blistered fingers dully.

      ‘My king,’ the Fool said woefully. He knelt beside me, carefully moved the tureen of soup by my knee. He moistened a napkin in the wine he had poured for my meal, and folded it over my fingers. I let him. I could not feel the burned skin for the great wound inside me. His worried eyes stared into mine. I could scarcely see him. He seemed an insubstantial thing, with the faltering flames of the fireplace showing in his colourless eyes. A shadow like all the other shadows that came to torment me.

      My burned fingers throbbed suddenly. I clutched them in my other hand. What had I been doing, what had I been thinking? The Skill had come on me like a fit, and then departed, leaving me as drained as an empty glass. Weariness flowed in to fill me, and pain rode it like a horse. I struggled to retain what I had seen. ‘What woman was that? Is she important?’

      ‘Ah.’ The Fool seemed even wearier, but struggled to gather himself. ‘A woman at Siltbay?’ He paused as if racking his brains. ‘No. I have nothing. It is all a muddle, my king. So hard to know.’

      ‘Molly has no children,’ I told him. ‘It could not have been her.’

      ‘Molly?’

      ‘Her name is Molly?’ I demanded. My head throbbed. Anger suddenly possessed me. ‘Why do you torment me like this?’

      ‘My lord, I know of no Molly. Come. Come back to your bed, and I will bring you some food.’

      He helped me to my feet and I tolerated his touch. I found my voice. I floated, the focus of my eyes coming and going. One moment I could feel his hand on my arm, the next it seemed as if I dreamed the room and the men who spoke there. I managed to speak. ‘I have to know if that was Molly. I have to know if she is dying. Fool, I have to know.’

      The Fool sighed heavily. ‘It is not a thing I can command my king. You know that. Like your visions, mine rule me, not the reverse. I cannot pluck a thread from the tapestry, but must look where my eyes are pointed. The future, my king, is like a current in a channel. I cannot tell you where one drop of water goes, but I can tell you where the flow is strongest.’

      ‘A woman at Siltbay,’ I insisted. Part of me pitied my poor Fool, but another part insisted. ‘I would not have seen her so clearly if she were not important. Try. Who was she?’

      ‘She is significant?’

      ‘Yes. I am sure of it. Oh, yes.’

      The Fool sat cross-legged on the floor. He put his long fingers to his temples and pressed as if trying to open a door. ‘I know not. I don’t understand … All is a muddle, all is a crossroads. The tracks are trampled, the scents gone awry …’ He looked up at me. Somehow I had stood, but he sat on the floor at my feet, looking up at me. His pale eyes goggled in his eggshell face. He swayed from the strain, smiled foolishly. He considered his rat sceptre, went nose to nose with it. ‘Did you know any such Molly, Ratsy? No? I didn’t think you would. Perhaps he should ask someone more in a position to know. The worms, perhaps.’ A silly giggling seized him. Useless creature. Silly riddling soothsayer. Well, he could not help what he was. I left him and walked slowly back to my bed. I sat on the edge of it.

      I found I was shaking as if with an ague. A seizure, I told myself. I must calm myself or risk a seizure. Did I want the Fool to see me twitching and gasping? I didn’t care. Nothing mattered, except finding out if that was my Molly, and if so, had she perished? I had to know. I had to know if she had died, and if she had died, how she had died. Never had the knowing of something been so essential to me.

      The Fool crouched on the rug like a pale toad. He wet his lips and smiled at me. Pain sometimes can wring such a smile from a man. ‘It’s a very glad song, the one they sing about Siltbay,’ he observed. ‘A triumphant song. The villagers won, you see. Didn’t win life for themselves, no, but clean death. Well, death anyway. Death, not Forging. At least that’s something. Something to make a song about and hold onto these days. That’s how it is in Six Duchies now. We kill our own so the raiders can’t, and then we make victory songs about it. Amazing what folk will take comfort in when there’s nothing else to hold onto.’

      My vision softened. I knew suddenly that I dreamed. ‘I’m not even here,’ I said faintly. ‘This is a dream. I dream that I am King Shrewd.’

      He held his pale hand up to the firelight, considered the bones limned so plainly in the thin flesh. ‘If you say so, my liege, it must be so. I too, then, dream you are King Shrewd. If I pinch you, perhaps, shall I awaken myself?’

      I looked down at my hands. They were old and scarred.


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