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Lady Alkmene Collection: Four fabulous 1920s murder mysteries you won’t want to miss!. Vivian ConroyЧитать онлайн книгу.

Lady Alkmene Collection: Four fabulous 1920s murder mysteries you won’t want to miss! - Vivian  Conroy


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who have titles because that is just the way it is. Their children…’ He glanced at her pointedly.

      Alkmene wanted to open her mouth to say that she was not some overprivileged snob who didn’t know what to do with her hands, but her recent laundry disaster made her reconsider. It was true that if the servants left her to herself, in that big house, there would probably be more ruined things than one fine handkerchief.

      She stared ahead with an angry frown.

      Dubois laughed again. ‘Not even a sharp retort, Lady Alkmene? Simply ignoring the poor peasant who doesn’t understand your position?’

      ‘I hardly think you are a peasant. That is just the point. You understand the system better than people who say everybody should have the same, and flock to those farms where you are supposed to share everything.’

      Dubois chuckled. ‘What is wrong with sharing?’

      Alkmene looked at him. ‘Sharing implies a choice. I share of my own free will. When I am forced to share, it’s not sharing any more.’

      Dubois didn’t laugh this time. ‘I agree. The peerage should see for themselves that they ought to share what they hold back from the people. But they don’t wish to see it. So maybe somebody should make them.’

      ‘Those kinds of ideas led to the French revolution, and aside from a couple of people losing their heads it didn’t solve a whole lot.’

      Dubois studied her from the side. ‘Are you always employing that sharp tongue of yours or just when I am around?’

      ‘I’m afraid you are not that special.’ It was the truth, as most people who knew her well could testify, and still she was trying to make her point a little harder than she would otherwise. In fact, she could not remember any recent occasion where it had mattered to her much what another being thought of her.

      Raised by an unconventional father, judged by society as the ‘sad girl without a mother’ or ‘the wild child who doesn’t know any rules’ Alkmene had learned at a young age to close her ears to other people’s opinions of her, and usually she was fine with whatever anybody said or thought about her.

      It often even amused her to see how ignorant people were or what they thought of people with privilege while they had no idea about that kind of life.

      But Dubois was for some reason different. His bitterness, she guessed, stemmed from experiences. Experiences that she was curious about, but couldn’t ask about right now.

      Their brief acquaintance didn’t allow for any personal questions, and she doubted a man like him would want to talk about the past.

      He had probably fled it all to start over, in a new city, a new country even.

      Why else leave the glittering lights of beautiful Paris where he had even been writing for several papers? True, with the Olympics drawing to an end, the interest in the accomplishments there died down quickly, but she bet there were other engaging stories to take their place. Why come to London in the first place?

      ‘So what story are you after today?’ she asked. ‘Is it another undertaker smuggling prisoners?’

      ‘One thing you learn in journalism early on,’ Dubois said, ‘is that people do not like to hear the same story twice. You have to come up with new things all of the time.’

      That made sense. ‘So what is new today? I suppose you could try and interview Ms Steinbeck about her uncle’s art collection. After all, it is hers now. Perhaps she is not suspicious of strangers and will let you see some of the rarer pieces. You were so interested in it before; you can’t just have given up on it now.’

      When Dubois didn’t reply, she looked at him sideways.

      Dubois stared ahead of them with that focused look that betrayed he was in tracking mode and losing attention for anything but the object of his interest. She found it kind of annoying to be ignored, like she was just dissolving into thin air while she was still walking beside him.

      On the other hand it was also fascinating. He had the bloodhound instinct needed to succeed in his job, and she might learn something worthwhile from him if she just handled it right.

      What exactly did he see ahead of them? She spied nothing special. Just the usual telegram delivery boy hurrying along, pushing past gentlemen in deep discussion.

      ‘Come with me,’ Dubois said suddenly, taking her arm and slipping it through his. Now they were walking like an engaged couple.

      Alkmene was about to shake him off and give him a piece of her mind, when he made a sharp turn left and took her through double doors into the theatre.

      The foyer was mostly empty. A man in a dust jacket swept something into a corner. He looked up and blinked at them from behind his heavily rimmed glasses. He was obviously not used to people just walking in there when there was no performance scheduled.

      Dubois approached him with a ready smile. ‘Lady Alkmene here was at an opera last week and she lost an earring in the box. Would you mind terribly if we had a look around to see if it is still there?’

      ‘The floors have been swept,’ the man said. ‘I am sure that…’

      ‘It was small and might have vanished into the padding of the seats. I will look; you need not bother. Please do go on with your work. Thank you.’ And without even waiting for the man’s response, Dubois pulled Alkmene along, up the carpeted stairs to the corridor that led into the boxes.

      ‘I have not been to the opera in ages,’ Alkmene protested. ‘What are we doing here?’

      ‘I heard from the countess she saw something interesting that night. I want to know which box was hers, what she could have seen from there.’

      Alkmene felt a rush of annoyance that the countess had shared her sighting of the man returned from the dead with Dubois. That had been her ace in the hole. But she should have known that the little lady was so excited about Dubois and his quest that she’d be determined to be involved somehow.

      She sighed. ‘I told you I was not with her. How should I know in what box she was that night?’

      Dubois rolled his eyes at her. ‘One moment. I’ll ask if that man in the foyer knows.’ He left her standing and ran down the stairs, taking them two steps at a time. His easy energy rubbed off on her and instead of thinking this was obnoxious and potentially ruinous for her reputation, Alkmene found herself anticipating a bit of childlike fun. She tried to keep her expression straight, but when Dubois came back up and whispered the number at her with an excited grin, she had to return it and follow him down the corridor to the right curtain.

      They went in and stood a moment in the half darkness. Way down below lay the stage, empty, and all the rows of seats stretching away from it.

      Even the chandelier in front of them on the ceiling seemed lifeless without the sparkles on the pendants and the little rainbows when you looked at them through squinted eyes. There was a hushed silence here, as of a house in mourning.

      Dubois stared to the other side, in concentration as if he pictured the scene that the countess had seen that night. Norwhich and his niece in their box, then a man intruding. An argument…

      Dubois said, ‘It is too bad that we don’t know the name of the man who came in here that night. But then again, if I just knew who he was and could go ask him what he was doing here, it would be too easy.’

      ‘He would probably not tell you the truth anyway.’ Alkmene let her gaze wander around the box. Beside the last seat there was a curtain that had no purpose but was just fashionably draped to hide the separating wall to the next box.

      Alkmene narrowed her eyes to focus on it. Something about that curtain struck her as strange.

      She turned her head and looked at the same curtain on the other side of the box. It was longer.

       Longer?

      She walked over to the curtain


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