The House Behind the Cedars. Charles Waddell ChesnuttЧитать онлайн книгу.
young for the old.
"Good-morning, sir," replied the judge with equal courtesy.
"You don't remember me, I imagine," suggested Warwick.
"Your face seems familiar," returned the judge cautiously, "but I cannot for the moment recall your name. I shall be glad to have you refresh my memory."
"I was John Walden, sir, when you knew me."
The judge's face still gave no answering light of recognition.
"Your old office-boy," continued the younger man.
"Ah, indeed, so you were!" rejoined the judge warmly, extending his hand with great cordiality, and inspecting Warwick more closely through his spectacles. "Let me see—you went away a few years before the war, wasn't it?"
"Yes, sir, to South Carolina."
"Yes, yes, I remember now! I had been thinking it was to the North. So many things have happened since then, that it taxes an old man's memory to keep track of them all. Well, well! and how have you been getting along?"
Warwick told his story in outline, much as he had given it to his mother and sister, and the judge seemed very much interested.
"And you married into a good family?" he asked.
"Yes, sir."
"And have children?"
"One."
"And you are visiting your mother?"
"Not exactly. I have seen her, but I am stopping at a hotel."
"H'm! Are you staying long?"
"I leave to-morrow."
"It's well enough. I wouldn't stay too long. The people of a small town are inquisitive about strangers, and some of them have long memories. I remember we went over the law, which was in your favor; but custom is stronger than law—in these matters custom IS law. It was a great pity that your father did not make a will. Well, my boy, I wish you continued good luck; I imagined you would make your way."
Warwick went away, and the old judge sat for a moment absorbed in reflection. "Right and wrong," he mused, "must be eternal verities, but our standards for measuring them vary with our latitude and our epoch. We make our customs lightly; once made, like our sins, they grip us in bands of steel; we become the creatures of our creations. By one standard my old office-boy should never have been born. Yet he is a son of Adam, and came into existence in the way ordained by God from the beginning of the world. In equity he would seem to be entitled to his chance in life; it might have been wiser, though, for him to seek it farther afield than South Carolina. It was too near home, even though the laws were with him."
IV
DOWN THE RIVER
Neither mother nor daughter slept a great deal during the night of Warwick's first visit. Mis' Molly anointed her sacrifice with tears and cried herself to sleep. Rena's emotions were more conflicting; she was sorry to leave her mother, but glad to go with her brother. The mere journey she was about to make was a great event for the two women to contemplate, to say nothing of the golden vision that lay beyond, for neither of them had ever been out of the town or its vicinity.
The next day was devoted to preparations for the journey. Rena's slender wardrobe was made ready and packed in a large valise. Towards sunset, Mis' Molly took off her apron, put on her slat-bonnet,—she was ever the pink of neatness,—picked her way across the street, which was muddy from a rain during the day, traversed the foot-bridge that spanned the ditch in front of the cooper shop, and spoke first to the elder of the two men working there.
"Good-evenin', Peter."
"Good-evenin', ma'm," responded the man briefly, and not relaxing at all the energy with which he was trimming a barrel-stave.
Mis' Molly then accosted the younger workman, a dark-brown young man, small in stature, but with a well-shaped head, an expressive forehead, and features indicative of kindness, intelligence, humor, and imagination. "Frank," she asked, "can I git you to do somethin' fer me soon in the mo'nin'?"
"Yas 'm, I reckon so," replied the young man, resting his hatchet on the chopping-block. "W'at is it, Mis' Molly?"
"My daughter 's goin' away on the boat, an' I 'lowed you would n' min' totin' her kyarpet-bag down to the w'arf, onless you'd ruther haul it down on yo'r kyart. It ain't very heavy. Of co'se I'll pay you fer yo'r trouble."
"Thank y', ma'm," he replied. He knew that she would not pay him, for the simple reason that he would not accept pay for such a service. "Is she gwine fur?" he asked, with a sorrowful look, which he could not entirely disguise.
"As fur as Wilmin'ton an' beyon'. She'll be visitin' her brother John, who lives in—another State, an' wants her to come an' see him."
"Yas 'm, I'll come. I won' need de kyart—I'll tote de bag. 'Bout w'at time shill I come over?"
"Well, 'long 'bout seven o'clock or half pas'. She's goin' on the Old North State, an' it leaves at eight."
Frank stood looking after Mis' Molly as she picked her way across the street, until he was recalled to his duty by a sharp word from his father.
"'Ten' ter yo' wuk, boy, 'ten' ter yo' wuk. You 're wastin' yo' time—wastin' yo' time!"
Yes, he was wasting his time. The beautiful young girl across the street could never be anything to him. But he had saved her life once, and had dreamed that he might render her again some signal service that might win her friendship, and convince her of his humble devotion. For Frank was not proud. A smile, which Peter would have regarded as condescending to a free man, who, since the war, was as good as anybody else; a kind word, which Peter would have considered offensively patronizing; a piece of Mis' Molly's famous potato pone from Rena's hands,—a bone to a dog, Peter called it once;—were ample rewards for the thousand and one small services Frank had rendered the two women who lived in the house behind the cedars.
Frank went over in the morning a little ahead of the appointed time, and waited on the back piazza until his services were required.
"You ain't gwine ter be gone long, is you, Miss Rena?" he inquired, when Rena came out dressed for the journey in her best frock, with broad white collar and cuffs.
Rena did not know. She had been asking herself the same question. All sorts of vague dreams had floated through her mind during the last few hours, as to what the future might bring forth. But she detected the anxious note in Frank's voice, and had no wish to give this faithful friend of the family unnecessary pain.
"Oh, no, Frank, I reckon not. I'm supposed to be just going on a short visit. My brother has lost his wife, and wishes me to come and stay with him awhile, and look after his little boy."
"I'm feared you'll lack it better dere, Miss Rena," replied Frank sorrowfully, dropping his mask of unconcern, "an' den you won't come back, an' none er yo' frien's won't never see you no mo'."
"You don't think, Frank," asked Rena severely, "that I would leave my mother and my home and all my friends, and NEVER come back again?"
"Why, no 'ndeed," interposed Mis' Molly wistfully, as she hovered around her daughter, giving her hair or her gown a touch here and there; "she'll be so homesick in a month that she'll be willin' to walk home."
"You would n' never hafter do dat, Miss Rena," returned Frank, with a disconsolate smile. "Ef you ever wanter come home, an' can't git back no other way, jes' let ME know, an' I'll take my mule an' my kyart an' fetch you back, ef it's from de een' er de worl'."
"Thank you, Frank, I believe you would," said the girl kindly. "You're a true friend, Frank, and I'll not forget you while I'm gone."
The idea of her beautiful daughter riding home from the end of the world with Frank, in a cart, behind a one-eyed mule, struck Mis' Molly as the height of the ridiculous—she was in a state of excitement where tears or laughter would have come with equal ease—and she turned away to hide her merriment. Her daughter was going to live in a fine house, and marry a rich man, and ride in her carriage. Of course a negro would drive the carriage, but that was different from riding with one in a cart.
When