Notes and Queries, Number 52, October 26, 1850. VariousЧитать онлайн книгу.
Dr. Ken, bishop of Bath and Wells, giving his consent.
Henry Hall was consecrated bishop in the oratory of the Rev. Father in Christ, John B– [Blackburne?], in Gray's Inn, on the festival of St. Barnabas, June 11, 1725.
Hilkiah Bedford was consecrated in the oratory of the Rev. R– R– [Richard Rawlinson], in Gray's Inn, on the festival of St. Paul, Jan. 25, 1720. Ralph Taylor was also consecrated at the same time and place.
Henry Gandy was consecrated at his oratory in the parish of St. Andrew's, Holborn, on the festival of St. Paul, Jan. 25, 1716.
Grascome was interrupted by a messenger whilst he was ministering to his little congregation in Scroope's Court, near St. Andrew's Church.
Jeremy Collier officiated at Broad Street, London, assisted by the Rev. Samuel Carte, the father of the historian.
Mr. Hawkes officiated for some time at his own house opposite to St. James' Palace.
On Easter-day, April 13, 1718, at the oratory of his brother, Mr. William Lee, dyer, in Spitalfields, Dr. Francis Lee read a touching and beautiful declaration of his faith, betwixt the reading of the sentences at the offertory and the prayer for the state of Christ's church. It was addressed to the Rev. James Daillon, Count de Lude, then officiating.
Charles Wheatly, author of A Rational Illustration of the Book of Common Prayer, in a letter to Dr. Rawlinson, the nonjuring titular bishop of London, says:
"I believe most of the books in Mr. Laurence's catalogue were really in his library. Most of his chapel furniture I had seen; but his pix, and his cruet, his box for unguent, and oil, I suppose you do not inquire after."
Roger Laurence was the learned author of Lay Baptism Invalid. Query, Where did he officiate?
The Rev. John Lindsay, the translator of Mason's Vindication of the Church of England, for many years officiated as minister of a nonjuring congregation in Trinity Chapel, Aldersgate Street, and is said to have been their last minister.
Thoresby, in his Diary, May 18, 1714, says, "I visited Mr. Nelson (author of the Fasts and Festivals), and the learned Dr. George Hickes, who not being at liberty for half an hour, I had the benefit of the prayers in the adjoining church, and when the Nonjuring Conventicle was over, I visited the said Dean Hickes, who is said to be bishop of –" [Thetford]. Both Nelson and Hickes resided at this time in Ormond Street; probably the conventicle was at one of their houses. It should be noted that Thoresby, having quitted the Conventicles of the Dissenters, had only recently joined what he calls the Church established by law. He appears to have known as much about the principles of the Nonjurors as he did of Chinese music.
Dr. Welton's chapel in Goodman's Fields being visited (1717) by Colonel Ellis and other justices of the peace, with proper assistants, about two hundred and fifty persons were found there assembled, of whom but forty would take the oaths. The doctor refusing them also, was ordered to be proceeded against according to law.
This reminds me of another Query. What has become of Dr. Welton's famous Whitechapel altar-piece, which Bishop Compton drove out of his church. Some doubts have been expressed whether that is the identical one in the Saint's Chapel of St. Alban's Abbey. A friend has assured the writer that he had seen it about twenty years ago, at a Roman Catholic meeting-house in an obscure court at Greenwich. It is not there now. The print of it in the library of the Society of Antiquaries is accompanied with these MS. lines by Mr. Mattaire:—
"To say the picture does to him belong,
Kennett does Judas and the painter wrong;
False is the image, the resemblance faint,
Judas, compared to Kennett, was a saint."
One word more. The episcopal seal of the nonjuring bishops was a shepherd with a sheep upon his shoulders. The crozier which had been used by them, was, in 1839, in the possession of John Crossley Esq., of Scaitcliffe, near Todmorden.
Hoxton.
HOGARTH'S ILLUSTRATIONS OF HUDIBRAS
"Butler's Hudibras, by Zach. Grey, LL.D. 2 vols. 8vo. Cambridge, 1744.
"Best edition. Copies in fine condition are in considerable request. The cuts are beautifully engraved, and Hogarth is much indebted to the designer of them; but who he was does not appear."
The above remarks in Lowndes's Bibliographical Manual having caught my attention, they appeared to me somewhat obscure and contradictory; and as they seemed rather disparaging to the fame of Hogarth, of whose works and genius I am a warm admirer, I have taken some pains to ascertain what may have been Mr. Lowndes's meaning.
On examining the plates in Dr. Grey's edition, they are all inscribed "W. Hogarth invt, J. Mynde sct." How, then, can Hogarth be said to be much indebted to the designer of them, if we are to believe the words on the plates themselves—"W. Hogarth invt"?
It is clear that Mr. Lowndes supposes the designer of these plates to have been some person distinct from Hogarth; and he was right in his conjecture; but he was ignorant of the name of the artist alluded to.
Whoever he was, he can have little claim to be regarded as the original designer; he was rather employed as an expurgator; for these plates are certainly copies of the two sets of plates invented and engraved by Hogarth himself in 1726.
All that this second designer performed was, to revise the original designs of Hogarth's, in order to remove some glaring indecencies; and this, no doubt, is what Mr. Lowndes means, when he says that "Hogarth is much indebted to the designer of them."
The following passage in a letter from Dr. Ducaral to Dr. Grey, dated Inner Temple, May 10th, 1743, printed In Nichols's Illustrations, will furnish us with the name of the artist in question:—
"I was at Mr. Isaac Wood's the painter, who showed me the twelve sketches of Hudibras, which he designs for you. I think they are extremely well adapted to the book, and that the designer shows how much he was master of the subject."
In the preface to this edition, Dr. Grey expresses his obligations "to the ingenious Mr. Wood, painter, of Bloomsbury-square."
In the fourth volume of Nichols's Illustrations of Literature are some interesting letters from Thos. Potter, Esq., to Dr. Grey, which throw much light on the subject of this edition of Hudibras.
I cannot conclude these observations without expressing my dissent from the praise bestowed upon the engravings in this work. Mr. Lowndes says "the cuts are beautifully engraved." With the exception of the head of Butler by Vertue, the rest are very spiritless and indifferent productions.
FOLK LORE
Overyssel Superstition.—Stolen bees will not thrive; they pine away and die.
Death-bed Superstitions.—When a child is dying, people, in some parts of Holland, are accustomed to shade it by the curtains from the parent's gaze; the soul being supposed to linger in the body as long as a compassionate eye is fixed upon it. Thus, in Germany, he who sheds tears when leaning over an expiring friend, or, bending over the patient's couch, does but wipe them off, enhances, they say, the difficulty of death's last struggle. I believe the same poetical superstition is recorded in Mary Barton, a Tale of Manchester Life.
Popular Rhyme.—The following lines very forcibly express the condition of many a "country milkmaid," when influence or other considerations render her incapable of giving a final decision upon the claims of two opposing suitors. They are well known in this district, and I have been induced to offer them for insertion, in the hope that if any of your correspondents are possessed of any variations or additional stanzas, they may be pleased to forward them to your interesting publication.
"Heigh ho! my heart is low,
My mind runs all on