Roar: Uplifting. Intriguing. Thirty short stories from the Sunday Times bestselling author. Cecelia AhernЧитать онлайн книгу.
We advance. We move forward, we make progress, we lift up, we grow.’
Yes, yes, yes, this is what she needs. No going back, no looking back.
Dr Montgomery leads her to the check-in area. The lighthouse, while beautiful, feels eerily empty.
‘Tiana, this is our new guest.’
Tiana looks her straight in the eye, and hands her a room key. ‘You’re very welcome.’
‘Thank you,’ the woman whispers. ‘How did she see me?’ she asks.
Dr Montgomery squeezes her shoulder comfortingly. ‘Much to do. Let’s begin, shall we?’
Their first session takes place in a room overlooking Race Point beach. Hearing the crash of the waves, smelling the salty air, the scented candles, the call of the gulls, away from the typical sterile hospital environment that had served as her fortress, the woman allows herself to relax.
Professor Elizabeth Montgomery, sixty-six years old, oozing with brains and qualifications, six children, one divorce, two marriages, and the most glamorous woman she has ever seen in the flesh, sits in a straw chair softened by overflowing cushions, and pours peppermint tea into clashing teacups.
‘My theory,’ Professor Montgomery says, folding her legs close to her body, ‘is that you made yourself disappear.’
‘I did this?’ the woman asks, hearing her voice rise, feeling the flash of her anger as her brief moment is broken.
Professor Montgomery smiles that beautiful smile. ‘I don’t place the blame solely on you. You can share it with society. I blame the adulation and sexualization of young women. I blame the focus on beauty and appearance, the pressure to conform to others’ expectations in a way that men are not required to.’
Her voice is hypnotizing. It is gentle. It is firm. It is without anger. Or judgement. Or bitterness. Or sadness. It just is. Because everything just is.
The woman has goosebumps on her skin. She sits up, her heart pounding. This is something she hasn’t heard before. The first new theory in many months and it stirs her physically and emotionally.
‘As you can imagine, many of my male counterparts don’t agree with me,’ she says wryly, sipping on her tea. ‘It’s a difficult pill to swallow. For them. So I started doing my own thing. You are not the first disappearing woman that I’ve met.’ The woman gapes. ‘I tested and analysed women, just as those experts did with you, but it took me some time to realize how to correctly treat your condition. It took growing older myself to truly understand.
‘I have studied and written about this extensively; as women age, they are written out of the world, no longer visible on television or film, in fashion magazines, and only ever on daytime TV to advertise the breakdown of bodily functions and ailments, or promote potions and lotions to help battle ageing as though it were something that must be fought. Sound familiar?’
The woman nods.
She continues: ‘Older women are represented on television as envious witches who spoil the prospects of the man or younger woman, or as humans who are reactive to others, powerless to direct their own lives; moreover, once they reach fifty-five, their television demographic ceases to exist. It is as if they are not here. Confronted with this, I have discovered women can internalize these “realities”. My teachings have been disparaged as feminist rants but I am not ranting, I am merely observing.’ She sips her peppermint tea and watches the woman who slowly disappeared, slowly come to terms with what she is hearing.
‘You’ve seen women like me before?’ the woman asks, still stunned.
‘Tiana, at the desk, was exactly as you were when she arrived two years ago.’
She allows that to sink in.
‘Who did you see when you entered?’ the Professor asks.
‘Tiana,’ the woman replies.
‘Who else?’
‘You.’
‘Who else?’
‘Nobody.’
‘Look again.’
5
The woman stands and walks to the window. The sea, the sand, a garden. She pauses. She sees a shimmer on a swing on the porch, and nearby a wobbly figure with long black hair looks out to sea. There’s an almost iridescent figure on her knees in the garden, planting flowers. The more she looks, the more women she sees at various stages of diminishment. Like stars appearing in the night sky, the more she trains her eye, the more they appear. Women are everywhere. She had walked right past them all on her arrival.
‘Women need to see women too,’ Professor Montgomery says. ‘If we don’t see each other, if we don’t see ourselves, how can we expect anybody else to?’
The woman is overcome.
‘Society told you that you weren’t important, that you didn’t exist, and you listened. You let the message seep into your pores, eat you from the inside out. You told yourself you weren’t important, and you believed yourself.’
The woman nods in surprise.
‘So what must you do?’ Professor Montgomery wraps her hands around the cup, warming herself, her eyes boring into the woman’s, as though communicating with another, deeper part of her, sending signals, relaying information.
‘I have to trust that I’ll reappear again,’ the woman says, but her voice comes out husky, as if she hasn’t spoken for years. She clears her throat.
‘More than that,’ Professor Montgomery urges.
‘I have to believe in myself.’
‘Society always tells us to believe in ourselves,’ she says, dismissively. ‘Words are easy, phrases are cheap. What specifically must you believe in?’
She thinks, then realizes that this is about more than getting the answers right. What does she want to believe?
‘That I’m important, that I’m needed, relevant, useful, valid …’ She looks down at her cup. ‘Sexy.’ She breathes in and out through her nose, slowly, her confidence building. ‘That I’m worthy. That there is potential, possibility, that I can still take on new challenges. That I can contribute. That I’m interesting. That I’m not finished yet. That people know I’m here.’ Her voice cracks on her final words.
Professor Montgomery places her cup down on the glass table and reaches for the woman’s hands. ‘I know you’re here. I see you.’
In that moment the woman knows for certain that she’ll come back. That there is a way. To begin with, she is focusing on her heart. After that, everything else will follow.
It began shortly after their first date, when she was twenty-six years old, when everything was gleaming, sparkling new. She’d left work early to drive to her new lover, excited to see him, counting down the hours until their next moment together, and she’d found Ronald at home in his living room, hammering away at the wall.
‘What are you doing?’ She’d laughed at the intensity of his expression, the grease, the grime and determination of her newly DIY boyfriend. He was even more attractive to her now.
‘I’m building you a shelf.’ He’d barely paused to look at her before returning to hammering a nail in.
‘A shelf?!’
He continued hammering, then checked the shelf for balance.
‘Is