Fear is the Key. Alistair MacLeanЧитать онлайн книгу.
‘You don’t think he’ll still be grilling and barbecuing down on the beach in this little lot, do you?’
I pulled out through the makeshift archway and turned right on the highway. When she spoke this time I knew she really did think I was crazy.
‘Marble Springs.’ A pause, then: ‘You’re going back there?’ It was a question and statement both.
‘Right. To the motel – La Contessa. Where the cops picked me up. I left some stuff there and I want to collect it.’
This time she said nothing. Maybe she thought ‘crazy’ a completely inadequate word.
I pulled off the bandanna – in the deepening dusk that white gleam on my head was more conspicuous than my red hair – and went on: ‘Last place they’ll ever think to find me. I’m going to spend the night there, maybe several nights until I find me a boat out. So are you.’ I ignored the involuntary exclamation. ‘That’s the phone call I made back at the drug store. I asked if Room 14 was vacant, they said yes, so I said I’d take it, friends who’d passed through had recommended it as having the nicest view in the motel. In point of fact it has the nicest view. It’s also the most private room, at the seaward end of a long block, it’s right beside the closet where they put my case away when the cops pinched me and it has a nice private little garage where I can stow this machine away and no one will ever ask a question.’
A mile passed, two miles, three and she said nothing. She’d put her green blouse back on, but it was a lacy scrap of nothing, she’d got just as wet as I had when I was trying to fix the roof, and she was having repeated bouts of shivering. The rain had made the air cool. We were approaching the outskirts of Marble Springs when she spoke.
‘You can’t do it. How can you? You’ve got to check in or sign a book or pick up keys or have to go to the restaurant. You can’t just –’
‘Yes, I can. I asked them to have the place opened up ready for us, keys in the garage and room doors, and that we’d check in later: I said we’d come a long way since dawn, that we were bushed and that we’d appreciate room service for meals and a little privacy.’ I cleared my throat. ‘I told the receptionist we were a honeymoon couple. She seemed to understand our request for privacy.’
We were there before she could find an answer. I turned in through an ornate lilac-painted gateway and drew up near the reception hallway in the central block, parking the car directly under a powerful floodlamp which threw such black shadows that my red hair would be all but invisible under the car roof. Over by the entrance stood a negro dressed in a lilac, blue and gold-buttoned uniform that had been designed by a colour-blind man wearing smoked glasses. I called him across.
‘Room 14?’ I asked. ‘Which way, please?’
‘Mr Brooks?’ I nodded, and he went on: ‘I’ve left all the keys ready. Down this way.’
‘Thank you.’ I looked at him. Grey and bent and thin and the faded old eyes the clouded mirrors of a thousand sorrows and defeats. ‘What’s your name?’
‘Charles, sir.’
‘I want some whisky, Charles.’ I passed money across. ‘Scotch not bourbon. And some brandy. Can you?’
‘Right away, sir.’
‘Thanks.’ I let in the gear, drove down the block to No. 14. It was at the end of a narrow peninsula between the gulf to the left and a kidney-shaped swimming pool to the right. The garage door was open and I drove straight in, switched off the car lights, closed the sliding door in the near-darkness, then switched on the overhead light.
At the inner end of the left-hand wall a single door led off the garage. We went through this, into a kitchenette, neat, hygienic and superbly equipped if all you wanted was a cup of coffee and had all night to make it. A door led off this into the bed-sitting-room. Lilac carpet, lilac drapes, lilac bedspread, lilac lamp-shades, lilac seatcovers, the same excruciating motif wherever you looked. Somebody had liked lilac. Two doors off this room: to the left, let into the same wall as the kitchen door, the door to the bathroom: at the far end, the door leading into the corridor.
I was in the corridor within ten seconds of arriving in the room, dragging the girl after me. The closet was no more than six feet away, unlocked, and my bag still where it had been left. I carried it back to the room, unlocked it and was about to start throwing stuff on the bed when a knock came to the door.
‘That will be Charles,’ I murmured. ‘Open the door, stand well back, take the bottles, tell him to keep the change. Don’t try to whisper, make signs or any clever little jumps out into the middle of the corridor. I’ll be watching you from the crack of the bathroom door and my gun will be lined up on your back.’
She didn’t try any of those things. I think she was too cold, miserable and exhausted by the accumulated tension of the day to try anything. The old man handed over the bottles, took the change with a surprised murmur of thanks and closed the door softly behind him.
‘You’re frozen and shivering,’ I said abruptly. ‘I don’t want my insurance policy to go catching pneumonia.’ I fetched a couple of glasses. ‘Some brandy, Miss Ruthven, then a hot bath. Maybe you’ll find something dry in my case.’
‘You’re very kind,’ she said bitterly. ‘But I’ll take the brandy.’
‘No bath, huh?’
‘No.’ A hesitant pause, a glint in her eyes more imagined than seen, and I knew I’d been mistaken in imagining her to be too worn out to try anything. ‘Yes, that too.’
‘Right.’ I waited till she’d finished her glass, dumped my case on the bathroom floor and stood to let her pass. ‘Don’t be all night. I’m hungry.’
The door closed and the key clicked in the lock. There came the sound of water running into the bath, then all the unmistakable soaping and splashing sounds of someone having a bath. All meant to lull any suspicions. Then came the sound of someone towelling themselves, and when, a minute or two later, there came the furious gurgling of water running out of the waste pipe, I eased myself off the door, passed through the two kitchen doors and outside garage door just in time to see the bathroom window open and a little cloud of steam come rushing out. I caught her arm as she lowered herself to the ground, stifled the frightened gasp with my free hand, and led her back inside.
I closed the kitchen door and looked at her. She looked fresh and scrubbed and clean and had one of my white shirts tucked into the waistband of her dirndl. She had tears of mortification in her eyes and defeat in her face, but for all that it was a face worth looking at. Despite our long hours in the car together it was the first time I had really looked at it.
She had wonderful hair, thick and gleaming and parted in the middle and of the same wheat colour and worn in the same braids as that often seen in girls from the East Baltic states or what used to be the Baltic states. But she would never win a Miss America contest, she had too much character in her face for that, she wouldn’t even have been in the running for Miss Marble Springs. The face was slightly Slavonic, the cheekbones too high and wide, the mouth too full, the still grey eyes set too far apart and the nose definitely retroussé. A mobile and intelligent face, a face, I guessed, that could move easily into sympathy and kindness and humour and laughter, when the weariness was gone and the fear taken away. In the days before I had given up the dream of my own slippers and my own fireside, this was the face that would have fitted the dream. She was the sort of person who would wear well, the sort of person who would still be part of you long after the synthetic chromium polished blondes from the production lines of the glamour factory had you climbing up the walls.
I was just standing there, feeling a little sorry for her and feeling a little sorry for myself, when I felt a cold draught on the back of my neck. It came from the direction of the bathroom door and ten seconds ago that bathroom door had been closed and locked. But it wasn’t now.