One Hundred Names. Cecelia AhernЧитать онлайн книгу.
had asked her staff to look at themselves for stories: what was moving them at that particular moment, what was challenging them, what were the issues not of the day in the world but of the day in their hearts and minds; mumbo jumbo to people like Pete and Cheryl. Constance always believed those subjects would make stronger stories. Instead of writing for the market, she wanted them to write for themselves. It was only then, she believed, that the readers would connect. She wanted her writers not just to be informative and stylish but she encouraged the artist within them to come out. How stories were decided on varied between Constance telling specific people to write particular stories that she knew they were suited to, or which would challenge them, and also by listening to ideas. She was very much an advocate of hearing people’s ideas.
And that’s what the problem was – Kitty had finally nailed it. In the six months of Etcetera stories that Kitty had pored over, she now realised she hadn’t written a single article that had been an idea of her own. Each story had been proposed by Pete or Cheryl or by somebody else who had enough on their own plate and was unable to write it. She hadn’t noticed it happening because she hadn’t minded. She hadn’t noticed or minded because she had been working on Thirty Minutes and each story she had covered for that show had been a story she had been told to cover. In a way, her method of storytelling for Thirty Minutes had trickled over into her writing. The stories on the show were stories that hadn’t meant anything to her, stories that hadn’t moved her, stories she hadn’t tried to understand on any deeper level because there wasn’t enough time, the filming conditions were suddenly right or not right, they’d lost a few minutes because of another story gaining momentum, they had an interview, they didn’t have an interview, they had to fill a cancelled interview with something else, and she felt she was switching herself on and off like a tap. It was a less creative style of working for her; it was mechanical, her days were spent on her toes and less in her mind. For six months Kitty hadn’t had an original thought of her own and in the week it took her to discover that, it terrified her so much she couldn’t even think of anything when she tried. Now the final conversation she had had with Constance in hospital was making more sense to her. When Constance had accused Kitty of writing a story because she was told it was interesting and not because she felt it, she had thought Constance had been referring to her stories on Thirty Minutes, but perhaps she had been talking about her articles for Etcetera. In fact now Kitty was sure of it.
Kitty walked towards the boardroom off Constance’s office, feeling vulnerable after her recent humiliation, knowing she hadn’t an original thought or idea in her head, completely alone without Constance and Bob’s support. Though there had been many monthly brainstorming sessions since Constance had left the office there had been none that could not be overruled by her, and so with Pete in the hot seat, and Bob still not present, this was the first of its kind. Kitty opened the door and everyone in the room looked up at her.
‘Hi.’
‘Kitty,’ Pete said, sounding surprised in a not-so-good way. ‘We didn’t expect to see you here this week. Bob said he gave you the week off.’ And it sounded like he’d rather not have seen her this week either, or perhaps she was just being paranoid.
‘He did,’ Kitty explained, standing at the back of the room as all the chairs had been taken, ‘but I just couldn’t think of anywhere else I’d rather be.’ She received sad and sympathetic looks from a few around her.
‘Okay. Well. We were talking about next month’s edition, which is going to be a tribute to Constance.’
Kitty’s eyes welled. ‘That’s a beautiful idea.’
‘So …’ he clapped his hands and Kitty jumped. ‘Ideas. I suggest an eight-to-twelve-page look at Constance’s journey, stories that she’s written for Etcetera and other publications throughout her career. A look back on her greatest exposés, the writers she helped discover, for example an interview with Tom Sullivan would be good, all about how she helped him find and develop his voice. Dara, I want you to interview Tom; I talked to him at the funeral and he’s already agreed to it. Niamh, I want you to cover the other writers living and dead: who she found, how she found them, what they wrote, what they went on to write and so on.’
Dara and Niamh nodded and made notes.
Pete began dishing out pieces to the others around the table and Kitty couldn’t help but think that it all felt rather wrong. Constance would hate this edition, not just because it was all about her, but because it was rehashing old material. She looked around at the others for their reactions but they were all concentrating hard, busy scribbling down Pete’s orders in their notepads. And that’s what they felt like: orders, nothing gentle or inspiring, nothing to try to coax out further ideas from the people sitting around the table. No questions about personal stories or memories about a woman they all deeply respected, just information from his own head on what he thought was a good idea. Kitty appreciated that it was difficult for Pete having to do this at all and she hadn’t an original idea in her head to offer, so she kept her mouth shut.
‘Okay, so that’s that sorted out. Let’s talk about the rest of the magazine. Conal, how’s that piece on China in South Africa coming along?’
They began talking about the rest of the magazine, Constance’s tribute piece already over. That made Kitty angry.
‘Uh, Pete?’
He looked at her.
‘I don’t know, Pete. That all seems a bit … old?’ Not a popular thing to say when people were discussing their work. Some tutted and shifted in their chairs. ‘What I mean is, the Constance tribute. Constance hated republishing old articles.’
‘We’re not just doing that, Kitty. If you’d been listening properly you’d have heard that. And we have to look back, that’s what a tribute piece does.’
‘Yeah, I know,’ Kitty said, trying not to annoy anybody. ‘But Constance said it was like using used toilet paper, remember?’ She laughed. Nobody else did. ‘She wouldn’t want to just keep looking back. She’d want something new, something that looked forward, something celebratory.’
‘Like what?’ Pete asked, and Kitty froze.
‘I don’t know.’
Someone sighed heavily.
‘Kitty, this twelve-page spread is to celebrate Constance. We have the rest of the magazine to create new stories,’ Pete said, trying to sound patient but instead sounding like a patronising father at the edge of his tether. ‘If you don’t have any ideas to offer then I’m going to move on.’
She thought long and hard, while all eyes were bearing down on her. Instead of coming up with ideas, all she could think was that she couldn’t think of anything. She hadn’t been able to think of anything for six months, so she surely wouldn’t start now. Eventually people began to look away, feeling embarrassed for her, but Pete kept the spotlight on her, as if to prove a point. She wanted him to move on; why wasn’t he moving on? Her cheeks burned and she looked down to avoid meeting anyone’s eye, feeling that she couldn’t possibly sink any lower.
‘I don’t know,’ she eventually said, quietly.
Pete moved on but Kitty couldn’t concentrate on a word he said thereafter. She felt as though she had let Constance down – she was sure she had let herself down, and though it still hurt, she was used to that now. She kept wondering what exactly Constance would want. If she was in this room, what story would she want to tell …? That’s when Kitty thought of it.
‘I’ve got it,’ she blurted out, interrupting Sarah’s feedback on how her story on contrasting nail varnish sales increases in a recession with lipstick sales during the Second World War was shaping up.
‘Kitty, Sarah is talking.’ Others looked at her annoyed.
She shrunk lower in her chair and waited for Sarah to finish. When she had, Pete moved on to Trevor. She sat through two more ideas pitches, neither of which Pete would probably use, and then finally he looked back at her.
‘The last time I spoke