Wessex Tales Series: 18 Novels & Stories (Complete Collection). Томас ХардиЧитать онлайн книгу.
was so unlike himself now in look, word, and deed, that the want of likeness was perceptible even to his own consciousness. His method of engaging himself in this business of purchasing a tomb was that of an absolutely unpractised man. He could not bring himself to consider, calculate, or economize. He waywardly wished for something, and he set about obtaining it like a child in a nursery. “I want a good tomb,” he said to the man who stood in a little office within the yard. “I want as good a one as you can give me for twenty-seven pounds.”
It was all the money he possessed.
“That sum to include everything?”
“Everything. Cutting the name, carriage to Weatherbury, and erection. And I want it now at once.”
“We could not get anything special worked this week.”
“I must have it now.”
“If you would like one of these in stock it could be got ready immediately.”
“Very well,” said Troy, impatiently. “Let’s see what you have.”
“The best I have in stock is this one,” said the stone-cutter, going into a shed. “Here’s a marble headstone beautifully crocketed, with medallions beneath of typical subjects; here’s the footstone after the same pattern, and here’s the coping to enclose the grave. The polishing alone of the set cost me eleven pounds — the slabs are the best of their kind, and I can warrant them to resist rain and frost for a hundred years without flying.”
“And how much?”
“Well, I could add the name, and put it up at Weatherbury for the sum you mention.”
“Get it done to-day, and I’ll pay the money now.”
The man agreed, and wondered at such a mood in a visitor who wore not a shred of mourning. Troy then wrote the words which were to form the inscription, settled the account and went away. In the afternoon he came back again, and found that the lettering was almost done. He waited in the yard till the tomb was packed, and saw it placed in the cart and starting on its way to Weatherbury, giving directions to the two men who were to accompany it to inquire of the sexton for the grave of the person named in the inscription.
It was quite dark when Troy came out of Casterbridge. He carried rather a heavy basket upon his arm, with which he strode moodily along the road, resting occasionally at bridges and gates, whereon he deposited his burden for a time. Midway on his journey he met, returning in the darkness, the men and the waggon which had conveyed the tomb. He merely inquired if the work was done, and, on being assured that it was, passed on again.
Troy entered Weatherbury churchyard about ten o’clock and went immediately to the corner where he had marked the vacant grave early in the morning. It was on the obscure side of the tower, screened to a great extent from the view of passers along the road — a spot which until lately had been abandoned to heaps of stones and bushes of alder, but now it was cleared and made orderly for interments, by reason of the rapid filling of the ground elsewhere.
Here now stood the tomb as the men had stated, snow-white and shapely in the gloom, consisting of head and foot-stone, and enclosing border of marble-work uniting them. In the midst was mould, suitable for plants.
Troy deposited his basket beside the tomb, and vanished for a few minutes. When he returned he carried a spade and a lantern, the light of which he directed for a few moments upon the marble, whilst he read the inscription. He hung his lantern on the lowest bough of the yew-tree, and took from his basket flower-roots of several varieties. There were bundles of snow-drop, hyacinth and crocus bulbs, violets and double daisies, which were to bloom in early spring, and of carnations, pinks, picotees, lilies of the valley, forget-me-not, summer’s farewell, meadow-saffron and others, for the later seasons of the year.
Troy laid these out upon the grass, and with an impassive face set to work to plant them. The snowdrops were arranged in a line on the outside of the coping, the remainder within the enclosure of the grave. The crocuses and hyacinths were to grow in rows; some of the summer flowers he placed over her head and feet, the lilies and forget-me-nots over her heart. The remainder were dispersed in the spaces between these.
Troy, in his prostration at this time, had no perception that in the futility of these romantic doings, dictated by a remorseful reaction from previous indifference, there was any element of absurdity. Deriving his idiosyncrasies from both sides of the Channel, he showed at such junctures as the present the inelasticity of the Englishman, together with that blindness to the line where sentiment verges on mawkishness, characteristic of the French.
It was a cloudy, muggy, and very dark night, and the rays from Troy’s lantern spread into the two old yews with a strange illuminating power, flickering, as it seemed, up to the black ceiling of cloud above. He felt a large drop of rain upon the back of his hand, and presently one came and entered one of the holes of the lantern, whereupon the candle sputtered and went out. Troy was weary and it being now not far from midnight, and the rain threatening to increase, he resolved to leave the finishing touches of his labour until the day should break. He groped along the wall and over the graves in the dark till he found himself round at the north side. Here he entered the porch, and, reclining upon the bench within, fell asleep.
Chapter 46
The Gurgoyle: Its Doings
The tower of Weatherbury Church was a square erection of fourteenth-century date, having two stone gurgoyles on each of the four faces of its parapet. Of these eight carved protuberances only two at this time continued to serve the purpose of their erection — that of spouting the water from the lead roof within. One mouth in each front had been closed by bygone church-wardens as superfluous, and two others were broken away and choked — a matter not of much consequence to the wellbeing of the tower, for the two mouths which still remained open and active were gaping enough to do all the work.
It has been sometimes argued that there is no truer criterion of the vitality of any given art-period than the power of the master-spirits of that time in grotesque; and certainly in the instance of Gothic art there is no disputing the proposition. Weatherbury tower was a somewhat early instance of the use of an ornamental parapet in parish as distinct from cathedral churches, and the gurgoyles, which are the necessary correlatives of a parapet, were exceptionally prominent — of the boldest cut that the hand could shape, and of the most original design that a human brain could conceive. There was, so to speak, that symmetry in their distortion which is less the characteristic of British than of Continental grotesques of the period. All the eight were different from each other. A beholder was convinced that nothing on earth could be more hideous than those he saw on the north side until he went round to the south. Of the two on this latter face, only that at the south-eastern corner concerns the story. It was too human to be called like a dragon, too impish to be like a man, too animal to be like a fiend, and not enough like a bird to be called a griffin. This horrible stone entity was fashioned as if covered with a wrinkled hide; it had short, erect ears, eyes starting from their sockets, and its fingers and hands were seizing the corners of its mouth, which they thus seemed to pull open to give free passage to the water it vomited. The lower row of teeth was quite washed away, though the upper still remained. Here and thus, jutting a couple of feet from the wall against which its feet rested as a support, the creature had for four hundred years laughed at the surrounding landscape, voicelessly in dry weather, and in wet with a gurgling and snorting sound.
Troy slept on in the porch, and the rain increased outside. Presently the gurgoyle spat. In due time a small stream began to trickle through the seventy feet of aerial space between its mouth and the ground, which the water-drops smote like duckshot in their accelerated velocity. The stream thickened in substance, and increased in power, gradually spouting further and yet further from the side of the tower. When the rain fell in a steady and ceaseless torrent the stream dashed downward in volumes.
We follow its course to the ground at this point of time. The