THE COMPLETE SHORT STORIES OF WILKIE COLLINS. Уилки КоллинзЧитать онлайн книгу.
I can hope to have just at this time. Oh! that month, that one poor month of respite! What are we to do at the end of the month?
5th. — I made my short entry for yesterday in the afternoon just before teatime, little thinking of events destined to happen with the evening that would be really worth chronicling, for the sake of the excellent results to which they are sure to lead. My tendency is to be too sanguine about everything, I know; but I am, nevertheless, firmly persuaded that I can see a new way out of our present difficulties — a way of getting money enough to keep us all in comfort at the farmhouse until William’s eyes are well again.
The new project which is to relieve us from all uncertainties for the next six months actually originated with me! It has raised me many inches higher in my own estimation already. If the doctor only agrees with my view of the case when he comes tomorrow, William will allow himself to be persuaded, I know; and then let them say what they please, I will answer for the rest.
This is how the new idea first found its way into my head:
We had just done tea. William, in much better spirits than usual, was talking with the young sailor, who is jocosely called here by the very ugly name of “Foul-weather Dick.” The farmer and his two eldest sons were composing themselves on the oaken settles for their usual nap. The dame was knitting, the two girls were beginning to clear the tea-table, and I was darning the children’s socks. To all appearance, this was not a very propitious state of things for the creation of new ideas, and yet my idea grew out of it, for all that. Talking with my husband on various subjects connected with life in ships, the young sailor began giving us a description of his hammock; telling us how it was slung; how it was impossible to get into it any other way than “stern foremost” (whatever that may mean); how the rolling of the ship made it rock like a cradle; and how, on rough nights, it sometimes swayed to and fro at such a rate as to bump bodily against the ship’s side and wake him up with the sensation of having just received a punch on the head from a remarkably hard fist. Hearing all this, I ventured to suggest that it must be an immense relief to him to sleep on shore in a good, motionless, solid four-post bed. But, to my surprise, he scoffed at the idea; said he never slept comfortably out of his hammock; declared that he quite missed his occasional punch on the head from the ship’s side; and ended by giving a most comical account of all the uncomfortable sensations he felt when he slept in a four-post bed. The odd nature of one of the young sailor’s objections to sleeping on shore reminded my husband (as indeed it did me too) of the terrible story of a bed in a French gambling-house, which he once heard from a gentleman whose likeness he took.
“You’re laughing at me,” says honest Foul-weather Dick, seeing William turn toward me and smile. — ”No, indeed,” says my husband; “that last objection of yours to the four-post beds on shore seems by no means ridiculous to me, at any rate. I once knew a gentleman, Dick, who practically realized your objection.”
“Excuse me, sir,” says Dick, after a pause, and with an appearance of great bewilderment and curiosity; “but could you put ‘practically realized’ into plain English, so that a poor man like me might have a chance of understanding you?” — ”Certainly!” says my husband, laughing. “I mean that I once knew a gentleman who actually saw and felt what you say in jest you are afraid of seeing and feeling whenever you sleep in a four-post bed. Do you understand that?” Foul-weather Dick understood it perfectly, and begged with great eagerness to hear what the gentleman’s adventure really was. The dame, who had been listening to our talk, backed her son’s petition; the two girls sat down expectant at the half-cleared tea-table; even the farmer and his drowsy sons roused themselves lazily on the settle — my husband saw that he stood fairly committed to the relation of the story, so he told it without more ado.
I have often heard him relate that strange adventure (William is the best teller of a story I ever met with) to friends of all ranks in many different parts of England, and I never yet knew it fail of producing an effect. The farmhouse audience were, I may almost say, petrified by it. I never before saw people look so long in the same direction, and sit so long in the same attitude, as they did. Even the servants stole away from their work in the kitchen, and, unrebuked by master or mistress, stood quite spellbound in the doorway to listen. Observing all this in silence, while my husband was going on with his narrative, the thought suddenly flashed across me, “Why should William not get a wider audience for that story, as well as for others which he has heard from time to time from his sitters, and which he has hitherto only repeated in private among a few friends? People tell stories in books and get money for them. What if we told our stories in a book? and what if the book sold? Why freedom, surely, from the one great anxiety that is now preying on us! Money enough to stop at the farmhouse till William’s eyes are fit for work again!” I almost jumped up from my chair as my thought went on shaping itself in this manner. When great men make wonderful discoveries, do they feel sensations like mine, I wonder? Was Sir Isaac Newton within an ace of skipping into the air when he first found out the law of gravitation? Did Friar Bacon long to dance when he lit the match and heard the first charge of gunpowder in the world go off with a bang?
I had to put a strong constraint on myself, or I should have communicated all that was passing in my mind to William before our friends at the farmhouse. But I knew it was best to wait until we were alone, and I did wait. What a relief it was when we all got up at last to say goodnight!
The moment we were in our own room, I could not stop to take so much as a pin out of my dress before I began. “My dear,” said I, “I never heard you tell that gambling-house adventure so well before. What an effect it had upon our friends! what an effect, indeed, it always has wherever you tell it!”
So far he did not seem to take much notice. He just nodded, and began to pour out some of the lotion in which he always bathes his poor eyes the last thing at night.
“And as for that, William,” I went on, “all your stories seem to interest people. What a number you have picked up, first and last, from different sitters, in the fifteen years of your practice as a portrait-painter! Have you any idea how many stories you really do know?”
No: he could not undertake to say how many just then. He gave this answer in a very indifferent tone, dabbing away all the time at his eyes with the sponge and lotion. He did it so awkwardly and roughly, as it seemed to me, that I took the sponge from him and applied the lotion tenderly myself.
“Do you think,” said I, “if you turned over one of your stories carefully in your mind beforehand — say the one you told tonight, for example — that you could repeat it all to me so perfectly and deliberately that I should be able to take it down in writing from your lips?”
Yes: of course he could. But why ask that question?
“Because I should like to have all the stories that you have been in the habit of relating to our friends set down fairly in writing, by way of preserving them from ever being forgotten.”
Would I bathe his left eye now, because that felt the hottest tonight? I began to forbode that his growing indifference to what I was saying would soon end in his fairly going to sleep before I had developed my new idea, unless I took some means forthwith of stimulating his curiosity, or, in other words, of waking him into a proper state of astonishment and attention. “William,” said I, without another syllable of preface, “I have got a new plan for finding all the money we want for our expenses here.”
He jerked his head up directly, and looked at me. What plan?
“This: The state of your eyes prevents you for the present from following your profession as an artist, does it not? Very well. What are you to do with your idle time, my dear? Turn author! And how are you to get the money we want? By publishing a book!”
“Good gracious, Leah! are you out of your senses?” he exclaimed.
I put my arm round his neck and sat down on his knee (the course I always take when I want to persuade him to anything with as few words as possible).
“Now, William, listen patiently to me,” I said. “An artist lies under this great disadvantage in case of accidents — his talents are of no service to him unless he can use his eyes and fingers. An