The Complete Poetical Works. Томас ХардиЧитать онлайн книгу.
The tangled bine-stems scored the sky
Like strings from broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land’s sharp features seemed to be
The Century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice outburst among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carollings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
December 1900.
The Comet at Yalbury or Yell’ham
I
It bends far over Yell’ham Plain,
And we, from Yell’ham Height,
Stand and regard its fiery train,
So soon to swim from sight.
II
It will return long years hence, when
As now its strange swift shine
Will fall on Yell’ham; but not then
On that sweet form of thine.
Mad Judy
When the hamlet hailed a birth
Judy used to cry:
When she heard our christening mirth
She would kneel and sigh.
She was crazed, we knew, and we
Humoured her infirmity.
When the daughters and the sons
Gathered them to wed,
And we like-intending ones
Danced till dawn was red,
She would rock and mutter, “More
Comers to this stony shore!”
When old Headsman Death laid hands
On a babe or twain,
She would feast, and by her brands
Sing her songs again.
What she liked we let her do,
Judy was insane, we knew.
A Wasted Illness
Through vaults of pain,
Enribbed and wrought with groins of ghastliness,
I passed, and garish spectres moved my brain
To dire distress.
And hammerings,
And quakes, and shoots, and stifling hotness, blent
With webby waxing things and waning things
As on I went.
“Where lies the end
To this foul way?” I asked with weakening breath.
Thereon ahead I saw a door extend—
The door to death.
It loomed more clear:
“At last!” I cried. “The all-delivering door!”
And then, I knew not how, it grew less near
Than theretofore.
And back slid I
Along the galleries by which I came,
And tediously the day returned, and sky,
And life—the same.
And all was well:
Old circumstance resumed its former show,
And on my head the dews of comfort fell
As ere my woe.
I roam anew,
Scarce conscious of my late distress . . . And yet
Those backward steps through pain I cannot view
Without regret.
For that dire train
Of waxing shapes and waning, passed before,
And those grim aisles, must be traversed again
To reach that door.
A Man
(In Memory Of H. OF M.)
I
In Casterbridge there stood a noble pile,
Wrought with pilaster, bay, and balustrade
In tactful times when shrewd Eliza swayed.—
On burgher, squire, and clown
It smiled the long street down for near a mile
II
But evil days beset that domicile;
The stately beauties of its roof and wall
Passed into sordid hands. Condemned to fall
Were cornice, quoin, and cove,
And all that art had wove in antique style.
III
Among the hired dismantlers entered there
One till the moment of his task untold.
When charged therewith he gazed, and answered bold:
“Be needy I or no,
I will not help lay low a house so fair!
IV
“Hunger is hard. But since the terms be such—
No wage, or labour stained with the disgrace
Of wrecking what our age cannot replace
To save its tasteless soul—
I’ll do without your dole. Life is not much!”
V