Antonina; Or, The Fall of Rome. Wilkie Collins CollinsЧитать онлайн книгу.
before them, the noisy shouted with them, the bold plunged into their ranks; and the constant burden of their rejoicing chorus was—'Health to the noble Pomponius! Prosperity to the senators of Rome, who feast us with their food and give us the freedom of their theatres! Glory to Pomponius! Glory to the senators!'
Fate seemed on this day to take pleasure in pampering the insatiable curiosity of Gordian, the bailiff. The cries of the multitude had scarcely died away in the distance, as they followed the departing carriage, when the voices of two men, pitched to a low, confidential tone, reached his ear from the opposite side of the pillar. He peeped cautiously round, and saw that they were priests.
'What an eternal jester is that Pomponius!' said one voice. 'He is going to receive absolution, and he journeys in his chariot of state, as if he were preparing to celebrate his triumph, instead of to confess his sins!'
'Has he committed, then, a fresh imprudence?'
'Alas, yes! For a senator he is dreadfully wanting in caution! A few days since, in a fit of passion, he flung a drinking-cup at one of his female slaves. The girl died on the spot, and her brother, who is also in his service, threatened immediate vengeance. To prevent disagreeable consequences to his body, Pomponius has sent the fellow to his estates in Egypt; and now, from the same precaution for the welfare of his soul, he goes to demand absolution from our holy and beneficent Church.'
'I am afraid these incessant absolutions, granted to men who are too careless even to make a show of repentance for their crimes, will prejudice us with the people at large.'
'Of what consequence are the sentiments of the people while we have their rulers on our side! Absolution is the sorcery that binds these libertines of Rome to our will. We know what converted Constantine—politic flattery and ready absolution; the people will tell you it was the sign of the Cross.'
'It is true this Pomponius is rich, and may increase our revenues, but still I fear the indignation of the people.'
'Fear nothing: think how long their old institutions imposed on them, and then doubt, if you can, that we may shape them to our wishes as we will. Any deceptions will be successful with a mob, if the instrument employed to forward them be a religion.'
The voices ceased. Gordian, who still cherished a vague intention of denouncing the fugitive landholder to the senatorial authorities, employed the liberty afforded to his attention by the silence of the priests in turning to look after his intended victim. To his surprise he saw that the man had left the auditors to whom he had before addressed himself, and was engaged in earnest conversation in another part of the portico, with an individual who seemed to have recently joined him, and whose appearance was so remarkable that the bailiff had moved a few steps forwards to gain a nearer view of him, when he was once more arrested by the voices of the priests.
Irresolute for an instant to which party to devote his unscrupulous attention, he returned mechanically to his old position. Ere long, however, his anxiety to hear the mysterious communications proceeding between the landholder and his friend overbalanced his delight in penetrating the theological secrets of the priests. He turned once more, but to his astonishment the objects of his curiosity had disappeared. He stepped to the outside of the portico and looked for them in every direction, but they were nowhere to be seen. Peevish and disappointed, he returned as a last resource to the pillar where he had left the priests, but the time consumed in his investigations after one party had been fatal to his reunion with the other. The churchmen were gone.
Sufficiently punished for his curiosity by his disappointment, the bailiff walked doggedly off towards the Pincian Hill. Had he turned in the contrary direction, towards the Basilica of St. Peter, he would have found himself once more in the neighbourhood of the landholder and his remarkable friend, and would have gained that acquaintance with the subjects of their conversation, which we intend that the reader shall acquire in the course of the next chapter.
CHAPTER 4.
THE CHURCH.
In the year 324, on the locality assigned by rumour to the martyrdom of St. Peter, and over the ruins of the Circus of Nero, Constantine erected the church called the Basilica of St. Peter.
For twelve centuries, this building, raised by a man infamous for his murders and his tyrannies, stood uninjured amid the shocks which during that long period devastated the rest of the city. After that time it was removed, tottering to its base from its own reverend and illustrious age, by Pope Julius II, to make way for the foundations of the modern church.
It is towards this structure of twelve hundred years' duration, erected by hands stained with blood, and yet preserved as a star of peace in the midst of stormy centuries of war, that we would direct the reader's attention. What art has done for the modern church, time has effected for the ancient. If the one is majestic to the eye by its grandeur, the other is hallowed to the memory by its age.
As this church by its rise commemorated the triumphant establishment of Christianity as the religion of Rome, so in its progress it reflected every change wrought in the spirit of the new worship by the ambition, the prodigality, or the frivolity of the priests. At first it stood awful and imposing, beautiful in all its parts as the religion for whose glory it was built. Vast porphyry colonnades decorated its approaches, and surrounded a fountain whose waters issued from the representation of a gigantic pine-tree in bronze. Its double rows of aisles were each supported by forty-eight columns of precious marble. Its flat ceiling was adorned with beams of gilt metal, rescued from the pollution of heathen temples. Its walls were decorated with large paintings of religious subjects, and its tribunal was studded with elegant mosaics. Thus it rose, simple and yet sublime, awful and yet alluring; in this its beginning, a type of the dawn of the worship which it was elevated to represent. But when, flushed with success, the priests seized on Christianity as their path to politics and their introduction to power, the aspect of the church gradually began to change. As, slowly and insensibly, ambitious man heaped the garbage of his mysteries, his doctrines, and his disputes, about the pristine purity of the structure given him by God, so, one by one, gaudy adornments and meretricious alterations arose to sully the once majestic basilica, until the threatening and reproving apparition of the pagan Julian, when both Church and churchmen received in their corrupt progress a sudden and impressive check.
The short period of the revival of idolatry once passed over, the priests, unmoved by the warning they had received, returned with renewed vigour to confuse that which both in their Gospel and their Church had been once simple. Day by day they put forth fresh treatises, aroused fierce controversies, subsided into new sects; and day by day they altered more and more the once noble aspect of the ancient basilica. They hung their nauseous relics on its mighty walls, they stuck their tiny tapers about its glorious pillars, they wreathed their tawdry fringes around its massive altars. Here they polished, there they embroidered. Wherever there was a window, they curtained it with gaudy cloths; wherever there was a statue, they bedizened it with artificial flowers; wherever there was a solemn recess, they outraged its religious gloom with intruding light; until (arriving at the period we write of) they succeeded so completely in changing the aspect of the building, that it looked, within, more like a vast pagan toyshop than a Christian church. Here and there, it is true, a pillar or an altar rose unencumbered as of old, appearing as much at variance with the frippery that surrounded it as a text of Scripture quoted in a sermon of the time. But as regarded the general aspect of the basilica, the decent glories of its earlier days seemed irrevocably departed and destroyed.
After what has been said of the edifice, the reader will have little difficulty in imagining that the square in which it stood lost whatever elevation of character it might once have possessed, with even greater rapidity than the church itself. If the cathedral now looked like an immense toyshop, assuredly its attendant colonnades had the appearance of the