My Memoirs of the Civil War: The Louisa May Alcott's Collection. Луиза ÐœÑй ОлкоттЧитать онлайн книгу.
freedom, and independence. She could not cherish illusions tenderly; and she always said that she got tired of everybody, and felt sure that she should of her husband if she married. She never wished to make her heroines marry, and the love story is the part of her books for which she cared least. She yielded to the desire of the public, who will not accept life without a recognition of this great joy in it. Still it must be acknowledged that she has sometimes painted very sweet and natural love scenes, although more often in quaint and homely guise than in the fashion of ancient romance. "King of Clubs and Queen of Hearts" is very prettily told; and "Mrs. Todger's Teapot" is true to that quiet, earnest affection which does not pass away with youth.
The writing went on, and she received five, six, or ten dollars apiece for her stories; but she did not yet venture to give up the sewing and teaching, which was still the sure reliance.
Her younger sister now began to exercise her talent, and illustrated a little book of Louisa's called "Christmas Elves," which she says is better than "Flower Fables."
Journal.
Read Charlotte Bronté's life. A very interesting, but sad one. So full of talent; and after working long, just as success, love, and happiness come, she dies.
Wonder if I shall ever be famous enough for people to care to read my story and struggles. I can't be a C. B., but I may do a little something yet.
July.–Grandma Alcott came to visit us. A sweet old lady; and I am glad to know her, and see where Father got his nature. Eighty-four; yet very smart, industrious, and wise. A house needs a grandma in it.
As we sat talking over Father's boyhood, I never realized so plainly before how much he has done for himself. His early life sounded like a pretty old romance, and Mother added the love passages.
I got a hint for a story; and some day will do it, and call it "The Cost of an Idea." Spindle Hill, Temple School, Fruitlands, Boston, and Concord, would make fine chapters. The trials and triumphs of the Pathetic Family would make a capital book; may I live to do it.
August.–A sad, anxious month. Betty worse; Mother takes her to the seashore. Father decides to go back to Concord; he is never happy far from Emerson, the one true friend who loves and understands and helps him.
September.–An old house near R. W. E.'s is bought with Mother's money, and we propose to move. Mother in Boston with poor Betty, who is failing fast. Anna and I have a hard time breaking up.
October.–Move to Concord. Take half a house in town till spring, when the old one is to be made ready.
Find dear Betty a shadow, but sweet and patient always. Fit up a nice room for her, and hope home and love and care may keep her.
People kind and friendly, and the old place looks pleasant, though I never want to live in it.
November.–Father goes West, taking Grandma home. We settle down to our winter, whatever it is to be. Lizzie seems better, and we have some plays. Sanborn's school makes things lively, and we act a good deal.
Twenty-five this month. I feel my quarter of a century rather heavy on my shoulders just now. I lead two lives. One seems gay with plays, etc., the other very sad,–in Betty's room; for though she wishes us to act, and loves to see us get ready, the shadow is there, and Mother and I see it. Betty loves to have me with her; and I am with her at night, for Mother needs rest. Betty says she feels "strong" when I am near. So glad to be of use.
December.–Some fine plays for charity.
January, 1858.–Lizzie much worse; Dr. G. says there is no hope. A hard thing to hear; but if she is only to suffer, I pray she may go soon. She was glad to know she was to "get well," as she called it, and we tried to bear it bravely for her sake. We gave up plays; Father came home; and Anna took the housekeeping, so that Mother and I could devote ourselves to her. Sad, quiet days in her room, and strange nights keeping up the fire and watching the dear little shadow try to wile away the long sleepless hours without troubling me. She sews, reads, sings softly, and lies looking at the fire,–so sweet and patient and so worn, my heart is broken to see the change. I wrote some lines one night on "Our Angel in the House."
[Jo and Beth.–L. M. A.]
February.–A mild month; Betty very comfortable, and we hope a little.
Dear Betty is slipping away, and every hour is too precious to waste, so I'll keep my lamentations over Nan's [affairs] till this duty is over.
Lizzie makes little things, and drops them out of windows to the school-children, smiling to see their surprise. In the night she tells me to be Mrs. Gamp, when I give her her lunch, and tries to be gay that I may keep up. Dear little saint! I shall be better all my life for these sad hours with you.
March 14th.–My dear Beth died at three this morning, after two years of patient pain. Last week she put her work away, saying the needle was "too heavy," and having given us her few possessions, made ready for the parting in her own simple, quiet way. For two days she suffered much, begging for ether, though its effect was gone. Tuesday she lay in Father's arms, and called us round her, smiling contentedly as she said, "All here!" I think she bid us good-by then, as she held our hands and kissed us tenderly. Saturday she slept, and at midnight became unconscious, quietly breathing her life away till three; then, with one last look of the beautiful eyes, she was gone.
A curious thing happened, and I will tell it here, for Dr. G. said it was a fact. A few moments after the last breath came, as Mother and I sat silently watching the shadow fall on the dear little face, I saw a light mist rise from the body, and float up and vanish in the air. Mother's eyes followed mine, and when I said, "What did you see?" she described the same light mist. Dr. G. said it was the life departing visibly.
For the last time we dressed her in her usual cap and gown, and laid her on her bed,–at rest at last. What she had suffered was seen in the face; for at twenty-three she looked like a woman of forty, so worn was she, and all her pretty hair gone.
On Monday Dr. Huntington read the Chapel service, and we sang her favorite hymn. Mr. Emerson, Henry Thoreau, Sanborn, and John Pratt, carried her out of the old home to the new one at Sleepy Hollow chosen by herself. So the first break comes, and I know what death means,–a liberator for her, a teacher for us.
April.–Came to occupy one wing of Hawthorne's house (once ours) while the new one was being repaired. Father, Mother, and I kept house together; May being in Boston, Anna at Pratt Farm, and, for the first time, Lizzie absent. I don't miss her as I expected to do, for she seems nearer and dearer than before; and I am glad to know she is safe from pain and age in some world where her innocent soul must be happy.
Death never seemed terrible to me, and now is beautiful; so I cannot fear it, but find it friendly and wonderful.
May.–A lonely month with all the girls gone, and Father and Mother absorbed in the old house, which I don't care about, not liking Concord.
On the 7th of April, Anna came walking in to tell us she was engaged to John Pratt; so another sister is gone. J. is a model son and brother,–a true man,–full of fine possibilities, but so modest one does not see it at once. He is handsome, healthy, and happy; just home from the West, and so full of love he is pleasant to look at.
I moaned in private over my great loss, and said I'd never forgive J. for taking Anna from me; but I shall if he makes her happy, and turn to little May for my comfort.
[Now that John is dead, I can truly say we all had cause to bless the day he came into the family; for we gained a son and brother, and Anna the best husband ever known.
For ten years he made her home a little heaven of love and peace; and when he died he left her the legacy of a beautiful life, and an honest name to his little sons.–L. M. A., 1873.]
June.–The girls came home, and I went to visit L. W. in Boston. Saw Charlotte Cushman, and had a stage-struck fit. Dr. W. asked Barry to let me act at his theatre, and he agreed. I was to do Widow Pottle, as the dress was a good disguise and I knew the part well. It was all a secret, and I had hopes of