Poor Miss Finch. Wilkie Collins CollinsЧитать онлайн книгу.
younger than Lucilla.
"Our acquaintance has begun rather oddly, sir," I said. "You spoke strangely to me last night; and I have spoken hastily to you this morning. Accept my excuses—and let us try if we can't do each other justice in the end. I have something more to say to you before we part. Will you think me a very extraordinary woman, if I suggest that you may as well invite me next, to take a chair in your house?"
He laughed with the pleasantest good temper, and led the way in.
We entered the room in which he had received Lucilla; and sat down together on the two chairs near the window—with this difference—that I contrived to possess myself of the seat which he had occupied, and so to place him with his face to the light.
"Mr. Dubourg," I began, "you will already have guessed that I overheard what Miss Finch said to you at parting?"
He bowed, in silent acknowledgment that it was so—and began to toy nervously with the gold vase which Lucilla had left on the table.
"What do you propose to do?" I went on. "You have spoken of the interest you feel in my young friend. If it is a true interest, it will lead you to merit her good opinion by complying with her request. Tell me plainly, if you please. Will you come and see us, in the character of a gentleman who has satisfied two ladies that they can receive him as a neighbor and a friend? Or will you oblige me to warn the rector of Dimchurch that his daughter is in danger of permitting a doubtful character to force his acquaintance on her?"
He put the vase back on the table, and turned deadly pale.
"If you knew what I have suffered," he said; "if you had gone through what I have been compelled to endure—" His voice failed him; his soft brown eyes moistened; his head drooped. He said no more.
In common with all women, I like a man to be a man. There was, to my mind, something weak and womanish in the manner in which this Dubourg met the advance which I had made to him. He not only failed to move my pity—he was in danger of stirring up my contempt.
"I too have suffered," I answered. "I too have been compelled to endure. But there is this difference between us. My courage is not worn out. In your place, if I knew myself to be an honorable man, I would not allow the breath of suspicion to rest on me for an instant. Cost what it might, I would vindicate myself. I should be ashamed to cry—I should speak."
That stung him. He started up on his feet.
"Have you been stared at by hundreds of cruel eyes?" he burst out passionately. "Have you been pointed at, without mercy, wherever you go? Have you been put in the pillory of the newspapers? Has the photograph proclaimed your infamous notoriety in all the shop-windows?" He dropped back into his chair, and wrung his hands in a frenzy. "Oh, the public!" he exclaimed; "the horrible public! I can't get away from them—I can't hide myself, even here. You have had your stare at me, like the rest," he cried, turning on me fiercely. "I knew it when you passed me last night."
"I never saw you out of this place," I answered. "As for the portraits of you, whoever you may be, I know nothing about them. I was far too anxious and too wretched, to amuse myself by looking into shop-windows before I came here. You, and your name, are equally strange to me. If you have any respect for yourself, tell me who you are. Out with the truth, sir! You know as well as I do that you have gone too far to stop."
I seized him by the hand. I was wrought up by the extraordinary outburst that had escaped him to the highest pitch of excitement: I was hardly conscious of what I said or did. At that supreme moment, we enraged, we maddened each other. His hand closed convulsively on my hand. His eyes looked wildly into mine.
"Do you read the newspapers?" he asked.
"Yes."
"Have you seen——?"
"I have not seen the name of 'Dubourg'——"
"'My name is not 'Dubourg.'"
"What is it?"
He suddenly stooped over me; and whispered his name in my ear.
In my turn I started, thunderstruck, to my feet.
"Good God!" I cried. "You are the man who was tried for murder last month, and who was all but hanged, on the false testimony of a clock!"
CHAPTER THE EIGHTH
The Perjury of the Clock
WE looked at one another in silence. Both alike, we were obliged to wait a little and recover ourselves.
I may occupy the interval by answering two questions which will arise in your minds in this place. How did Dubourg come to be tried for his life? And what was the connection between this serious matter and the false testimony of a clock?
The reply to both these inquiries is to be found in the story which I call the Perjury of the Clock.
In briefly relating this curious incidental narrative (which I take from a statement of the circumstances placed in my possession) I shall speak of our new acquaintance at Browndown—and shall continue to speak of him throughout these pages—by his assumed name. In the first place, it was the maiden name of his mother, and he had a right to take it if he pleased. In the second place, the date of our domestic drama at Dimchurch goes back as far as the years 'fifty-eight and 'fifty-nine; and real names are (now that it is all over) of no consequence to anybody. With "Dubourg" we have begun. With "Dubourg" let us go on to the end.
On a summer evening, some years ago, a man was found murdered in a field near a certain town in the West of England. The name of the field was, "Pardon's Piece."
The man was a small carpenter and builder in the town, who bore an indifferent character. On the evening in question, a distant relative of his, employed as farm-bailiff by a gentleman in the neighborhood, happened to be passing a stile which led from the field into a road, and saw a gentleman leaving the field by way of this stile, rather in a hurry. He recognized the gentleman as Mr. Dubourg.
The two passed each other on the road in opposite directions. After a certain lapse of time—estimated as being half an hour—the farm-bailiff had occasion to pass back along the same road. On reaching the stile, he heard an alarm raised, and entered the field to see what was the matter. He found several persons running from the farther side of Pardon's Piece towards a boy who was standing at the back of a cattle-shed, in a remote part of the enclosure, screaming with terror. At the boy's feet lay, face downwards, the dead body of a man, with his head horribly beaten in. His watch was under him, hanging out of his pocket by the chain. It had stopped—evidently in consequence of the concussion of its owner's fall on it—at half-past eight. The body was still warm. All the other valuables, like the watch, were left on it. The farm-bailiff instantly recognized the man as the carpenter and builder mentioned above.
At the preliminary inquiry, the stoppage of the watch at half-past eight, was taken as offering good circumstantial evidence that the blow which had killed the man had been struck at that time.
The next question was—if any one had been seen near the body at half-past eight? The farm-bailiff declared that he had met Mr. Dubourg hastily leaving the field by the stile at that very time. Asked if he had looked at his watch, he owned that he had not done so. Certain previous circumstances which he mentioned as having impressed themselves on his memory, enabled him to feel sure of the truth of his assertion, without having consulted his watch. He was pressed on this important point; but he held to his declaration. At half-past eight he had seen Mr. Dubourg hurriedly leave the field. At half-past eight the watch of the murdered man had stopped.
Had any other person been observed in or near the field at that time?
No witness could be discovered who had seen anybody else near the place. Had the weapon turned up, with which the blow had been struck? It had not been found. Was