The Count of Monte Cristo (Illustrated Edition). Alexandre DumasЧитать онлайн книгу.
repeated the inspector.
"Monsieur, you run no risk, for, as I told you, I will stay here; so there is no chance of my escaping."
"You do not reply to my question," replied the inspector impatiently.
"Nor you to mine," cried the abbe. "You will not accept my gold; I will keep it for myself. You refuse me my liberty; God will give it me." And the abbe, casting away his coverlet, resumed his place, and continued his calculations.
Original
"What is he doing there?" said the inspector.
"Counting his treasures," replied the governor.
Faria replied to this sarcasm with a glance of profound contempt. They went out. The turnkey closed the door behind them.
"He was wealthy once, perhaps?" said the inspector.
"Or dreamed he was, and awoke mad."
"After all," said the inspector, "if he had been rich, he would not have been here." So the matter ended for the Abbe Faria. He remained in his cell, and this visit only increased the belief in his insanity.
Original
Caligula or Nero, those treasure-seekers, those desirers of the impossible, would have accorded to the poor wretch, in exchange for his wealth, the liberty he so earnestly prayed for. But the kings of modern times, restrained by the limits of mere probability, have neither courage nor desire. They fear the ear that hears their orders, and the eye that scrutinizes their actions. Formerly they believed themselves sprung from Jupiter, and shielded by their birth; but nowadays they are not inviolable.
It has always been against the policy of despotic governments to suffer the victims of their persecutions to reappear. As the Inquisition rarely allowed its victims to be seen with their limbs distorted and their flesh lacerated by torture, so madness is always concealed in its cell, from whence, should it depart, it is conveyed to some gloomy hospital, where the doctor has no thought for man or mind in the mutilated being the jailer delivers to him. The very madness of the Abbe Faria, gone mad in prison, condemned him to perpetual captivity.
The inspector kept his word with Dantes; he examined the register, and found the following note concerning him:—
Edmond Dantes:
Violent Bonapartist; took an active part in the return from Elba.
The greatest watchfulness and care to be exercised.
This note was in a different hand from the rest, which showed that it had been added since his confinement. The inspector could not contend against this accusation; he simply wrote,—"Nothing to be done."
This visit had infused new vigor into Dantes; he had, till then, forgotten the date; but now, with a fragment of plaster, he wrote the date, 30th July, 1816, and made a mark every day, in order not to lose his reckoning again. Days and weeks passed away, then months—Dantes still waited; he at first expected to be freed in a fortnight. This fortnight expired, he decided that the inspector would do nothing until his return to Paris, and that he would not reach there until his circuit was finished, he therefore fixed three months; three months passed away, then six more. Finally ten months and a half had gone by and no favorable change had taken place, and Dantes began to fancy the inspector's visit but a dream, an illusion of the brain.
At the expiration of a year the governor was transferred; he had obtained charge of the fortress at Ham. He took with him several of his subordinates, and amongst them Dantes' jailer. A new governor arrived; it would have been too tedious to acquire the names of the prisoners; he learned their numbers instead. This horrible place contained fifty cells; their inhabitants were designated by the numbers of their cell, and the unhappy young man was no longer called Edmond Dantes—he was now number 34.
Chapter 15. Number 34 and Number 27.
Dantes passed through all the stages of torture natural to prisoners in suspense. He was sustained at first by that pride of conscious innocence which is the sequence to hope; then he began to doubt his own innocence, which justified in some measure the governor's belief in his mental alienation; and then, relaxing his sentiment of pride, he addressed his supplications, not to God, but to man. God is always the last resource. Unfortunates, who ought to begin with God, do not have any hope in him till they have exhausted all other means of deliverance.
Dantes asked to be removed from his present dungeon into another; for a change, however disadvantageous, was still a change, and would afford him some amusement. He entreated to be allowed to walk about, to have fresh air, books, and writing materials. His requests were not granted, but he went on asking all the same. He accustomed himself to speaking to the new jailer, although the latter was, if possible, more taciturn than the old one; but still, to speak to a man, even though mute, was something. Dantes spoke for the sake of hearing his own voice; he had tried to speak when alone, but the sound of his voice terrified him. Often, before his captivity, Dantes' mind had revolted at the idea of assemblages of prisoners, made up of thieves, vagabonds, and murderers. He now wished to be amongst them, in order to see some other face besides that of his jailer; he sighed for the galleys, with the infamous costume, the chain, and the brand on the shoulder. The galley-slaves breathed the fresh air of heaven, and saw each other. They were very happy. He besought the jailer one day to let him have a companion, were it even the mad abbe.
The jailer, though rough and hardened by the constant sight of so much suffering, was yet a man. At the bottom of his heart he had often had a feeling of pity for this unhappy young man who suffered so; and he laid the request of number 34 before the governor; but the latter sapiently imagined that Dantes wished to conspire or attempt an escape, and refused his request. Dantes had exhausted all human resources, and he then turned to God.
All the pious ideas that had been so long forgotten, returned; he recollected the prayers his mother had taught him, and discovered a new meaning in every word; for in prosperity prayers seem but a mere medley of words, until misfortune comes and the unhappy sufferer first understands the meaning of the sublime language in which he invokes the pity of heaven! He prayed, and prayed aloud, no longer terrified at the sound of his own voice, for he fell into a sort of ecstasy. He laid every action of his life before the Almighty, proposed tasks to accomplish, and at the end of every prayer introduced the entreaty oftener addressed to man than to God: "Forgive us our trespasses as we forgive them that trespass against us." Yet in spite of his earnest prayers, Dantes remained a prisoner.
Then gloom settled heavily upon him. Dantes was a man of great simplicity of thought, and without education; he could not, therefore, in the solitude of his dungeon, traverse in mental vision the history of the ages, bring to life the nations that had perished, and rebuild the ancient cities so vast and stupendous in the light of the imagination, and that pass before the eye glowing with celestial colors in Martin's Babylonian pictures. He could not do this, he whose past life was so short, whose present so melancholy, and his future so doubtful. Nineteen years of light to reflect upon in eternal darkness! No distraction could come to his aid; his energetic spirit, that would have exalted in thus revisiting the past, was imprisoned like an eagle in a cage. He clung to one idea—that of his happiness, destroyed, without apparent cause, by an unheard-of fatality; he considered and reconsidered this idea, devoured it (so to speak), as the implacable Ugolino devours the skull of Archbishop Roger in the Inferno of Dante.
Rage supplanted religious fervor. Dantes uttered blasphemies that made his jailer recoil with horror, dashed himself furiously against the walls of his prison, wreaked his anger upon everything, and chiefly upon himself, so that the least thing,—a grain