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The Heritage of the Desert. Zane GreyЧитать онлайн книгу.

The Heritage of the Desert - Zane Grey


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what the day would bring.

      “Wait,” said August, soberly.

      They rode out of the gray pocket in the ridge and began to climb. Hare had not noticed the rise till they were started, and then, as the horses climbed steadily he grew impatient at the monotonous ascent. There was nothing to see; frequently it seemed that they were soon to reach the summit, but still it rose above them. Hare went back to his comfortable place on the sacks.

      “Now, Jack,” said August.

      Hare gasped. He saw a red world. His eyes seemed bathed in blood. Red scaly ground, bare of vegetation, sloped down, down, far down to a vast irregular rent in the earth, which zigzagged through the plain beneath. To the right it bent its crooked way under the brow of a black-timbered plateau; to the left it straightened its angles to find a V-shaped vent in the wall, now uplifted to a mountain range. Beyond this earth-riven line lay something vast and illimitable, a far-reaching vision of white wastes, of purple plains, of low mesas lost in distance. It was the shimmering dust-veiled desert.

      “Here we come to the real thing,” explained Naab. “This is Windy Slope; that black line is the Grand Canyon of Arizona; on the other side is the Painted Desert where the Navajos live; Coconina Mountain shows his flat head there to the right, and the wall on our left rises to the Vermillion Cliffs. Now, look while you can, for presently you'll not be able to see.”

      “Why?”

      “Wind, sand, dust, gravel, pebbles—watch out for your eyes!”

      Naab had not ceased speaking when Hare saw that the train of Indians trailing down the slope was enveloped in red clouds. Then the white wagons disappeared. Soon he was struck in the back by a gust which justified Naab's warning. It swept by; the air grew clear again; once more he could see. But presently a puff, taking him unawares, filled his eyes with dust difficult of removal. Whereupon he turned his back to the wind.

      The afternoon grew apace; the sun glistened on the white patches of Coconina Mountain; it set; and the wind died.

      “Five miles of red sand,” said Naab. “Here's what kills the horses. Getup.”

      There was no trail. All before was red sand, hollows, slopes, levels, dunes, in which the horses sank above their fetlocks. The wheels ploughed deep, and little red streams trailed down from the tires. Naab trudged on foot with the reins in his hands. Hare essayed to walk also, soon tired, and floundered behind till Naab ordered him to ride again. Twilight came with the horses still toiling.

      “There! thankful I am when we get off that strip! But, Jack, that trailless waste prevents a night raid on my home. Even the Navajos shun it after dark. We'll be home soon. There's my sign. See? Night or day we call it the Blue Star.”

      High in the black cliff a star-shaped, wind-worn hole let the blue sky through.

      There was cheer in Naab's “Getup,” now, and the horses quickened with it. Their iron-shod hoofs struck fire from the rosy road. “Easy, easy—soho!” cried Naab to his steeds. In the pitchy blackness under the shelving cliff they picked their way cautiously, and turned a corner. Lights twinkled in Hare's sight, a fresh breeze, coming from water, dampened his cheek, and a hollow rumble, a long roll as of distant thunder, filled his ears.

      “What's that?” he asked.

      “That, my lad, is what I always love to hear. It means I'm home. It's the roar of the Colorado as she takes her first plunge into the Canyon.”

       Table of Contents

      AUGUST NAAB'S oasis was an oval valley, level as a floor, green with leaf and white with blossom, enclosed by a circle of colossal cliffs of vivid vermilion hue. At its western curve the Colorado River split the red walls from north to south. When the wind was west a sullen roar, remote as of some far-off driving mill, filled the valley; when it was east a dreamy hollow hum, a somnolent song, murmured through the cottonwoods; when no wind stirred, silence reigned, a silence not of serene plain or mountain fastness, but shut in, compressed, strange, and breathless. Safe from the storms of the elements as well as of the world was this Garden of Eschtah.

      Naab had put Hare to bed on the unroofed porch of a log house, but routed him out early, and when Hare lifted the blankets a shower of cotton-blossoms drifted away like snow. A grove of gray-barked trees spread green canopy overhead, and through the intricate web shone crimson walls, soaring with resistless onsweep up and up to shut out all but a blue lake of sky.

      “I want you to see the Navajos cross the river,” said Naab.

      Hare accompanied him out through the grove to a road that flanked the first rise of the red wall; they followed this for half a mile, and turning a corner came into an unobstructed view. A roar of rushing waters had prepared Hare, but the river that he saw appalled him. It was red and swift; it slid onward like an enormous slippery snake; its constricted head raised a crest of leaping waves, and disappeared in a dark chasm, whence came a bellow and boom.

      “That opening where she jumps off is the head of the Grand Canyon,” said Naab. “It's five hundred feet deep there, and thirty miles below it's five thousand. Oh, once in, she tears in a hurry! Come, we turn up the bank here.”

      Hare could find no speech, and he felt immeasurably small. All that he had seen in reaching this isolated spot was dwarfed in comparison. This “Crossing of the Fathers,” as Naab called it, was the gateway of the desert. This roar of turbulent waters was the sinister monotone of the mighty desert symphony of great depths, great heights, great reaches.

      On a sandy strip of bank the Navajos had halted. This was as far as they could go, for above the wall jutted out into the river. From here the head of the Canyon was not visible, and the roar of the rapids was accordingly lessened in volume. But even in this smooth water the river spoke a warning.

      “The Navajos go in here and swim their mustangs across to that sand bar,” explained Naab. “The current helps when she's high, and there's a three-foot raise on now.”

      “I can't believe it possible. What danger they must run—those little mustangs!” exclaimed Hare.

      “Danger? Yes, I suppose so,” replied Naab, as if it were a new idea. “My lad, the Mormons crossed here by the hundreds. Many were drowned. This trail and crossing were unknown except to Indians before the Mormon exodus.”

      The mustangs had to be driven into the water. Scarbreast led, and his mustang, after many kicks and reluctant steps, went over his depth, wetting the stalwart chief to the waist. Bare-legged Indians waded in and urged their pack-ponies. Shouts, shrill cries, blows mingled with snorts and splashes.

      Dave and George Naab in flat boats rowed slowly on the down-stream side of the Indians. Presently all the mustangs and ponies were in, the procession widening out in a triangle from Scarbreast, the leader. The pack-ponies appeared to swim better than the mounted mustangs, or else the packs of deer-pelts made them more buoyant. When one-third way across the head of the swimming train met the current, and the line of progress broke. Mustang after mustang swept down with a rapidity which showed the power of the current. Yet they swam steadily with flanks shining, tails sometimes afloat, sometimes under, noses up, and riders holding weapons aloft. But the pack-ponies labored when the current struck them, and whirling about, they held back the Indians who were leading them, and blocked those behind. The orderly procession of the start became a broken line, and then a rout. Here and there a Navajo slipped into the water and swam, leading his mustang; others pulled on pack-ponies and beat their mounts; strong-swimming mustangs forged ahead; weak ones hung back, and all obeyed the downward will of the current.

      While Hare feared for the lives of some of the Navajos, and pitied the laden ponies, he could not but revel in the scene, in its vivid action and varying color, in the cries and shrill whoops of the Indians, and the snorts of the frightened mustangs, in Naab's hoarse yells


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