THE SCREAM - 60 Horror Tales in One Edition. Joseph Sheridan Le FanuЧитать онлайн книгу.
a stout walking-stick in his hand, and a short shooting-coat, and a wide-awake hat in much better trim than Zamiel’s, he emerged from the copse that covered the bridge, walking at a quick but easy pace.
“He’ll be goin’ to see old Snoddles, I guess,” said Milly, looking a little frightened and curious; for Milly, I need not say, was a bumpkin, and stood in awe of this gentleman’s good-breeding, though she was as brave as a lion, and would have fought the Philistines at any odds, with the jawbone of an ass.
“‘Appen he won’t see us,” whispered Milly, hopefully.
But he did, and raising his hat, with a cheerful smile, that showed very white teeth, he paused.
“Charming day, Miss Ruthyn.”
I raised my head suddenly as he spoke, from habit appropriating the address; it was so marked that he raised his hat respectfully to me, and then continued to Milly —
“Mr. Ruthyn, I hope, quite well? but I need hardly ask, you seem so happy. Will you kindly tell him, that I expect the book I mentioned in a day or two, and when it comes I’ll either send or bring it to him immediately?”
Milly and I were standing, by this time, but she only stared at him, tongue-tied, her cheeks rather flushed, and her eyes very round, and to facilitate the dialogue, as I suppose, he said again —
“He’s quite well, I hope?”
Still no response from Milly, and I, provoked, though myself a little shy, made answer —
“My uncle, Mr. Ruthyn, is very well, thank you,” and I felt that I blushed as I spoke.
“Ah, pray excuse me, may I take a great liberty? you are Miss Ruthyn, of Knowl? Will you think me very impertinent — I’m afraid you will — if I venture to introduce myself? My name is Carysbroke, and I had the honour of knowing poor Mr. Ruthyn when I was quite a little boy, and he has shown a kindness for me since, and I hope you will pardon the liberty I fear I’ve taken. I think my friend, Lady Knollys, too, is a relation of yours; what a charming person she is!”
“Oh, is not she? such a darling!” I said, and then blushed at my outspoken affection.
But he smiled kindly, as if he liked me for it; and he said —
“You know whatever I think, I dare not quite say that; but frankly I can quite understand it. She preserves her youth so wonderfully, and her fun and her good-nature are so entirely girlish. What a sweet view you have selected,” he continued, changing all at once. “I’ve stood just at this point so often to look back at that exquisite old bridge. Do you observe — you’re an artist, I see — something very peculiar in that tint of the grey, with those odd cross stains of faded red and yellow?”
“I do, indeed; I was just remarking the peculiar beauty of the colouring — was I not, Milly?”
Milly stared at me, and uttered an alarmed “Yes,” and looked as if she had been caught in a robbery.
“Yes, and you have so very peculiar a background,” he resumed. “It was better before the storm though; but it is very good still.”
Then a little pause, and “Do you know this country at all?” rather suddenly.
“No, not in the least — that is, I’ve only had the drive to this place; but what I did see interested me very much.”
“You will be charmed with it when you know it better — the very place for an artist. I’m a wretched scribbler myself, and I carry this little book in my pocket,” and he laughed deprecatingly while he drew forth a thin fishing-book, as it looked. “They are mere memoranda, you see. I walk so much and come unexpectedly on such pretty nooks and studies, I just try to make a note of them, but it is really more writing than sketching; my sister says it is a cipher which nobody but myself understands. However, I’ll try and explain just two — because you really ought to go and see the places. Oh, no; not that,” he laughed, as accidentally the page blew over, “that’s the Cat and Fiddle, a curious little pot-house, where they gave me some very good ale one day.”
Milly at this exhibited some uneasy tokens of being about to speak, but not knowing what might be coming, I hastened to observe on the spirited little sketches to which he meant to draw my attention.
“I want to show you only the places within easy reach — a short ride or drive.”
So he proceeded to turn over two or three, in addition to the two he had at first proposed, and then another; then a little sketch just tinted, and really quite a charming little gem, of Cousin Monica’s pretty gabled old house; and every subject had its little criticism, or its narrative, or adventure.
As he was about returning this little sketch-book to his pocket, still chatting to me, he suddenly recollected poor Milly, who was looking rather lowering; but she brightened a good deal as he presented it to her, with a little speech which she palpably misunderstood, for she made one of her odd courtesies, and was about, I thought, to put it into her large pocket, and accept it as a present.
“Look at the drawings, Milly, and then return it,” I whispered.
At his request I allowed him to look at my unfinished sketch of the bridge, and while he was measuring distances and proportions with his eye, Milly whispered rather angrily to me,
“And why should I?”
“Because he wants it back, and only meant to lend it to you,” whispered I.
“Lend it to me — and after you! Bury-me-wick if I look at a leaf of it,” she retorted in high dudgeon. “Take it, lass; give it him yourself — I’ll not,” and she popped it into my hand, and made a sulky step back.
“My cousin is very much obliged,” I said, returning the book, and smiling for her, and he took it smiling also and said —
“I think if I had known how very well you draw, Miss Ruthyn, I should have hesitated about showing you my poor scrawls. But these are not my best, you know; Lady Knollys will tell you that I can really do better — a great deal better, I think.”
And then with more apologies for what he called his impertinence, he took his leave, and I felt altogether very much pleased and flattered.
He could not be more than twenty-nine or thirty, I thought, and he was decidedly handsome — that is, his eyes and teeth, and clear brown complexion were — and there was something distinguished and graceful in his figure and gesture; and altogether there was the indescribable attraction of intelligence; and I fancied — though this, of course, was a secret — that from the moment he spoke to us he felt an interest in me. I am not going to be vain. It was a grave interest, but still and interest, for I could see him studying my features while I was turning over his sketches, and he thought I saw nothing else. It was flattering, too, his anxiety that I should think well of his drawing, and referring me to Lady Knollys. Carysbroke — had I ever heard my dear father mention that name? I could not recollect it. But then he was habitually so silent, that his not doing so argued nothing.
Chapter 35.
We Visit a Room in the Second Storey
MR. CARYSBROKE amused my fancy sufficiently to prevent my observing Milly’s silence, till we had begun our return homeward.
“The Grange must be a pretty house, if that little sketch is true; is it far from this?”
“’Twill be two mile.”
“Are you vexed, Milly?” I asked, for both her tone and looks were angry.
“Yes, I am vexed; and why not lass?”
“What has happened?”
“Well, now, that is rich! Why, look at that fellow, Carysbroke: he took no more notice to me than a dog, and kep’ talking