Claude's Confession and Other Early Novels of Émile Zola. Эмиль ЗоляЧитать онлайн книгу.

      CHAPTER I.

      Table of Contents

      A MANSARDE IN THE LATIN QUARTER.

      WINTER is here: the air in the morning becomes fresher, and Paris puts on her mantle of fog. This is the season of social soirées. Chilly lips search for kisses; lovers, driven from the country, take refuge beneath the mansardes, and, huddling together before the hearth, enjoy, amid the noise of the rain, their eternal spring.

      As for me, I live in sadness: I have the winter without the spring, without a sweetheart. My garret, away up a damp staircase, is large and irregular; the corners lose themselves in the gloom, the bare and slanting walls make of the chamber a sort of corridor which stretches out in the form of a bier. The wretched furniture, the narrow planks, ill fitted and painted a horrible red color, crack funereally when they are touched. Shreds of faded damask hang from the canopy of the bed, and the curtainless window opens upon a huge black wall, never changing and always repulsive.

      In the evening, when the wind shakes the door and the walls are dimly outlined by the flame of my lamp, I feel a sad and icy weariness press upon me. I pause before the expiring fire on the hearth, before the ugly brown roses on the wall paper, before the faïence vases in which the last flowers have faded, and I imagine I hear everything complain of solitude and poverty. This complaint is heartrending. The entire mansarde demands of me laughter, the riches of its sisters. The hearth exacts a huge, joyous blaze; the vases, forgetting the snow, sigh for fresh roses; the very air speaks to me of flaxen hair and white shoulders.

      I listen and cannot help feeling sorrowful. I have no chandelier to suspend from the ceiling, no carpet to hide the irregular and broken planks. And, when my chamber refuses to smile save upon a beautiful white curtain, upon plain but shining furniture, I grow more sorrowful still because I cannot satisfy it. Then it seems to me more deserted and miserable than ever: the wind comes in in colder gusts, the gloom grows denser; the dust gathers in heaps on the floor, the wall paper tears showing the plaster. There is a general pause, and, in the silence, I hear the sobs of my heart.

      Brothers, do you remember the days when life for us was a dream? We had friendship, we had visions of love and glory. Do you recall those cool evenings in Provence, when, as the stars came out, we sat down in the furrows still glowing with the heat of the sun? The crickets chirped; the harmonious breath of summer nights enveloped our chat. All three of us let our lips say what our hearts thought, and, in our simplicity, we adored queens, we crowned ourselves with laurels. You told me your dreams, I told you mine. Then, we deigned to come back to earth. I confided to you my plan of life, consecrated to toil and struggles. Feeling the wealth of my mind, I was pleased at the idea of poverty. You were ascending, like me, the stairway of the mansardes, you hoped to nourish yourselves on high thoughts; in your ignorance of the reality, you seemed to believe that the artist in his sleepless night gains the bread of the morrow.

      At other times, when the flowers were sweeter, the stars more radiant, we caressed visions of loveliness. Each of us had his sweetheart. Yours — do you recollect? — brown and laughing girls, were queens of the harvest and vintage; they played about, decked with ears of grain and bunches of grapes, and ran along the paths, carried away in the whirl of their turbulent youth. Mine, pale and blonde, had the royalty of the lakes and clouds; she walked languidly, crowned with verbenas, seeming at each step about to quit the earth.

      Do you remember, brothers, that last month we went thus to dream amid the fields and draw the courage of man from the holy faith of the child? I was weary of dreaming, I thought myself strong enough for reality. Five weeks have passed since I left our broad district, fertilized by the hot breath of the south. I grasped your hands, said adieu to our favorite field, and was the first to go in search of the crown and the sweetheart reserved by God for our twentieth year.

      “Claude,” you said to me at the moment of departure, “you are about to begin the struggle. Tomorrow, we shall not be beside you as formerly, imparting to you hope and courage. You will find yourself alone and poor, having only recollections to people and gild your solitude. The way is rough, people tell us. Go, however, since you thirst for life. Remember your plans: be firm and loyal in action, as you were in your dreams; live in the garrets, eat your dry bread, smile at want. As a man, do not jeer at the ignorance of the child, but accept the hard labor of the grand and the beautiful. Suffering elevates a man, and tears are dried one day when one has greatly loved. Have courage and wait for us. We will console you and scold you from here. We cannot follow you now, for we do not possess your strength; our dream is yet too seductive for us to change it for reality.”

      Scold me, brothers, and console me. I am only commencing to live, and I am already very sad. Ah! how joyous was the mansarde of our dreams! How the window sparkled in the sunshine, and how poverty and solitude rendered life there studious and peaceful! Want had for us the luxury of light and smiles. But do you know how ugly a real mansarde is? Do you know how cold one is when one is alone, without flowers, without white curtains upon which to rest the eyes? Light and gayety pass by without entering, fearing to venture amid the gloom and silence.

      Where are my fields and my brooks? Where are my setting suns, which gilded the tops of the poplars and changed the rocks into sparkling palaces? Have I deceived myself, brothers? Am I only a lad who would be a man before his time? Have I had too great confidence in my strength, and should I still be dreaming beside you?

      The day is breaking. I have passed the night before my extinguished fire, looking at my poor walls and relating to you my first sufferings. A wan light illuminates the roofs, a few flakes of snow fall slowly from the pale, sad sky. The awakening of great cities is tumultuous. I hear, coming up to me, those street murmurs which resemble sobs.

      No; this window refuses me the sunlight, this floor is damp, this mansarde is deserted. I cannot love, I cannot work here.