A Florida Sketch-Book. Bradford TorreyЧитать онлайн книгу.
new sparrow. Nor was I greatly disappointed. The place itself was a sufficient novelty—the place and the summer weather. The pines murmured overhead, and the palmettos rustled all about. Now a butterfly fluttered past me, and now a dragonfly. More than one little flock of tree swallows went over the wood, and once a pair of phœbes amused me by an uncommonly pretty lover’s quarrel. Truly it was a pleasant hour. In the midst of it there came along a man in a cart, with a load of wood. We exchanged the time of day, and I remarked upon the smallness of his load. Yes, he said; but it was a pretty heavy load to drag seven or eight miles over such roads. Possibly he understood me as implying that he seemed to be in rather small business, although I had no such purpose, for he went on to say: “In 1861, when this beautiful war broke out between our countries, my father owned niggers. We didn’t have to do this. But I don’t complain. If I hadn’t got a bullet in me, I should do pretty well.”
“Then you were in the war?” I said.
“Oh, yes, yes, sir! I was in the Confederate service. Yes, sir, I’m a Southerner to the backbone. My grandfather was a ----” (I missed the patronymic), “and commanded St. Augustine.”
The name had a foreign sound, and the man’s complexion was swarthy, and in all simplicity I asked if he was a Minorcan. I might as well have touched a lighted match to powder. His eyes flashed, and he came round the tail of the cart, gesticulating with his stick.
“Minorcan!” he broke out. “Spain and the island of Minorca are two places, ain’t they?”
I admitted meekly that they were.
“You are English, ain’t you?” he went on. “You are English—Yankee born—ain’t you?”
I owned it.
“Well, I’m Spanish. That ain’t Minorcan. My grandfather was a——, and commanded St. Augustine. He couldn’t have done that if he had been Minorcan.”
By this time he was quieting down a bit. His father remembered the Indian war. The son had heard him tell about it.
“Those were dangerous times,” he remarked. “You couldn’t have been standing out here in the woods then.”
“There is no danger here now, is there?” said I.
“No, no, not now.” But as he drove along he turned to say that he wasn’t afraid of any thing; he wasn’t that kind of a man. Then, with a final turn, he added, what I could not dispute, “A man’s life is always in danger.”
After he was gone, I regretted that I had offered no apology for my unintentionally offensive question; but I was so taken by surprise, and so much interested in the man as a specimen, that I quite forgot my manners till it was too late. One thing I learned: that it is not prudent, in these days, to judge a Southern man’s blood, in either sense of the word, by his dress or occupation. This man had brought seven or eight miles a load of wood that might possibly be worth seventy-five cents (I questioned the owner of what looked like just such a load afterward, and found his asking price half a dollar), and for clothing had on a pair of trousers and a blue cotton shirt, the latter full of holes, through which the skin was visible; yet his father was a—— and had “owned niggers.”
A still more picturesque figure in this procession of wood-carters was a boy of perhaps ten or eleven. He rode his horse, and was barefooted and barelegged; but he had a cigarette in his mouth, and to each brown heel was fastened an enormous spur. Who was it that infected the world with the foolish and disastrous notion that work and play are two different things? And was it Emerson, or some other wise man, who said that a boy was the true philosopher?
When it came time to think of returning to St. Augustine for dinner, I appreciated my cracker’s friendly warning against losing my way; for though I had hardly so much as entered the woods, and had taken, as I thought, good heed to my steps, I was almost at once in a quandary as to my road. There was no occasion for worry—with the sun out, and my general course perfectly plain; but here was a fork in the road, and whether to bear to the left or to the right was a simple matter of guess-work. I made the best guess I could, and guessed wrong, as was apparent after a while, when I found the road under deep water for several rods. I objected to wading, and there was no ready way of going round, since the oak and palmetto scrub crowded close up to the roadside, and just here was all but impenetrable. What was still more conclusive, the road was the wrong one, as the inundation proved, and, for aught I could tell, might carry me far out of my course. I turned back, therefore, under the midday sun, and by good luck a second attempt brought me out of the woods very near where I had entered them. I visited this particular piece of country but once afterward, having in the mean time discovered a better place of the same sort along the railroad, in the direction of Palatka. There, on a Sunday morning, I heard my first pine-wood sparrow. Time and tune could hardly have been in truer accord. The hour was of the quietest, the strain was of the simplest, and the bird sang as if he were dreaming. For a long time I let him go on without attempting to make certain who he was. He seemed to be rather far off: if I waited his pleasure, he would perhaps move toward me; if I disturbed him, he would probably become silent. So I sat on the end of a sleeper and listened. It was not great music. It made me think of the swamp sparrow; and the swamp sparrow is far from being a great singer. A single prolonged, drawling note (in that respect unlike the swamp sparrow, of course), followed by a succession of softer and sweeter ones—that was all, when I came to analyze it; but that is no fair description of what I heard. The quality of the song is not there; and it was the quality, the feeling, the soul of it, if I may say what I mean, that made it, in the true sense of a much-abused word, charming.
There could be little doubt that the bird was a pine-wood sparrow; but such things are not to be taken for granted. Once or twice, indeed, the thought of some unfamiliar warbler had crossed my mind. At last, therefore, as the singer still kept out of sight, I leaped the ditch and pushed into the scrub. Happily I had not far to go; he had been much nearer than I thought. A small bird flew up before me, and dropped almost immediately into a clump of palmetto. I edged toward the spot and waited. Then the song began again, this time directly in front of me, but still faraway-sounding and dreamy. I find that last word in my hasty note penciled at the time, and can think of no other that expresses the effect half so well. I looked and looked, and all at once there sat the bird on a palmetto leaf. Once again he sang, putting up his head. Then he dropped out of sight, and I heard nothing more. I had seen only his head and neck—enough to show him a sparrow, and almost of necessity the pine-wood sparrow. No other strange member of the finch family was to be looked for in such a place.
On further acquaintance, let me say at once, Pucæa æstivalis proved to be a more versatile singer than the performances of my first bird would have led me to suppose. He varies his tune freely, but always within a pretty narrow compass; as is true, also, of the field sparrow, with whom, as I soon came to feel, he has not a little in common. It is in musical form only that he suggests the swamp sparrow. In tone and spirit, in the qualities of sweetness and expressiveness, he is nearly akin to Spizella pusilla. One does for the Southern pine barren what the other does for the Northern berry pasture. And this is high praise; for though in New England we have many singers more brilliant than the field sparrow, we have none that are sweeter, and few that in the long run give more pleasure to sensitive hearers.
I found the pine-wood sparrow afterward in New Smyrna, Port Orange, Sanford, and Tallahassee. So far as I could tell, it was always the same bird; but I shot no specimens, and speak with no authority.[1] Living always in the pine lands, and haunting the dense undergrowth, it is heard a hundred times where it is seen once—a point greatly in favor of its effectiveness as a musician. Mr. Brewster speaks of it as singing always from an elevated perch, while the birds that I saw in the act of song, a very limited number, were invariably perched low. One that I watched in New Smyrna (one of a small chorus, the others being invisible) sang for a quarter of an hour from a stake or stump which rose perhaps a foot above the dwarf palmetto. It was the same song that I had heard in St. Augustine; only the birds here were in a livelier mood, and sang out instead of sotto voce. The long introductory note sounded sometimes as if it were indrawn, and often,