Vignettes: A Miniature Journal of Whim and Sentiment. Hubert CrackanthorpeЧитать онлайн книгу.
and how, without telling anyone, she had scraped together a hundred sous to send out to him. Somehow, irresistibly, while she chattered, I seemed to see that soldier nephew of hers—broad and straight and bronzed, his fez stuck jauntily on the back of his head, noisily noçant avec des camarades with those hundred sous, which old Tante Latou had sent out to him.
By-and-bye, she related her journey to Valence, in the time when she had worked as a cherry-packer for Madame Charbonnier in the Rue Joseph-Vernet, insisting with comical, energetic wrinklings of her forehead on her contempt for the jargon de l’Ardèche. … She had been to Marseilles, too, last year—that was a great journey—eighteen of them had gone from Villeneuve, “femmes et filles et trois garçons, dans un train ‘ambulant’—quatre francs et douze sous, aller et retour. … Marseilles, vous savez,” Jeanne-Marie Latou reiterated, “c’est quelque chose … c’est quelque chose … c’est quelque chose … enfin, c’est la plus jolie ville que j’ai trouvée.”
Afterwards, starting to recall bygone times, she described the breaking up of the Chartreuse in quatre-vingt douze, and the selling of the whole building by auction in the little place, there, below us (not for money—no one in the pays had any money in those days—but for assignats), and, Jeanne-Marie Latou explained, “Ceux qui avaient peur n’en prenaient pas, et ceux qui n’avaient pas peur en prenaient.” And her father, who had been a stone-worker, over there at Les Angles, had bid douze cents francs d’assignats for the house where the supérieure had lived—douze cents francs d’assignats which no one had ever asked him to pay. There Jeanne-Marie Latou had always lived—seventy-seven years, it was now, as near as she could remember—she, and her husband who had been dead these twenty-three years. She could remember the time when the frescoes on the cloister walls were bright and beautiful, and no grass grew between the flags. Yes, she had seen all the other houses pass from family to family; there were six of them now who had the right to use the old church as a barn, “ma foi, elle est bien grande, l’église,” Jeanne-Marie Latou concluded, smiling knowingly at us, “Mais, quand même, ils se chicanent toujours.” …
And with that, she rose slowly and bid us good-bye, and wished us good health, toddling grotesquely away down the steps.
After she had gone, we stayed a long while up on the hot roof, watching the dark shadows creep from under the broken bridge across the rippling Rhône, as it swept past towards the sea. And I wondered more drowsily than ever concerning old Jeanne-Marie Latou, and her soldier nephew, with the spahis, away over there in Tunis, and that great journey of hers to Marseilles—eighteen of them from the dead little town below, “femmes et filles et trois garçons, dans un train ‘ambulant’—quatre francs et douze sous, aller et retour.”
ASCENSION DAY AT ARLES
The population pours out from mass, flooding every crooked street—rubicund peasants in starched Sunday blouses; olive-skinned, Greek-featured Arlésiennes in quaint, lace head-dresses; strutting petits messieurs en chapeau rond and tight-fitting complets; shouting shoals of boys; zouaves, indolent and superb, in flowing red knickerbockers, white spats, and jauntily-poised fez.
A bleating of lambs, plaintive, incessant and dirge-like, fills the Place du Forum; heaped over the gravel they lie, their legs tied under their bellies, and their skinny necks helplessly outstretched: and beyond, the great, green umbrellas of a regiment of wrinkled beldams—fruit-sellers encamped in rows before their baskets. … A strange complication of odours—of cheese, of fish and of flowers—floats in the air: at every alley-corner some auctioneer stands posted—shouting, perspiring vendors of knives, pocket-books, glass-cutters, chromo-lithographs, cement, songs, sabots. An old top-hatted Jew nasally vaunts a wine-testing fluid, and tells horrible and interminable tales of vintages manufactured from decayed dates, from vinegar and sugar, or from plaster-of-Paris; a travelling pedicure operates on the box-seat of a gorgeously-painted van, to the accompaniment of a big drum and clashing cymbals; the inevitable strong man defiantly challenges the crowd to split a flag-stone across his bare, hirsute chest; and a blind-folded fortune-telling wench chaunts with mechanical shamelessness the young men’s amorous indiscretions.
Outside the town, the boulevard is gay with the glitter of pedlars’ wares, and flapping, gaudy stuffs, red, green and yellow and blue; travelling showmen are bustling with final preparations, hammering together their skeleton booths, or unfolding gaunt rolls of battered canvas; the steam-orchestra of a Grand Musée fin de siècle bellows from its rows of brass-mouthed trumpets a deafening, wheezy tune; and everywhere, beneath the tunnel of pale green plane-trees, a thick, drifting tide of men and women.
SPRING IN BÉARN
May 1
Of a sudden it seems to have come—the poplars fluttering their golden green; the fruit-trees tricked out in fête-day frocks of frail snow-white; the hoary oaks uncurling their baby leaves; and the lanes all littered with golden broom. …
The blue flax sways like a sensitive sea; the violets peep from amid the moss; beneath every hedgerow the primroses cluster; and the rivulets tinkle their shrill, glad songs. …
Dense levies of orchises empurple the meadows, where the butterflies hasten their wavering flight; the sunlight breathes through the pale-leafed woods; and the air is sweet with the scent of the spring, and loud with the humming of wings. …
It lasts but a week—a fleeting mood of dainty gaiety; a quick discarding of the brown shabbiness of winter for a smiling array of white and gold, fresh-green, and turquoise-blue. …
And then, it has flitted, and through the long, parched months relentlessly blazes the summer sun.
IN THE LONG GRASS
May 13
A mysterious, impenetrable jungle of green stems, quivering with the play of a myriad baby shadows. A close crowd of flowers—naïve-faced, white-cheeked daisies; buttercups, glistening gold; dandelions like ragged medallions; stubbly bearded thistles; sleek-stalked orchises, white, and mauve, and purple; corpulent, heavy-leafed clover, and skinny ragged robin. And, topping them all, the languidly nodding heads of a thousand seeded grasses, and the dishevelled crests of the red sorrel. …
A ceaseless humming of wings—deep-toned and solemn, cheerily bustling, high-pitched and idle. …
Hidden in the green-stemmed jungle, a world of creatures silently busy—hurrying ants; heavy, gray cockchafers, drowsily lumbering; tiny, red spiders, fidgeting from blade to blade; grasshoppers, with their great sensitive eyes, humanly expressive; shiny, black beasts, wriggling their scuttling bodies; fierce-looking flying things, their vivid red bodies, now poised motionless, now darting capriciously to and fro.
One after another they come for a peep at me. A pair of blue-bottles, chasing one another, dash past; a furry bee chaunts lustily as he bustles from flower to flower; and dark, evil-looking flies hover, hanging their long, sneaking legs. …
PAU
May 14
I went there again to-day; but I did not see her. It is a year now since I met her, sitting alone before her basket, in a corner of the deserted square. Her face was tanned