THE VENETIAN TRILOGY: A Foregone Conclusion, Ragged Lady & The Lady of the Aroostook. William Dean HowellsЧитать онлайн книгу.

      XII

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      The day was one of those which can come to the world only in early June at Venice. The heaven was without a cloud, but a blue haze made mystery of the horizon where the lagoon and sky met unseen. The breath of the sea bathed in freshness the city at whose feet her tides sparkled and slept.

      The great square of St. Mark was transformed from a mart, from a salon, to a temple. The shops under the colonnades that inclose it upon three sides were shut; the caffès, before which the circles of idle coffee-drinkers and sherbet-eaters ordinarily spread out into the Piazza, were repressed to the limits of their own doors; the stands of the water-venders, the baskets of those that sold oranges of Palermo and black cherries of Padua, had vanished from the base of the church of St. Mark, which with its dim splendor of mosaics and its carven luxury of pillar and arch and finial rose like the high-altar, ineffably rich and beautiful, of the vaster temple whose inclosure it completed. Before it stood the three great red flag-staffs, like painted tapers before an altar, and from them hung the Austrian flags of red and white, and yellow and black.

      In the middle of the square stood the Austrian military band, motionless, encircling their leader with his gold-headed staff uplifted. During the night a light colonnade of wood, roofed with blue cloth, had been put up around the inside of the Piazza, and under this now paused the long pomp of the ecclesiastical procession—the priests of all the Venetian churches in their richest vestments, followed in their order by facchini, in white sandals and gay robes, with caps of scarlet, white, green, and blue, who bore huge painted candles and silken banners displaying the symbol or the portrait of the titular saints of the several churches, and supported the canopies under which the host of each was elevated. Before the clergy went a company of Austrian soldiers, and behind the facchini came a long array of religious societies, charity-school boys in uniforms, old paupers in holiday dress, little naked urchins with shepherds' crooks and bits of fleece about their loins like John the Baptist in the Wilderness, little girls with angels' wings and crowns, the monks of the various orders, and civilian penitents of all sorts in cloaks or dress-coats, hooded or bareheaded, and carrying each a lighted taper. The corridors under the Imperial Palace and the New and Old Procuratie were packed with spectators; from every window up and down the fronts of the palaces, gay stuffs were flung; the startled doves of St. Mark perched upon the cornices, or fluttered uneasily to and fro above the crowd. The baton of the band leader descended with a crash of martial music, the priests chanted, the charity-boys sang shrill, a vast noise of shuffling feet arose, mixed with the foliage-like rustling of the sheets of tinsel attached to the banners and candles in the procession: the whole strange, gorgeous picture came to life.

      After all her plans and preparations, Mrs. Vervain had not felt well enough that morning to come to the spectacle which she had counted so much upon seeing, but she had therefore insisted the more that her daughter should go, and Ferris now stood with Florida alone at a window in the Old Procuratie.

      "Well, what do you think, Miss Vervain?" he asked, when their senses had somewhat accustomed themselves to the noise of the procession; "do you say now that Venice is too gloomy a city to have ever had any possibility of gayety in her?"

      "I never said that," answered Florida, opening her eyes upon him.

      "Neither did I," returned Ferris, "but I've often thought it, and I'm not sure now but I'm right. There's something extremely melancholy to me in all this. I don't care so much for what one may call the deplorable superstition expressed in the spectacle, but the mere splendid sight and the music are enough to make one shed tears. I don't know anything more affecting except a procession of lantern-lit gondolas and barges on the Grand Canal. It's phantasmal. It's the spectral resurrection of the old dead forms into the present. It's not even the ghost, it's the corpse of other ages that's haunting Venice. The city ought to have been destroyed by Napoleon when he destroyed the Republic, and thrown overboard—St. Mark, Winged Lion, Bucentaur, and all. There is no land like America for true cheerfulness and light-heartedness. Think of our Fourth of Julys and our State Fairs. Selah!"

      Ferris looked into the girl's serious face with twinkling eyes. He liked to embarrass her gravity with his antic speeches, and enjoyed her endeavors to find an earnest meaning in them, and her evident trouble when she could find none.

      "I'm curious to know how our friend will look," he began again, as he arranged the cushion on the window-sill for Florida's greater comfort in watching the spectacle, "but it won't be an easy matter to pick him out in this masquerade, I fancy. Candle-carrying, as well as the other acts of devotion, seems rather out of character with Don Ippolito, and I can't imagine his putting much soul into it. However, very few of the clergy appear to do that. Look at those holy men with their eyes to the wind! They are wondering who is the bella bionda at the window here."

      Florida listened to his persiflage with an air of sad distraction. She was intent upon the procession as it approached from the other side of the Piazza, and she replied at random to his comments on the different bodies that formed it.

      "It's very hard to decide which are my favorites," he continued, surveying the long column through an opera-glass. "My religious disadvantages have been such that I don't care much for priests or monks, or young John the Baptists, or small female cherubim, but I do like little charity-boys with voices of pins and needles and hair cut à la dead-rabbit. I should like, if it were consistent with the consular dignity, to go down and rub their heads. I'm fond, also, of old charity-boys, I find. Those paupers make one in love with destitute and dependent age, by their aspect of irresponsible enjoyment. See how briskly each of them topples along on the leg that he hasn't got in the grave! How attractive likewise are the civilian devotees in those imperishable dress-coats of theirs! Observe their high collars of the era of the Holy Alliance: they and their fathers and their grandfathers before them have worn those dress-coats; in a hundred years from now their posterity will keep holiday in them. I should like to know the elixir by which the dress-coats of civil employees render themselves immortal. Those penitents in the cloaks and cowls are not bad, either, Miss Vervain. Come, they add a very pretty touch of mystery to this spectacle. They're the sort of thing that painters are expected to paint in Venice—that people sigh over as so peculiarly Venetian. If you've a single sentiment about you, Miss Vervain, now is the time to produce it."

      "But I haven't. I'm afraid I have no sentiment at all," answered the girl ruefully. "But this makes me dreadfully sad."

      "Why that's just what I was saying a while ago. Excuse me, Miss Vervain, but your sadness lacks novelty; it's a sort of plagiarism."

      "Don't, please," she pleaded yet more earnestly. "I was just thinking—I don't know why such an awful thought should come to me—that it might all be a mistake after all; perhaps there might not be any other world, and every bit of this power and display of the church—our church as well as the rest—might be only a cruel blunder, a dreadful mistake. Perhaps there isn't