Aurora Floyd (Feminist Classic). Mary Elizabeth BraddonЧитать онлайн книгу.

      Chapter 2

      Aurora.

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      The child which Eliza Floyd left behind her, when she was so suddenly taken away from all earthly prosperity and happiness, was christened Aurora. The romantic-sounding name had been a fancy of poor Eliza’s; and there was no caprice of hers, however trifling, that had not always been sacred with her adoring husband, and that was not doubly sacred now. The actual intensity of the widower’s grief was known to no creature in this lower world. His nephews and his nephews’ wives paid him pertinacious visits of condolence; nay, one of these nieces by marriage, a good, motherly creature, devoted to her husband, insisted on seeing and comforting the stricken man. Heaven knows whether her tenderness did convey any comfort to that shipwrecked soul. She found him like a man who had suffered from a stroke of paralysis, torpid, almost imbecile. Perhaps she took the wisest course that could possibly be taken. She said little to him upon the subject of his affliction, but visited him frequently, patiently sitting opposite to him for hours at a time, he and she talking of all manner of easy conventional topics — the state of the country, the weather, a change in the ministry, and such subjects as were so far remote from the grief of his life that a less careful hand than Mrs. Alexander Floyd’s could have scarcely touched upon the broken chords of that ruined instrument, the widower’s heart.

      It was not until six months after Eliza’s death that Mrs. Alexander ventured to utter her name; but when she did speak of her, it was with no solemn hesitation, but tenderly and familiarly, as if she had been accustomed to talk of the dead. She saw at once that she had done right. The time had come for the widower to feel relief in speaking of the lost one; and from that hour Mrs. Alexander became a favorite with her uncle. Years after, he told her that, even in the sullen torpor of his grief, he had had a dim consciousness that she pitied him, and that she was “a good woman.” This good woman came that very evening into the big room, where the banker sat by his lonely hearth, with a baby in her arms — a pale-faced child, with great wondering black eyes, which stared at the rich man in sombre astonishment; a solemn-faced, ugly baby, which was to grow by and by into Aurora Floyd, the heroine of my story.

      That pale, black-eyed baby became henceforth the idol of Archibald Martin Floyd, the one object in all this wide universe for which it seemed worth his while to endure life. From the day of his wife’s death he had abandoned all active share in the Lombard-street business, and he had now neither occupation nor delight save in waiting upon the prattlings and humoring the caprices of this infant daughter. His love for her was a weakness, almost verging upon a madness. Had his nephews been very designing men, they might perhaps have entertained some vague ideas of that commission of lunacy for which the outraged neighbors were so anxious. He grudged the hired nurses their offices of love about the person of his child. He watched them furtively, fearful lest they should be harsh with her. All the ponderous doors in the great house at Felden Woods could not drown the feeblest murmur of that infant voice to those ever-anxious, loving ears.

      He watched her growth as a child watches an acorn it hopes to rear to an oak. He repeated her broken baby-syllables till people grew weary of his babble about the child. Of course the end of all this was, that, in the common acceptation of the term, Aurora was spoiled. We do not say a flower is spoiled because it is reared in a hot-house where no breath of heaven can visit it too roughly; but then, certainly, the bright exotic is trimmed and pruned by the gardener’s merciless hand, while Aurora shot whither she would, and there was none to lop the wandering branches of that luxuriant nature. She said what she pleased; thought, spoke, acted as she pleased; learned what she pleased; and she grew into a bright, impetuous being, affectionate and generous-hearted as her mother, but with some touch of native fire blended in her mould that stamped her as original. It is the common habit of ugly babies to grow into handsome women, and so it was with Aurora Floyd. At seventeen she was twice as beautiful as her mother had been at nine-and-twenty, but with much the same irregular features, lighted up by a pair of eyes that were like the stars of heaven, and by two rows of peerlessly white teeth. You rarely, in looking at her face, could get beyond these eyes and teeth; for they so dazzled and blinded you that they defied you to criticise the doubtful little nose, or the width of the smiling mouth. What if those masses of blue-black hair were brushed away from a forehead too low for the common standard of beauty? A phrenologist would have told you that the head was a noble one; and a sculptor would have added that it was set upon the throat of a Cleopatra.

      Miss Floyd knew very little of her poor mother’s history. There was a picture in crayons hanging in the banker’s sanctum sanctorum which represented Eliza in the full flush of her beauty and prosperity, but the portrait told nothing of the history of the original, and Aurora had never heard of the merchant-captain, the poor Liverpool lodging, the grim aunt who kept a chandler’s shop, the artificial flower-making, and the provincial stage. She had never been told that her maternal grandfather’s name was Prodder, and that her mother had played Juliet to an audience of factory hands for the moderate and sometimes uncertain stipend of four and twopence a night. The county families accepted and made much of the rich banker’s heiress; but they were not slow to say that Aurora was her mother’s own daughter, and had the taint of the play-acting and horse-riding, the spangles and the sawdust, strong in her nature. The truth of the matter is, that before Miss Floyd emerged from the nursery she evinced a very decided tendency to become what is called “fast.” At six years of age she rejected a doll and asked for a rocking-horse. At ten she could converse fluently upon the subject of pointers, setters, fox-hounds, harriers, and beagles, though she drove her governess to the verge of despair by persistently forgetting under what Roman emperor Jerusalem was destroyed, and who was legate to the Pope at the time of Catharine of Aragon’s divorce. At eleven she talked unreservedly of the horses in the Lenfield stables as a pack of screws; at twelve she contributed her half-crown to a Derby sweepstakes among her father’s servants, and triumphantly drew the winning horse; and at thirteen she rode across country with her uncle Andrew, who was a member of the Croydon hunt. It was not without grief that the banker watched his daughter’s progress in these doubtful accomplishments; but she was so beautiful, so frank and fearless, so generous, affectionate, and true, that he could not bring himself to tell her that she was not all he could desire her to be. If he could have governed or directed that impetuous nature, he would have had her the most refined and elegant, the most perfect and accomplished of her sex; but he could not do this, and he was fain to thank God for her as she was, and to indulge her every whim.

      Alexander Floyd’s eldest daughter, Lucy, first cousin, once removed to Aurora, was that young lady’s friend and confidante, and came now