THE CHARM OF THE OLD WORLD ROMANCES – Premium 10 Book Collection. Robert BarrЧитать онлайн книгу.
where the man ambitious to build a Cathedral lived, and Meister Gerard, the architect, was well known to him. Ambrose spoke once or twice to Konrad regarding this man, but the Archbishop was then busy with the secret envoys from Treves, and while war is being concocted, churches must stand in abeyance. When these secret negotiations were completed, Father Ambrose again attempted to bespeak a hearing for his fellow-townsman. The Archbishop, however, was not then in the architectural mood, and Ambrose feared his request had been inopportune.
"You are a good man, Ambrose," said the Archbishop, "but persistent. Now let me tell you finally what my purpose is. It is not a village church I wish to see builded, but a Cathedral that will outshine Imperial Rome herself. Therefore it is not a village architect I am on the outlook for, but one who will prove the modern brother of the builder of the Parthenon in Athens."
"I know not who built the Parthenon, my Lord," said the monk, with the dogged pertinacity of the North German, "but it may have been a village architect, despised by the great of Greece."
"It may indeed be so. Whence comes this architect of yours?"
"From Riehl, my Lord."
"From Riehl, indeed! You might at least have given us a town the size of Bonn. From Riehl!" The Archbishop threw back his head and laughed.
"'Can any good come out of Nazareth,' quoth they of old," said the monk, solemnly. The Archbishop became instantly serious.
"Ambrose, that smacks strongly of the sacrilegious."
"I may put it thus then—'A prophet is not without honour but in his own country, and among his own kin, and in his own house,'" said the monk, giving the quotation in Latin.
"You think much of this man?"
"I do indeed, my Lord."
"Then I will give him a commission, but it shall not be the building of a Cathedral. I have made compact with my brother of Treves, Arnold von Isenberg, too long estranged from me. We are more like to find ourselves engaged in tearing down than in building up. Let your architect then design for me a large tent, one that will hold a hundred men while seated at dinner, or five hundred, with tables removed, to hear Mass. Let the tent be well proportioned, for in that lies architectural skill. Its ornamentation will give little scope to a dull man and much to one who is ingenious. Draw what money is needed from the Treasury for its construction, and see that the sum be ample, so that your architect may have fair recompense, and that I may not be ashamed of my tent, for within it shall the Archbishop of Treves meet me in conference. Have the tent made ready as soon as possible, for I know not the day I may need it, and in the building of it let your fellow remember that the beauty of a tent is that it bears transportation well, being not over bulky, and that it is erected quickly and stands firmly in a storm."
Thus came the large tent, made in Cologne, to be placed on the heights of Bieldenburg over the Moselle, with Meister Gerard himself superintending its erection.
The floor had been constructed of flattened timber, bedded in the cement used for the building of castles, which when hardened was more difficult to break than the stones it bound together. Over this was laid Eastern cloths, soft in touch to the foot, and pleasing in colour to the eye. When the tent was erected, Meister Gerard waited eagerly until the sun rose next morning, so that he might persuade Ambrose to ask the Archbishop's criticism of the work now completed that he might thus obtain an opportunity to speak with the great ecclesiastic, on whom the architect felt his future depended. Gerard saw the envoys depart on their mission to the castle, and, early as it was, he also saw Konrad von Hochstaden, the monk Ambrose by his side, walking to and fro before the Archbishop's residential tent. The great audience pavilion stood alone, one end facing the east, as any erection intended for the use of two Princes of the Church should stand. To the north of it was the cluster of tents occupied by Konrad and the numerous attendants who waited upon him. To the south was a similar village belonging to the Archbishop of Treves, each village being at the point nearest the city from which its master took his title. The trumpets were blaring before Castle Thuron when Ambrose induced the Archbishop to inspect the new tent. He stood within it and gazed about him, while the architect, near by, waited for a word of approval or condemnation.
"You have given us no ornamentation," said Konrad at last.
"The ornamentation, my Lord, is largely in its correct proportion; nevertheless, I have ventured on a touch of colour which may be seen, or not, at your Lordship's pleasure."
"Let us behold it, then."
The architect gave a signal to two workmen who waited at the western end of the tent, and they, by the pulling of cords, rolled up an inner screen. There was disclosed a picture wrought in many coloured silks, deftly sewn together, representing the arms of Cologne and Treves in juxtaposition. The light shone through the scheme of colour from the outside, and the richness of the painting stood out with the more distinctness that the whole interior of the tent was of one subdued hue of white.
"That is most ingenious," the Archbishop was pleased to say, to the architect's gratification. "We will have it remain so."
"I have another picture on the eastern end as well," said Gerard. "Have I your Lordship's permission to exhibit that also?"
"Surely, surely," answered Konrad, whereupon the two workmen walked the length of the tent, and rolled up another screen similar to the first.
The result was most startling. The morning sun shone fully upon the eastern end of the tent and imparted a glory to the rich colouring, which gave the picture a brilliancy savouring more of Heaven than of earth. The design represented a twin spired Cathedral, worked out in the fullest detail, the spires encrusted with ornament, the beautiful Gothic door between them being a model of correct proportion, yet of immense size, the whole representation one on which the eye rested with ever increasing delight, wonder, and admiration.
For some moments the Archbishop stood speechless before this marvel in line and tint. At last he said:
"It is not possible that such a building actually exists and I have never heard of it! Where is it?"
"Only in my brain, my Lord, but it may exist in Cologne, if your Lordship so wills it."
"Ah!" The Archbishop drew a long sigh of supreme gratification. "Are you sure you sold not your soul to the devil for this design, Meister Gerard."
"I had hoped your Lordship would attribute the design to a higher source. It was my belief that inspiration prompted the picture which made me so persistent in trying to obtain permission from your Lordship to exhibit to you the drawings. There will be no Cathedral like that of Cologne in all the rest of the world, if this building is erected."
"You speak truly. Let down the curtain, and see that it is securely fastened. The design cannot be seen from without, can it? I did not notice it as I entered."
"No, my Lord, unless at night when the tent is lighted, and then only when the curtain is raised."
"This curtain is not to be raised. No one must look upon this picture. Have a new end made for this tent, and put in a drawing of Treves Cathedral if you like, but this is to be seen by none. Meister Gerard, you are the architect of Cologne Cathedral. He is to have a room in the palace, Ambrose, and a fitting allowance: see to it. As soon as another end is in place, get you back to Cologne and work upon your plans. Men less inspired will attend to the fighting."
Therefore was the stay of Meister Gerard, architect of Cologne Cathedral, of short duration in the neighbourhood of the Moselle.
The Archbishop was still in the tent when his envoy returned from the mission to Castle Thuron, and reported there to his master the colloquy that had taken place between Count Heinrich and Bertrich. Konrad von Hochstaden frowned as he listened, and for a time pondered deeply in silence over the information he had received. The architect and the workmen were gone, and Archbishop, envoy and monk were alone in the tent.
"You say that Count Bertrich attacked the castle as you departed. Are any of my men in the fray?"
"No, my Lord. I urged Count Bertrich to postpone assault until you were made acquainted with the result of our conference