THE CHARM OF THE OLD WORLD ROMANCES – Premium 10 Book Collection. Robert BarrЧитать онлайн книгу.

      CHAPTER XXXVI.

       THE FIVE BILLETLESS ARROWS.

       Table of Contents

      The bowman, with characteristic caution, stole down the hill until he neared the line, wound so tightly round the castle. Here his circumspection redoubled, and, trailing his bow after him, he crawled on hands and knees towards his friend, Roger Kent, who, with bowed head, marched to and fro along his accustomed beat. The poet seemed in a state of blank despondency, but whether on account of the slanders of an unsympathetic world, or for the reason that he had parted in discordant terms from his comrade, John Surrey could not tell. A warble from the forest caused the sentinel to raise his head and peer into the denseness of the thicket. The moon showed his face to be alert and expectant, expressions which changed into a look of joy when the warble was repeated and he saw emerge from the plantation the rotund figure of his friend and critic. The latter motioned him to come out of the moonlight into the shadow, and the unsuspicious Roger, casting a glance round him, seeing the coast clear, approached until the gloom of the wood fell over him, then stood, realising that, after all, the insult had not been of his bestowal, and that etiquette at least demanded from John some verbal amends for his former verbal buffets, if there was to be peace between them.

      "Roger," said John, "I could not sleep until I had told you how sorry I am that my roughness of speech gave you good cause for offence, and I beg you to think no more of my words."

      "What you said," replied Roger, dolefully, "was no doubt true enough. I have been thinking over your estimate of my poems, and I fear I have, in my enthusiasm, at various times given you the idea that I held them in high esteem myself; but alas, no one knows better than I what poor trash they are, and I recited them to you that I might profit by your criticism. I cannot find fault with an honest opinion."

      "It was not an honest opinion," cried John, fervently. "I was disappointed that you refused to pleasure my master by allowing him to get free of the castle, but he has said that you were quite right to stand by your oath and showed me that, in your place, I would have done the same. Ah, he has a high opinion of poets, my master."

      "Has he so? Then am I the more unfortunate that I cannot aid him to escape. I would I had taken the oath with him instead of under the Archbishop, whom I have never seen, but such are the fortunes of war, and one of the many blessings of peace is that then a man is at liberty to do what he will for a friend, as I think I have well set forth in a verse conned over in my mind since you left me, which I shall entitle, 'Peace boweth to Friendship.'"

      "Let me hear it, Roger, in token of your forgiveness, for what I said to you a while since was but the reflex of my disappointment, and in no wise an indication of my true mind."

      "The verse is but a trivial one at best," said Roger, in a tone of great complacency that rather belied his words, "and is, you must remember, not yet polished as it will be when I indite it on papyrus; still I have to admit that even in its present unfinished shape it contains the germ of what may be an epic. It runs thus——"

      And here he repeated the lines sonorously, while his comrade listened with rapt attention beaming on his upturned countenance.

      After this felicitous introduction the two sat down together, the sentinel rising now and then to cast a look about him, resolved that even the delights of a discussion upon poesy should not make him neglect the business he had in hand, but the night was still, with the castle and camp wrapped in equal silence. At last John's quick ear caught the low signal that told him Rodolph and Conrad were waiting to make good their way through the line, broken at this point by a literary conference. John looked sharply at his friend, wondering whether or no he also had heard the sound, but the other babbled serenely on.

      "You remember the poems you delivered that night at the foot of the wall long ago, when you so unjustly charged me with being asleep, because, I suppose, your first verses were on 'Sleep?' Recite them again in the order you then arranged them, if you can, and I will tell you whether you have improved the lines or not."

      The author rapturously began, and he had no complaint to make regarding his listener's lack of attention. John seemed fascinated, and fixed his eyes on the speaker with a keen inquiry that was most flattering. Never had reciter so absorbed an audience, and the poet went on like one inspired. He glowed with the enthusiasm of his varying themes, and his voice was at times thrilled with the pathos or the tenderness of his changing subjects. Once, indeed, he stopped abruptly in the middle of a quatrain, and whispered, alarmed:

      "What was that? A twig snapped; I am sure of it. Did you hear nothing?"

      "Nothing, Roger, but the most marvellous lines that ever man was privileged to listen to. Go on, for God's sake, and do not keep me thus deprived of the remainder. What follows: what follows, Roger?"

      "Ah, John," cried the poet, beaming upon him, "you have the true feeling for poesy; why was the gift of expression denied you?"

      "It is a question I cannot answer, but if I fail to make an arrow, I can judge it rightly when it is made. Perhaps if I were a poet myself I could not so well appreciate the verses with which you delight the world."

      "True. I have met other versifiers who were so lacking in all valuation of genius that instead of listening to some of my best efforts they would insist on disturbing me with their own poor doggerel, which was entirely devoid of any just reason for existence. You would hear more of this poem, then?"

      "I would not lose a word of it for all the wine between here and Treves. Go on, I beg you, for I never before heard the like of it."

      The syllables of the poet flowed like the sweet purling of a stream, and finally, through it all, John's straining ears caught again the signal, but this time from the opposite side of the moonlit Thaurand valley, high up on the hill, which intimated to him that his comrades were at last safe, and that they were making their way across the rocky headland which jutted out between the Thaurand and the Moselle to the north of the spot where the talker and the listener sat, and thus Rodolph and Conrad had avoided the danger of going down the valley and past the end of the village, which was thronged with the Archbishop's men. John Surrey still sat there until he thought his comrades had had time to reach the bank of the river, knowing that then if he were captured or killed, they, at least, would be free from molestation, for it had been arranged that they were to wait but a short time for him, and, on the first symptom of alarm, make the best of their way down the Moselle, with such speed as was possible. Two more poems were recited, and at the end of the last, John Surrey rose and placed his hands on Roger's shoulder, his friend, the poet, rising also.

      "If it should so chance, Roger, that I do not live to tell you this again, mark well my last words. The verse you have rhymed to me will live long after our two heads are low, if you can but get them on parchment so that others may read them when we are gone. This is my true belief, for there is something in them that touches me, although I cannot explain why or what it is. I do not think I understand them, yet am I pleased and soothed to listen to them, for the words run smoothly, the one into the other, like music. This, Roger, is my firm opinion, and perhaps my last, so remember it, and forget my petulance earlier in the night. How many arrows have you, Roger?"

      "Arrows? The saints save us! What have arrows to do with poetry, John? I carry five with me each night on guard, but have never yet had use for any. But respecting that last poem, did you notice——"

      "Roger,