Living in Harmony with the Nature: Henry David Thoreau's Edition (13 Titles in One Edition). Генри Дэвид ТороЧитать онлайн книгу.
as a banker when his notes fall due. The Cypripedium not due till to-morrow. He thought, that, if waked up from a trance, in this swamp, he could tell by the plants what time of the year it was within two days. The redstart was flying about, and presently the fine grosbeaks, whose brilliant scarlet “makes the rash gazer wipe his eye,” and whose fine clear note Thoreau compared to that of a tanager which has got rid of its hoarseness. Presently he heard a note which he called that of the night-warbler, a bird he had never identified, had been in search of twelve years, which always, when he saw it, was in the act of diving down into a tree or bush, and which it was vain to seek; the only bird that sings indifferently by night and by day. I told him he must beware of finding and booking it, lest life should have nothing more to show him. He said, “What you seek in vain for, half your life, one day you come full upon all the family at dinner. You seek it like a dream, and as soon as you find it you become its prey.”
His interest in the flower or the bird lay very deep in his mind, was connected with Nature, — and the meaning of Nature was never attempted to be defined by him. He would not offer a memoir of his observations to the Natural History Society. “Why should I? To detach the description from its connections in my mind would make it no longer true or valuable to me: and they do not wish what belongs to it.” His power of observation seemed to indicate additional senses. He saw as with microscope, heard as with ear-trumpet, and his memory was a photographic register of all he saw and heard. And yet none knew better than he that it is not the fact that imports, but the impression or effect of the fact on your mind. Every fact lay in glory in his mind, a type of the order and beauty of the whole. His determination on Natural History was organic. He confessed that he sometimes felt like a hound or a panther, and, if born among Indians, would have been a fell hunter. But, restrained by his Massachusetts culture he played out the game in this mild form of botany and ichthyology. His intimacy with animals suggested what Thomas Fuller records of Butler the apiologist, that “either he had told the bees things or the bees had told him.” Snakes coiled round his leg; the fishes swam into his hand, and he took them out of the water; he pulled the woodchuck out of its hole by the tail, and took the foxes under his protection from the hunters. Our naturalist had perfect magnanimity; he had no secrets; he would carry you to the heron’s haunt, or even to his most prized botanical swamp, — possibly knowing that you could never find it again, yet willing to take his risks.
No college ever offered him a diploma, or a professor’s chair; no academy made him its corresponding secretary, its discoverer, or even its member. Perhaps these learned bodies feared the satire of his presence. Yet so much knowledge of Nature’s secret and genius few others possessed, none in a more large and religious synthesis. For not a particle of respect had he to the opinions of any man or body of men, but homage solely to the truth itself; and as he discovered everywhere among doctors some leaning of courtesy, it discredited them. He grew to be revered and admired by his townsmen, who had at first known him only as an oddity. The farmers who employed him as a surveyor soon discovered his rare accuracy and skill, his knowledge of their lands, of trees, of birds, of Indian remains, and the like, which enabled him to tell every farmer more than he knew before of his own farm; so that he began to feel as if Mr. Thoreau had better rights in his land than he. They felt, too, the superiority of the character which addressed all men with a native authority.
Indian relics abound in Corcord, — arrow-heads, stone chisels, pestles, and fragments of pottery; and on the river-bank, large heaps of clam-shells and ashes mark spots which the savages frequented. These, and every circumstance touching the Indian, were important in his eyes. His visits to Maine were chiefly for love of the Indian. He had the satisfaction of seeing the manufacture of the bark-canoe, as well as of trying his hand in its management on the rapids. He was inquisitive about the making of the stone arrow-head, and in his last days charged a youth setting out for the Rocky Mountains to find an Indian who could tell him that: “It was well worth a visit to California to learn it.” Occasionally, a small party of Penobscot Indians would visit Concord, and pitch their tents for a few weeks in summer on the river-bank. He failed not to make acquaintance with the best of them; though he well knew that asking questions of Indians is like catechizing beavers and rabbits. In his last visit to Maine he had great satisfaction from Joseph Polis, an intelligent Indian of Oldtown, who was his guide for some weeks.
He was equally interested in every natural fact. The depth of his perception found likeness of law throughout Nature, and I know not any genius who so swiftly inferred universal law from the single fact. He was no pedant of a department. His eye was open to beauty, and his ear to music. He found these, not in rare conditions, but wheresoever he went. He thought the best of music was in single strains; and he found poetic suggestion in the humming of the telegraph-wire.
His poetry might be bad or good; he no doubt wanted a lyric facility and technical skill; but he had the source of poetry in his spiritual perception. He was a good reader and critic, and his judgment on poetry was to the ground of it. He could not be deceived as to the presence or absence of the poetic element in any composition, and his thirst for this made him negligent and perhaps scornful of superficial graces. He would pass by many delicate rhythms, but he would have detected every live stanza or line in a volume, and knew very well where to find an equal poetic charm in prose. He was so enamored of the spiritual beauty that he held all actual written poems in very light esteem in the comparison. He admired Æschylus and Pindar; but, when some one was commending them, he said that “Æschylus and the Greeks, in describing Apollo and Orpheus, had given no song, or no good one. They ought not to have moved trees, but to have chanted to the gods such a hymn as would have sung all their old ideas out of their heads, and new ones in.” His own verses are often rude and defective. The gold does not yet run pure, is drossy and crude. The thyme and marjoram are not yet honey. But if he want lyric fineness and technical merits, if he have not the poetic temperament, he never lacks the causal thought, showing that his genius was better than his talent. He knew the worth of the Imagination for the uplifting and consolation of human life, and liked to throw every thought into a symbol. The fact you tell is of no value, but only the impression. For this reason his presence was poetic, always piqued the curiosity to know more deeply the secrets of his mind. He had many reserves, an unwillingness to exhibit to profane eyes what was still sacred in his own, and knew well how to throw a poetic veil over his experience. All readers of “Walden” will remember his mythical record of his disappointments:—
“I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks, and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud; and they seemed an anxious to recover them as if they had lost them themselves.”
His riddles were worth the reading, and I confide, that, if at any time I do not understand the expression, it is yet just. Such was the wealth of his truth that it was not worth his while to use words in vain. His poem entitled “Sympathy” reveals the tenderness under that triple steel of stoicism, and the intellectual subtilty it could animate. His classic on “Smoke” suggests Simonides, but is better than any poem of Simonides. His biography is in his verses. His habitual thought makes all his poetry a hymn to the Cause of causes, the Spirit which vivifies and controls his own:—
“I hearing get, who had but ears,
And sight, who had but eyes before;
I moments live, who lived but years,
And truth discern, who knew but learning’s lore.”
And still more in these religious lines:—
“Now chiefly is my natal hour,
And only now my prime of life;
I will not doubt the love untold,
Which not my worth or want hath bought,
Which wooed me young, and woos me old,
And to this evening hath me brought.”
Whilst he used in his writings a certain petulance of remark in reference to churches or churchmen, he was a person of a rare, tender, and absolute religion, a person incapable of any profanation, by act or by thought. Of course, the same isolation which belonged to his original thinking and living