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All the east became as a garden of roses, red flowers of living light shone over the mountain, and as the beams of the sun lit up the circle of the earth a bird's song began from a tree within the wood. Then were heard the modulations of a final and exultant ecstasy, the chant of liberation, a magistral In Exitu; there was the melody of rejoicing trills, of unwearied, glad reiterations of choirs ever aspiring, prophesying the coming of the great feast, singing the eternal antiphon.
As the song aspired into the heights, so there aspired suddenly before him the walls and pinnacles of a great church set upon a high hill. It was far off, and yet as though it were close at hand he saw all the delicate and wonderful imagery cut in its stones. The great door in the west was a miracle: every flower and leaf, every reed and fern, were clustered in the work of the capitals, and in the round arch above moulding within moulding showed all the beasts that God has made. He saw the rose-window, a maze of fretted tracery, the high lancets of the fair hall, the marvellous buttresses, set like angels about this holy house, whose pinnacles were as a place of many springing trees. And high above the vast, far-lifted vault of the roof rose up the spire, golden in the light. The bells were ringing for the feast; he heard from within the walls the roll and swell and triumph of the organ:
O pius o bonus o placidus sonus hymnus eorum.
He knew not how he had taken his place in this great procession, how, surrounded by ministrants in white, he too bore his part in endless litanies. He knew not through what strange land they passed in their fervent, admirable order, following their banners and their symbols that glanced on high before them. But that land stood ever, it seemed, in a clear, still air, crowned with golden sunlight; and so there were those who bore great torches of wax, strangely and beautifully adorned with golden and vermilion ornaments. The delicate flame of these tapers burned steadily in the still sunlight, and the glittering silver censers as they rose and fell tossed a pale cloud into the air. They delayed, now and again, by wayside shrines, giving thanks for unutterable compassions, and, advancing anew, the blessed company surged onward, moving to its unknown goal in the far blue mountains that rose beyond the plain. There were faces and shapes of awful beauty about him; he saw those in whose eyes were the undying lamps of heaven, about whose heads the golden hair was as an aureole; and there were they that above the girded vesture of white wore dyed garments, and as they advanced around their feet there was the likeness of dim flames.
The great white array had vanished and he was alone. He was tracking a secret path that wound in and out through the thickets of a great forest. By solitary pools of still water, by great oaks, worlds of green leaves, by fountains and streams of water, by the bubbling, mossy sources of the brooks he followed this hidden way, now climbing and now descending, but still mounting upward, still passing, as he knew, farther and farther from all the habitations of men. Through the green boughs now he saw the shining sea-water; he saw the land of the old saints, all the divisions of the land that men had given to them for God; he saw their churches, and it seemed as if he could hear, very faintly, the noise of the ringing of their holy bells. Then, at last, when he had crossed the Old Road, and had gone by the Lightning-struck Land and the Fisherman's Well, he found, between the forest and the mountain, a very ancient and little chapel; and now he heard the bell of the saint ringing clearly and so sweetly that it was as it were the singing of the angels. Within it was very dark and there was silence. He knelt and saw scarcely that the chapel was divided into two parts by a screen that rose up to the round roof. There was a glinting of shapes as if golden figures were painted on this screen, and through the joinings of its beams there streamed out thin needles of white splendour as if within there was a light greater than that of the sun at noonday. And the flesh began to tremble, for all the place was filled with the odours of Paradise, and he heard the ringing of the Holy Bell and the voices of the choir that out-sang the Fairy Birds of Rhiannon, crying and proclaiming:
"Glory and praise to the Conqueror of Death: to the Fountain of Life Unending."
Nine times they sang this anthem, and then the whole place was filled with blinding light. For a door in the screen had been opened, and there came forth an old man, all in shining white, on whose head was a gold crown. Before him went one who rang the bell; on each side there were young men with torches; and in his hands he bore the Mystery of Mysteries wrapped about in veils of gold and of all colours, so that it might not be discerned; and so he passed before the screen, and the light of heaven burst forth from that which he held. Then he entered in again by a door that was on the other side, and the Holy Things were hidden.
And Ambrose heard from within an awful voice and the words:
Woe and great sorrow are on him, for he hath looked unworthily into the Tremendous Mysteries, and on the Secret Glory which is hidden from the Holy Angels.
II
"Poetry is the only possible way of saying anything that is worth saying at all." This was an axiom that, in later years, Ambrose Meyrick's friends were forced to hear at frequent intervals. He would go on to say that he used the term poetry in its most liberal sense, including in it all mystic or symbolic prose, all painting and statuary that was worthy to be called art, all great architecture, and all true music. He meant, it is to be presumed, that the mysteries can only be conveyed by symbols; unfortunately, however, he did not always make it quite clear that this was the proposition that he intended to utter, and thus offence was sometimes given—as, for example, to the scientific gentleman who had been brought to Meyrick's rooms and went away early, wondering audibly and sarcastically whether "your clever friend" wanted to metrify biology and set Euclid to Bach's Organ Fugues.
However, the Great Axiom (as he called it) was the justification that he put forward in defence of the notes on which the previous section is based.
"Of course," he would say, "the symbolism is inadequate; but that is the defect of speech of any kind when you have once ventured beyond the multiplication table and the jargon of the Stock Exchange. Inadequacy of expression is merely a minor part of the great tragedy of humanity. Only an ass thinks that he has succeeded in uttering the perfect content of his thought without either excess or defect."
"Then, again," he might go on, "the symbolism would very likely be misleading to a great many people; but what is one to do? I believe many good people find Turner mad and Dickens tiresome. And if the great sometimes fail, what hope is there for the little? We cannot all be—well—popular novelists of the day."
Of course, the notes in question were made many years after the event they commemorate; they were the man's translation of all the wonderful and inexpressible emotions of the boy; and, as Meyrick puts it, many "words" (or symbols) are used in them which were unknown to the lad of fifteen.
"Nevertheless," he said, "they are the best words that I can find."
As has been said, the Old Grange was a large, roomy house; a space could easily have been found for half a dozen more boys if the High Usher had cared to be bothered with them. As it was, it was a favour to be at Horbury's, and there was usually some personal reason for admission. Pelly, for example, was the son of an old friend; Bates was a distant cousin; and Rawson's father was the master of a small Grammar School in the north with which certain ancestral Horburys were somehow connected. The Old Grange was a fine large Caroline house; it had a grave front of red brick, mellowed with age, tier upon tier of tall, narrow windows, flush with the walls, and a high-pitched, red-tiled roof. Above the front door was a rich and curious wooden pent-house, deeply carven; and within there was plenty of excellent panelling, and some good mantelpieces, added, it would seem, somewhere about the Adam period. Horbury had seen its solid and comfortable merits and had bought the freehold years before at a great bargain. The school was increasing rapidly even in those days, and he knew that before long more houses would be required. If he left Lupton he would be able to let the Old Grange easily—he might almost put it up for auction—and the rent would represent a return of fifty per cent on his investment. Many of the rooms were large; of a size out of all proportion to the boys' needs, and at a very trifling expense partitions might be made and the nine or ten available rooms be subdivided into studies for twenty or even twenty-five boys. Nature had gifted the High Usher with a careful, provident mind in all things, both great and small; and it is but fair to add that